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to Hank,with love
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12-02-2022 08:08 AM
to Hank,with love
That video struck me as mostly hyperbole and BS. There are plenty of "academic" music programs that offer useful training in the practical application of harmony. There probably is too much...
PRS makes the 15" Paul Jackson, Jr. model. GearHead: Paul Reed Smith's JA-15 - JazzTimes
Wow, that is outstanding! LOVE that color.
I've been eyeballing the Fibonacci guitars but they're way above my pay grade. I've thought about the Peerless but can't get past that scarf jointed neck even though it's very practical and probably...
The Peerless Martin Taylor were 15-inchers and both the Fibonacci Martin Taylor Joya and Fibonacci Californian ae as well.
Apparently (off the top of my head) Wes left because he didn't like playing such long numbers.
not all music theory is intended to be applied in that way tbf In general, the problem for the higher education system is that you can’t actually teach someone to play, improvise or compose in...
Gjerdingen puts the historical blame on JP Rameau. Rameau, already a feted composer, was IIRC interested in systematising how music ‘worked’ (‘progressions of fundamental bass’) and hailed as the...
I heard some of the greats live, including Wes (L5), Chuck Wayne (D'A), Joe Pass (boutique archtop, can't remember which), Pat Metheny (playing a 175), Mundell Lowe, George Benson, Barney Kessel (CC...
You should absolutely not be mad at theory because the vast proportion of musicians are dependent on it to play competently lol. Further, it improves your music when you apply it well. However,...
If it was Rudy's then the archtop that they showed you with the very beautiful staircase tailpiece may have been the guitar I recently posted for sale, a DJArgus Excel AEX, which was exclusive to...
Wes Montgomery with John Coltrane
Today, 02:19 PM in The Players