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The best "book" I can recommend about this style is this diploma thesis about the role of the guitar in the count basie rhythm section.http://https://www.google.com/url?sa...u3uhozV8R9g-Z4
I printed the whole thing and worked through it as a teenager. In a lot of ways it explains how and why this style of playing works so well. For me a lot of that stuff were Real eye openers.
Paul
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07-04-2024 05:10 PM
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Originally Posted by Webby
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It's important to note Freddie developed his spare style over time...Freddie Green didn't always play Freddie Green style.
Webby, that link didn't work for me, but Phil, I'd definitely consider anything Webby suggests regarding rhythm guitar.
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Originally Posted by mr. beaumont
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Originally Posted by mr. beaumont
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Oh it's that article/thesis? Then yes, it's absolutely worth checking out.
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Hi.
I guess participating in this means to post at least one clip:
this is me practicing to get the third string under control,
tune: on the street where you live.
Dropbox
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Originally Posted by Jwr
Can you tell me what chords you're using for the bridge?
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Pawlowski6132:
But I probably played some notes that didn’t fit. The Ireal comp is just too quiet on the ipad speakers.
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thanx much,
i hope to post same song this weekend (out of town now)
also, don't forget to charge your phone.
jrp
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Talking about simplifying things and "On the Street Where You Live"
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Originally Posted by mr. beaumont
Last edited by pawlowski6132; 07-05-2024 at 04:21 PM.
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One more, just for anybody who hasn't played in this style before and who needs a little push to "get off the fence."
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Wayne Wright plays rhythm with George Barnes, Ruby Braff and Michael Moore
https://jazzlives.wordpress.com/?action=user_content_redirect&uuid=6f75141ddb7569f 9aecd279e43171e487fc6ec4c5bedcef24e274b7b809707c1& blog_id=2937748&post_id=70953&user_id=0&subs_id=34 6897973&signature=9c61d8e97a10a40a97db7580fe377e1f &email_name=new-post&user_email=pcjazz@bell.net&encoded_url=aHR0cH M6Ly95b3V0dS5iZS8zRUQxWEVWZThPcw=
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Holy shit is that good! ^^^^^^
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Sunday fun: rhythmic "hits" and really honing in on those inside strings/the guitar is a piece of tuned percussion.
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Wednesday afternoon musings on varying the amount of notes in chords.
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Originally Posted by AllanAllen
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Originally Posted by mr. beaumont
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Originally Posted by 2bornot2bop
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My grandma liked Polka, Julio Iglesias, and pretty much anything in Spanish. Which of course she didn't speak a word of.
Figuring out her beef noodle soup recipe over time is one of my life's great achievements.
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All the things you can dance to:
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Originally Posted by mr. beaumont
I’m late to this, but I will try to contribute. I feel a bit of an obligation, given that I’m a Charleston native, like Freddie Green—who was boyhood friends with my grandfather.
Stella is interesting to me because I “hear” it in more extreme forms. The first time I heard the tune was on a Jimmy Raney album (I think it was In Paris, Vol. 1), so a purely bop uptempo take, Derek Bailey also played it on Ballads (and of course, his approach is not for everyone, much as I like it. But note that this album is solo acoustic and he’s getting an incredible sound from a vintage Epiphone…).
As more relevant to the subject of the thread, I also play tenor and plectrum banjo. And doing so has shown me just how much Freddie Green and his contemporaries brought to rhythm guitar from tenor banjo.
Maybe I can post something taking on the same progression on guitar, tenor, and plectrum banjo.
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Jeff, did you do a rhythm changes yet? Hint hint
Reading Music and aging eyes?
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