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Originally Posted by AllanAllen
the last one is G E Bb and the first is A F B
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11-03-2024 07:30 PM
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Oh, thanks. I was grabbing it wrong. This guitar stuff is hard.
I was grabbing G E Bb and Ab E Bb. It’s tricky at the 15th fret. My markers stop.
Practicing big band charts tonight and I feel an improvement. I know what’s happening so it’s not as overwhelming
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Thanks for all the helpful info - I love that many of the posts take on a life of their own. Apologies for not commenting sooner - life and all that. There's a wealth of info here - thank you so much to everyone who commented with such useful content. I appreciate everyone's time in helping me out with understanding these concepts. It's massively appreciated.
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Originally Posted by AllanAllen
10-x-7-10-x-x (Bm7b5) >> 8-x-7-9-x-x (Am/Bm7b9sus) >> 8-x-7-7-x-x (Bm7b9, no 5th)
>> 7-x-6-7-x-x (E7) >> 6-x-6-7-x-x (Bb7) >> 5-x-6-6-(0)-(0) (Amaj.7/9)
But I suppose I'm crossing into chord melody territory there....
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Originally Posted by fep
Thanks for the recommendation Fep!
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Originally Posted by alltunes
I am also wondering if this could become a study group over the winter, perhaps I am jumping the gun here, but would anyone be interested in working through the book with me?
Andy B
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I'd participate in an open study group like the Autumn Of Solo Guitar thread. I have a copy of the Junior Mance book someone mentioned in this thread, and since it's 22 pages, I think I'll start working through it along with Rhythms Complete between gigs.
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Originally Posted by andyb
Rather then going through the book page by page one way to approach it may be to take one of the chapters and expand on it or show how we have assimilated into our own playing.
* being a reference it helps me remember or at least remind me of the dozens of approach’s and concepts…for example one sub-section of a chapter is “comping with common tones”…..that jogs the memory… oh yeah…that’s cool…let me try and keep a note constant on the top while shifting chords underneath
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If the OP is still around maybe this will help. Sorry the volume is low it is my unplugged Tele. Anyway the idea is to create some movement on a G7 chord. The move is basically a Dm triad shape moved around where the top note follows the G minor scale. Technically speaking “quartal harmony with parallel motion”
https://dai.ly/ky44PkvykH1tU3BPYs0Last edited by alltunes; 11-09-2024 at 12:51 PM.
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The OP could also search for a PDF of the brief and long out-of-print publication, Chord Encounters: Blues, Chords and Substitutions by Joe Pass. Like Jay Umble's book referenced earlier in the thread, the examples are in one key (in this case, F) and cover all the basic moves.
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I uploaded the book that PMB referenced here - Joe Pass Chord Encounters for Guitar?
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