The Jazz Guitar Chord Dictionary
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  1. #1

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    OK, must have lost the plot as someone posted a really nice CM chart of Stella, and I was working on it before Xmas

    BUT

    Lots going on since then, and now that I come back to it, I can't find the chart that I printed - and searching on this forum hasn't turned up the version that I had. And I can't seem to get it right the way that I was doing it, no matter how I try.

    So I'm asking for help - if you've posted Stella as a CM, could you post it again please?

    Thanks muchly.

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    The Jazz Guitar Chord Dictionary
     
  3. #2

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  4. #3

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    Yeah...I learned this note for note. I love it but my (ex) guitar teacher didn't like it...too thin for him.

    Sailor

  5. #4

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    For a richer arrangement of Stella by Starlight, go to the TedGreene.com website in the "Lessons" section, or go to the "From Students" section and see the write-up for Ted's arrangement by Paul Vachon.
    --Jay

  6. #5

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    Thanks to everyone who responded - that lesson is definitely the place to start. I'll have a look at Matt's site as well, that always good for getting you started on something.

    Nice one!!

  7. #6

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    Just transcribe this...


  8. #7

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    Peter Mazza plays a few extra chord there.

  9. #8

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    Quote Originally Posted by dkaplowitz
    Just transcribe this...

    Sounds like impresionic music alla Debussy...

  10. #9

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    That was incredible! Thanks for posting.

  11. #10

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    Ouch ! This is highly original (to my ears) and very enjoyable (not to mention "technically impressive"), thanks for sharing this vids !

  12. #11

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    Hmm. Interesting. Some of it was very appealing, and some made me seasick. Probably need several more listens ...

    The final vanilla Bb made me laugh.

  13. #12

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    I can definitely see your point M-ster. I agree that he puts way too many changes in the tune. It somewhat detracts from the musicality and it is a bit over the top. But solely from a guitarist's perspective, it is like an encyclopedia of voice leading options. I have learned a few tricks from it but I certainly wouldn't want to sound like that.

    I think all he has to do is build in some breathing room to showcase some of the voice-leading gems. It would definitely be easier to play (and swing) and probably be more listenable. But still ... he must have committed some serious wood-shed time.
    Last edited by Jazzaluk; 01-17-2011 at 05:21 PM.

  14. #13

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    Yes, that seemed pretty much like a workout to me. Pretty cool from a technical standpoint, but even if I could manage all that I don't think I'd ever put all of it into a song at a gig. A clinic, maybe, lol

  15. #14

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    Since it's a Stella-thread...


    If I were to harmonies the first note (Bb), how would I do it?

    The chord next is Em7b5, so It's logical to play it's dominant, which is B. but then in the melody we have the major 7.

  16. #15

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    Whatever voicing you use to harmonize the next A note (over the Em7b5), play the same chord a semi tone up. Basically a half-step pickup. Or you can use a a Gm7 (with a b5 if you like), or a Bb6. There are several options, but the half step trick always works in chord melodies where the melody moves a half step, especially if the first note if non-diatonic.