Threads 1 to 50 of 437
1. Play soundly 2. Get into it 3. Decide how you want to represent yourself This came to me from analyzing why I thought some of my playing sounded bad. The exact opposite of those points lol. ...
I’m down to two - equally beautiful to me. Benedetto Cremona and Wilkie Red Dragonfly. AKA
if I am actually seeing what I think I am seeing on the Gibson schematic, there appears to be an inductor, which probably serves as the mid cut. The effect would be essentially like removing windings...
Drop 2 and 4 chords are not hard at all. 5163 is just a barre: the M3 is 2 frets up from the barre; the m3 is just 1 fret up from a barre. 1536 is a very conventional shape. It’s just...
Non-traditional yes, but might just be a good substitute for low $ comparatively. Ebony seems a tough item to find and if you do it will cost.
Hey. Thought about the thread about tradition vs. originality. But what about "unique" in jazz. Comes from jazz, be recognized as jazz. But became a thing of it's own. It is vague, I know....
Scale length of the Pat Metheny PM3C is 24¾. Perhaps an Ibanez GB10SE? Or an Ibanez GB10EM? These models have a 14½" lower bout.
Thanks MG, this is something that I'm likely capable of doing myself. I'll try this fix this week, Thankyou so much!
Well that's a bit defensive. My apolagies. Never ment to disregard you. I see my reply is a bit odd. I was reading two topics at the same time. Must have mixed them up. No need to get irritated....
It’s obviously a non-traditional material, but I’ve tried Resomax bridges on a couple of guitars with bridges that were completely shot or of bad quality. I’ve gotten some great results with them...
I've always changed a tuneomatic bridge top with wood and prefered the sound. The tuneomatic does sustain better, but has a metal ping, and less depth of sound to my ears. In the past I was able to...
Bobby's keys to sounding good
Today, 05:53 PM in Everything Else