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Here is the famous prelude from BWV 1007, the first cello suite. Alan not only adds the implied bass line, as others have done, but additionally fills out the inner voices, approaching how a period keyboardist would have approached the piece
And on his new album he does the same thing with the famous violin chaccone
Here is Alan discussing his approach
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04-18-2023 06:55 AM
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Thanks for that, seems like a nice project, and a lot of good hard work.
I still prefer the sound of the original, or rather transcription of the original. Irina Kulikova’s version on YouTube is tough to beat.
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Irina Kulikova's version is indeed jaw-droppingly good!
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Originally Posted by Jazzjourney4Eva
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Originally Posted by BWV
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Originally Posted by BWV
Her Bach performance was splendid indeed, as was her Ponce.
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Alan Mearns sounds great.
The extra layers in that Cello Suite Prelude are nice but thicken it up too much - for me anyway. The guitar transcription already does that relative to the cello, then we add more layers to emulate a harpsichord? I don't see the point, as we have enough keyboard already. But that's just one listener's impression...
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Probably the best performance of Chopin on the guitar.Exelent!Amazing musicianship of the artist.
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Originally Posted by kris
I tend to cringe when guitarists attempt to play Chopin, which is so idiomatic to piano, but agree these are very well done.
he also has a nice folk thing going
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Originally Posted by Jazzjourney4Eva
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Originally Posted by BWV
As you may know, classical guitarists have been playing short and appealing pieces in concert for some time now. (don't even think about the names and performances of Cavatina from The Deer Hunter, lol)
But go ahead - post some "spare-to fair" guitarists that played it as well - or better - than Irina.
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Originally Posted by Jazzjourney4Eva
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Originally Posted by kris
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Originally Posted by kris
The bonus for her of course is that she got to sit in that GSI chair where I sat, in Santa Monica.
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I find it hard to judge different performances of the prelude, so I'm going to say whoever trudges through the most snow wins.
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Her tone production was not nearly as... luscious either. Maybe it's the guitar's fault? Not a helpful selling point for GSI in that case (ouch). So, I'm goin' with the player.
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Originally Posted by BigDaddyLoveHandles
Then at intermission everyone opines about this player or that, and many disagree.
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Originally Posted by Jazzjourney4Eva
I quite like the way he pulls it around here. I assume as he’s playing one of those period correct cello de spalla things he’s a baroque music boffin. Not sure if these choices would work on guitar.
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Originally Posted by Christian Miller
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Fender D'Aquisto Elite.....
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