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Another contemporary player using a Gibson L5 don't know if CES or WesMo is Roni Ben-Hur.
But they where yesterday at that point in time. Nobody wanted them and they didn't sell. It was until July '66 when the Beano Album hit the record stores that things changed So what we...
Stripped and re-equipped with Gibson parts - frets, pups, electronics per Paul Reed Smith to me in '86. The grand piano-shaped brass sustain block under the bridge was retained.
Eric Gale of the 1970s band Stuff. Probably more R&B than Rock, but he did play with a heavy gain, sometimes overdriven sound using a L5 and 400. Also took the pickup covers off at one time.
I think they were still making the Les Paul SG though during that time period.
Outstanding instrument. GLWTS! :encouragement:
I just mark the bridge posn with a sharpie and / or temporarily tape the bridge to the top with low tack decorators tape Its only on there for an hour or so
I'd consider better PAF but don't go to any of those brighter "tron" sorts. I've used most of them all and they're all pretty good but it won't feel like the same guitar at all and somehow I don't...
I never know what going to happen there next: Husband on leash breached Quebec'''s Covid curfew - BBC News
Given the genres of music you suggest you're interested in, you might be better served by a semihollow than a full hollowbody. In the Ibanez universe, that would be the AS and AM lines.
I've had it for 8 years now. It's my all-purpose Pop guitar. It's ergonomically excellent: light and acoustically airy for a semi-hollow, love the neck, setup is darn near perfect (with 11's). The...
Still playing my classical on an old Kamouraska.
Thinking about upgrading my Montreal Premiere ......
Today, 05:27 PM in Guitar, Amps & Gizmos