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Originally Posted by fep
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08-03-2008 09:21 PM
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'By the way, have you seen this transcription of your outstanding work??'
Yes I saw this. In fact i put a soundclip up on the soundclip page and a link to Petri's page for his transcription of it. It has all the things we are talking about but it is a little tough to play in places if you're not used to those kind of voicings.
Best
Mike
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Speaking of Polka Dots... I was just wondering what is the most common key you guys play it in? I might be playing it an upcoming jam and have found it in a few keys...
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Originally Posted by Sailor
Actually no - it would be the same as Fm7b5/G which is NOT the same as Fm7b5.
And if you want to look at the substitution then, you have to say that Fm7b5 is also = to G7+5-9/F (or viceversa).
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AS for parallelism, there is a difference between leading tones in arranging for Orchestra, Voices and playing jazz on a guitar, piano, etc...
There are issues involving overtones and harmonics which have to be dealt with when writing for Orchestra. Strings, especially. Same for choral work.
In jazz we can judiciously use 4ths and 5ths when writing for horns but even then, there is a way to do it and when to do it...
Us guitar players of course can do anything we want!
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Originally Posted by Sailor
Has anyone played or had a Supro Amulet ?
Today, 04:44 AM in Guitar, Amps & Gizmos