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Originally Posted by Bop Head
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02-14-2024 01:34 PM
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Originally Posted by Bop Head
Am I reading this right?
I see how it maps to Ab7/#9 (R 5 3 7 #9), but to call it D13b5b9 (b5 b9 7 3 13) seems a stretch (pun intended)
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Originally Posted by AllanAllen
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Originally Posted by Bop Head
In the context of the book, it's used at a rootless V7 which resolves to the I. The book (MIckey Bakers Complete Course in Jazz Guitar) doesn't hold your hand and explain everything as you go. The chord is also used later in the book, you hold the pinky still but slide the rest of your fingers down a fret and have a beautiful V to I resolution.
Then some people with more brains than me argued that technically it was this or that chord because of the notes in it, which didn't make sense to me. If I play a T Bone Walker G x2323x on Stormy Monday, it's not a Bm7b5, it's a rootless G9. Context matters.Last edited by AllanAllen; 02-15-2024 at 12:21 PM.
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I know I'm very late... but the example is just a I VI II V .
Half of the spellings of the chords... are deceptive and cosmetic.
It's dated notation. Eventually you'll learn that.... there are few different harmonically organized References for developing these common Chord Patterns.
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Originally Posted by AllanAllen
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Originally Posted by Bop Head
V and bii aren't the same for a beginning jazz student. Labeling and defining everything at once is confusing.
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Originally Posted by dnauhei
Gb7#9 = ges - des - e - bes - des - a.
C13b5b9 = b5 b9 3 b7 b9 13
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