Threads 1 to 50 of 79
"...But when I went into analyzing how to get that b5/#5 sound from the minor 6th dim chord when converting it to a single-line melodic scale (so that I can play that sound at 200bpm in improv...
i guess you don't consider graduates of jazz programs "formally trained". :)
This is great resource about Jimmy Wyble's guitar concepts: David Oakes I have also ordered his book,The Art of Two Line Improvisation. Here is a great video demonstration of how to benefit...
Real banjo players. we doublers tend to go with 4ths and a 3rd. 5th aren't all that hard if you do a lot of banjo work, and it's a brighter, snappier sound, which I hate, so I stick to doubler's...
OKTAVA MK 012 looks interesting. Thanks for the help.:smile-new:
"I think there’s a belief that classical musicians are automata who flawlessly execute any music you put in front of them. This is not the case." Christianm77 Hi, C, "Flawlessly"--I never...
For my own recordings I use a matched pair of OKTAVA MK 012 mics which I bought new for € 300,- A friend who produces his own acoustic guitar based music at home owns 2 Microtech-Gefell M300 mics...
I don't understand the obsession with keeping original parts. Bad capacitors are useless, and should be tossed. They can't be used for anything. An old electrical cable is more likely to have...
Say hello to your sister. She is very talented.:flowers:
Hi, D, You are a wonderful musician: very expressive, great dynamic variation, moving rubato, and a very personal nuance of your instrument and emotions. I wish you the very best in your...
Oh cool ... I've never been a fan of TV Yellow, so Pelham blue is a nice surprise. I also dig that it doesn't come with a wrap around bridge ... Assuming it's not overpriced I'd buy this in a...
The best microphone for recording classical guitar
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