The Jazz Guitar Chord Dictionary
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  1. #26
    Quote Originally Posted by Mark M.
    What price range are you considering?
    I'm trying not to exceed $3000. However, it can be a used or new instrument so MSRP can be higher. For instance, I see some Ramirez SPR guitars for $3k or less but MSRP is usually about double that.

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  3. #27
    Quote Originally Posted by Rob MacKillop
    Is my Ramirez 1A too expensive for you? See For Sale section. It won’t wear out for 500 years.
    That's a good price but it is more than I'm looking for. I'm actually not looking to buy just yet but want to get a good idea for what my options are. I'll probably buy sometime at the beginning of next year. For a 1A though I probably would be a little more flexible as that is a keep forever kind of guitar.

  4. #28

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    I didn’t realize your budget was 3K, with which you should definitely find a good instrument. I had a Ramirez N or R4 can’t recall which, in that price range. I really enjoyed its sound and feel. It was of course not made in the Ramirez shop. And, it’s heavy lacquer finish could have staved off a HIMARS attack. But it had good resale value thanks to the name.

    The Kenny Hill Player series come in around 2K, and are worth a look.

    TBH there are many options out there (and equally many opinions here))) and the old advice of playing before buying holds true.

    OP where do you live? Spending a day at a store with a good selection is worth the effort even if it involves a drive. If you’re east coast, Savage Classical on Long Island, or Kirkpatrick near Baltimore are great hang out and try stores. (Classical Guitar Store in Philly prices tend to start at 4-5K and go up.)

    jk

  5. #29

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    $3000 is a decent budget. You could get a Yamaha GC32S or C and have change jangling in your pocket or the GC42 S or C and have no change. People rag on Yamaha because it is Yamaha but the GC series is really good if you snoop around. Give it a chance.

    Esteve from Spain I like. The Esteve 9, 11 models bought from a Guitarras de Luthier in Spain are about 50% of what they cost in the USA, about €1350 each sans VAT. I have read good things about Guitarras Antonio Picado. Juan Hernandez guitars are made in a corner of the Esteve workshop.

    Michael Lazar, an "amateur" luthier in Canada who has made and sold over 140 guitars, makes professional quality guitars with different bracing patterns, starting from about USD3000. I would consider Michael Lazar first although I mentioned him last. Nothing midrange about Michael's guitars except for his price. Classical Guitars by Michael F Lazar

    PS Michael Lazar posts the prices in Canadian dollars.

  6. #30

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    Quote Originally Posted by chris32895
    For a 1A though I probably would be a little more flexible as that is a keep forever kind of guitar.
    Well, if you live in the States, Chris, the Dollar-Pound balance lies heavily in your favour right now. Just saying. I know I sound like a used-car salesman, but now really is the best time to buy. One dollar = 1 pound. That will change.

  7. #31

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    what do you call a midrange?? you talk about a factory guitar??
    I ask because many people don't have to mush money for a high range guitar but, probably, when you see high range you are talking about 6k,7, 15k for a guitar
    that is not totally true I build high range guitars and they start at 3500€

  8. #32

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    My Ramirez has been sold.

  9. #33
    Don't mean to revive a dead thread but I am still looking lol. Now I have narrowed it down to 3 instruments I can save up towards. These are:
    1. Pavan TP-30
    2. Esteve (Manuel Adalid) Model 12
    3. Picado Model 60

    These would all be with cedar tops and are in no real order except that I have done the most research on the Pavan and the price is the most attractive.

  10. #34

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    Hi Chris
    i see in my earlier response i didn’t mention that I did have a Pavan 30. I enjoyed the guitar, a nice player. Good cedar sound, used it in a couple of student recitals and it served me well.
    The others Ive never played so cant comment.
    (That certainly does not stop others from commenting on guitars theyve never touched, but not this kid))))).
    good luck!
    jk

  11. #35

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    My vote goes to the Pavan

  12. #36

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    Hi Chris,

    Sorry for being a broken record but in my opinion you'll have a much better idea if you try out the instruments in person. If you can visit a big dealer, that would be best. The right guitar for you might be something that you'd never expect.
    Ok, that said, I had a friend that used a Pavan guitar for undergraduate studies. It was a good guitar. If memory hasn't failed me, I wasn't impressed by Picado. Never tried the Esteve. I hope you don't take my word for it though, try the guitar!

    Is your budget still $3000? If so, I would strongly consider going used because you'd get into the realm of luthier instruments. I too disagree with the comment about used guitars losing their voice after 5 years. That only happens on really old instruments that've been played to death.

    The guitars you mention if I remember right are quite below that, yes? Kenny Hill student guitars are pretty good too. Oh, Cordoba's good too.

  13. #37

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    Quote Originally Posted by chris32895
    Don't mean to revive a dead thread but I am still looking lol. Now I have narrowed it down to 3 instruments I can save up towards. These are:
    1. Pavan TP-30
    2. Esteve (Manuel Adalid) Model 12
    3. Picado Model 60

    These would all be with cedar tops and are in no real order except that I have done the most research on the Pavan and the price is the most attractive.
    I have (and quite love) my Otto Vowinkel 3A. It is made by Picado, but with Otto's take on bracing and aesthetics (headstock, rosette, etc). I had a chance to also play the 2A as well, but I preferred the Indian Rosewood back and sides over Maple. As someone that is not playing in large rooms, I enjoy the warmth/complexity over the added projection. That said, if you are looking at the Picado, you might want to see about the Otto as well. They are fantastic.

  14. #38
    Budget is still $3k at the moment. For me, I want to buy new just for peace of mind. I'm a little paranoid about that kind of stuff and have been burned with instruments (and other stuff). I would love to go somewhere and try out lots of different instruments. I agree it is the best thing to do and that is ultimately what led me to my archtop guitar. However, I don't know of many places around me stocked with decent classical guitars.

    Part of me thinks for this reason it might be better to trim my budget and find a solid instrument to practice on that will not limit me and in the future (many years from now) start looking for a nice luthier-built guitar. If I went with this criteria I would choose the Pavan on price and reputation (judging from remarks here and from classical guitar Delcamp) and then maybe later commission a luthier to build me something nicer if I felt it was necessary.

  15. #39

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    Quote Originally Posted by chris32895
    Budget is still $3k at the moment. For me, I want to buy new just for peace of mind. I'm a little paranoid about that kind of stuff and have been burned with instruments (and other stuff). I would love to go somewhere and try out lots of different instruments. I agree it is the best thing to do and that is ultimately what led me to my archtop guitar. However, I don't know of many places around me stocked with decent classical guitars.

    Part of me thinks for this reason it might be better to trim my budget and find a solid instrument to practice on that will not limit me and in the future (many years from now) start looking for a nice luthier-built guitar. If I went with this criteria I would choose the Pavan on price and reputation (judging from remarks here and from classical guitar Delcamp) and then maybe later commission a luthier to build me something nicer if I felt it was necessary.
    Richard Sayage at SavageClassicalGuitar.com deals mostly with higher end guitars but he does have guitars in your price range as well. He is reputable and honest (no bargains but fair prices). He would be happy to talk to you about what you want/need and he does have a number of guitars in your price range plus a WHOLE BUNCH of audio files where he demo's each of the guitars (hundreds of them) at his shop (and website).

    Richard is VERY/VERY well respected within the classical guitar community. His shop is on Long Island, NY, BTW, but he regularly deals strictly by phone and email - I bought a nice luthier guitar from him with no issues. He also does his own setup work if that is required on the guitar that you buy from him.

    dave

  16. #40

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    As has been previously mentioned, the Classical Guitar Store in Philly (The Classical Guitar Store ...since 1967 - Home) is a great place to try a lot of guitars. Where are you actually located?

  17. #41
    Northeast Ohio area

  18. #42

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    Quote Originally Posted by Skip Ellis
    Check out Tom Prisloe's Pavan guitars - especially the TP 30 - it comes in way about it's price point. Tom used to own the Santa Fe Spruce Company back in the day and is a world class builder in his own right. He ships the tops to Spain and has the guitars built to his specs (rumored to be by Esteve but no one's talking), then he does all the set up work when he gets them back to his shop in New York state. I've owned a couple and they're really nice instruments. Right now I'm lusting after his flamenco negra model. Most of his guitars can be had in either 650mm or 640mm scale length and with cutaways. Quite a few demo videos on YT. He also gives a good return period if you don't like it. He also likes to talk guitars if you get him on the phone.
    Since 2021 I own a Pavan TP-30 myself, spruce top.
    Yes, no one is talking, everyone is guessing. A lot of rumors about where they are made. I read about 3, Alhambra, Juan Hernandez (Profesor), and Esteve.
    In favor for Juan Hernandez, the head stock was very similar for the Pavans until 2006.
    A week ago I listened to a Siccas guitar review. One of the guitars: Esteve model, 11 (Manuel Adelid). So I recognized something, the rosette. It is not the Model 11 rosette differs only in detail from the Pavan TP-30 rosette.
    Google for the rosettes, and compare:
    Esteve model 11 - Pavan TP-30
    Esteve model 9CB - Pavan TP-20
    The description of the guitar, good playability, balance sound, over the string/frets.
    Sound wise quite similar.
    I think the Pavans are based on the 11/9CB models, modified for Tom Prisloe. Mainly the top/bracing.

    Not the most important thing to now, I'm happy with my guitar.
    I just walked into it.

  19. #43
    It's been a while since I made this thread. I was really lusting for a Pavan model but never acquired one. I did get an Esteve 7SR for very cheap as it had a crack in the top that was repaired very professionally. However, I found the neck very thin for me and the sound of the instrument was too warm and getting into muddy territory. I shopped around and ended up with a Yamaha GC22C which has a nice, rounder neck and a sound that is still warm but has a nice, clear separation of voices across all strings. A lot cheaper, too!

    I initially wanted something pricier but decided to lower my budget. Then I figured any all solid guitar will do so I tried the Esteve, which I did not like. Then I tried some Corodoba's, namely the C9 models. In the same shop was the Yamaha with very corroded strings but I could tell the sound was good and I am very happy.

  20. #44
    Quote Originally Posted by Bop Head
    A friend of mine who had a world-class classical carreer told me once that other than e.g. violins or archtops a classical guitar looses its acoustic capacities after only a few years. Because of the way those guitars are built the top gets cracks and the tone does not carry over a distance in a(n unamplified) concert anymore. The guitar stays playable and could be used in a studio maybe still.

    So depending on what you plan to do I would think twice before buying a used classical guitar.
    I politely disagree. Some of the most prized and most expensive guitars you can buy are from master luthiers working in the 50s, 60s, 70s. Lutes, the predecessor of the guitar, were used for centuries, but they are very lightly built and so don't survive as well as, say, a guitar. Properly cared for, a guitar soundboard won't crack. And harpsichords and pianos are infamous for soundboard cracks and they're still used in concert.