The Jazz Guitar Chord Dictionary
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  1. #1

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    What exactly are Segovia Scales ? I heard Matt W. Talking about adam rogers who practiced a lot thoses scales and make his students check a lot of that stuff.

    Is it a manner of practicing scales ? i saw that book last time (segovia - scales for classic guitar) is it what its all about ?

    Thanks !
    Marc

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    The Jazz Guitar Chord Dictionary
     
  3. #2

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    Yep, the term "segovia scales" is used to describe the fingerings he used for his book. The book goes for under 10$ and is well worth the bread.

    MW

  4. #3

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    Quote Originally Posted by m78w
    Yep, the term "segovia scales" is used to describe the fingerings he used for his book. The book goes for under 10$ and is well worth the bread.

    MW
    Ok cool, does practicing those is really good time investment ?

  5. #4

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    That depends. As far as scales go I like the fingerings because they shift across the neck up 2 to 3 octaves. So you will get out of playing "position" scales as they force you to shift in places you probably haven't thought of.

    MW

  6. #5

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    Quote Originally Posted by m78w
    That depends. As far as scales go I like the fingerings because they shift across the neck up 2 to 3 octaves. So you will get out of playing "position" scales as they force you to shift in places you probably haven't thought of.

    MW
    ok thanks, definitly gonna give it a try.

  7. #6

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    Here are some scales that I posted. I like these since they present alternate ways to play the notes.

    The arpeggio study goes with it

  8. #7

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    Thanks John, But those you posted looks like the "basics" positions i have learned when i was younger. The segovia scales kind of mix all of those in one.

    But thanks for your help !

  9. #8

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    I found this but whats up with the c#?

    http://chordmelody.org/pdf/Segovia%2...-Amin_0001.pdf

  10. #9

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    the tab is wrong, it's a B major scale for the first octave, then it looks like it comes back into C.

    MW

  11. #10

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    Scratch that, the tab is wrong for both the major and the minor scales in this example.

    MW

  12. #11

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    hm
    what's the matter about "Segovia scales"?
    Sorry, I don't understand.
    You want to play like "Segovia"?
    major an minor scales?
    Do you want to play Tuba or anything else?
    Sorry, I don't understand your question.
    But I am tyrolean, but I love flamenco.
    Can you help me play Bossa Nova, without asking for scales?
    I have a lot of guitars, and nobody helps me to destroy them...

    all the best

    Hubert

  13. #12

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    hm,

    U're talking about "fingering"?
    Tell me what this is meant for.
    Or maybe it's trying to somewhat calling expression
    or pardon music? - hm what the hell are you asking for?

    peg thousand pardons

    it's only hubert

  14. #13

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    Its ok, my question has been answered.

  15. #14

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    hubert54,your posts make no sense!but they are quite funny!no offence!

  16. #15

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    Why is a budgie?

    Mike

  17. #16

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    It's surreal thing.....



  18. #17

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    hey oleo

    you just got it! Shouldn't music make fun too?
    without - hm - too much paranoid theory?
    Someone told me something about a "surreal" thing...
    a fact might be, why my "posts" are not intended to make sense,
    I instead want to learn something about playing guitar...

    and I appreciate anything that comes that way

    stay tuned

    hubert

  19. #18

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    The theory is innocent. The notes are blameless. 'I can't stand people that play F. And when they play it fast, slow, straight, bent, swingy,
    too seriously, with joy, with meaning, without meaning, it drives me nuts!!'


    Mike
    Last edited by mike walker; 12-02-2008 at 01:16 PM.

  20. #19

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    hm,
    can you explain to me ( a dumb tyrolean ), what you mean?
    I can't stand the so called "Tyrolean folk music" or whatever
    aber der Terminus "Segovia Scales" ging mir einfach auf die Nerven...
    too many people seem to talk about music...
    maybe it's lack of "non teaching, indoctrinating..

    good luck

    hubert

  21. #20

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    jetzt muß ich Dir nochmals lästig fallen

    interessant: it drives me nuts
    ich ahne es zwar, aber wirklich verstehe ich es nicht

    frei nach Victor Frankl : der Sinn des Lebens ist der "Unsinn"

    what kind of instrument u're playing?

    best regards or something else

    hubert

  22. #21

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    Returning to the original post re: Segovia...When I played classical guitar I used a Segovia exercise perhaps for jazz players like this: 1, 2, 3, 4 fingers (lft hnd) top E, 4 frets, then 1, 2 fingers to B and G strings, fret 1 and 2. Play 4 beats alternating 1 and 2 fingers on B and G strings for four beats. Do the same alternating finger pattern (1, 2) with all the strings in any combination of strings. Then alternate with different finger combinations. So you could play using finger 1 and 2 between the B and G string (easy) or 3 and 4 finger between E (top) and A string (hard). I found it helped with shaping chords in particular.

  23. #22

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    The Segovia scales become a great daily warmup once they are internalized.

  24. #23
    TommyD Guest
    A student once asked Segovia, "What's so important about scales?"
    Segovia's answer; "Scales will solve all your problems."
    I've thought about this answer, and I came to the realization that he was probably right. Think about it.
    tommy/

  25. #24

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    the segovia scales are a good technique building exercise. as with a good deal of his fingerings, they dont make sense in many ways. not intuitive. hence they are difficult and require many quick position shifts that ARE good for building technique. that being said, i would likely never use them in any musical setting. there are roughly 7 fingering patterns, and a few that occur only once.
    but if you were to follow playing them everyday, through every key, and every right hand pattern (as suggested), you will probably get better. mainly since then you will be playing scales for about an hour and a half every day.

  26. #25

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    If you do play the Segovia scales everyday, they will become "intuitive", thus stretching your fingerboard concept and becoming musically useful.