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I took a Holiday... a Billie Holiday that is.
God Bless the Child (whose got his own guitar)
Last edited by Mick-7; 09-23-2024 at 02:24 PM.
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09-20-2024 04:20 AM
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This must've been around 2008 (fisrt video I posted on Youtube). Part noodling/part improvised... with McCoy Tyner in my mind...
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very tasteful and nice tone., well done.
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Blue and Green (using open string chords).
Take 1: Blue and Green 01 - Box.com
Take 2: Blue and Green 02 - Box.com
P.S. - This is an old arrangement of mine that I resurrected, attached is my original tablature for it.Last edited by Mick-7; 09-25-2024 at 12:31 AM.
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Here's a go at Time After Time.
I learned the Jeff Arnold arrangement for the study group. As I've been practicing it I've slowly been replacing some of his stuff with some of my own.
I started effing rushing, but I didn't want to do a million takes, so I'm posting it as is.
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I was playing Dave Brubeck's "In Your Own Sweet Way" (one of my all time favorite tunes) yesterday to make a demo for Gitterbug. Here's a simple fingerstyle take on my Eastman 810CE7 through the DV Mark EG250 and a Toob Metro GP+. I hope it's a worthwhile contribution to The Autumn of Solo Guitar.
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nevershould – Awesome – hauntingly lovely!
How did you mic it, if you don't mind sharing?Last edited by Ukena; 09-27-2024 at 07:56 PM.
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Wow!
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Originally Posted by Ukena
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Here's a fun little thing that I did last year based on quartal harmony.
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Halfway through the marathon again:
set one:
Time After Time
Stella
I’ll Be Seeing You
I Remember You
set two:
I’ve Grown Accustomed to Her Face
Embraceable You
Bewitched
Body and Soul
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Server comes up to me on the break.
server: if you don’t mind me asking, how much are they paying you?
me: [tells her]
server: hmm. I guess that makes sense. But I hope they’re not paying that other guy that.
me: what other guy?
server: guy who plays when you’re not here.
me: oh … okay
sever: he brings this music stand and it plays some of the music for him so he can just play over top of it and … I don’t know. I was like “that’s not jazz.”
me: [raises coffee cup]
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Originally Posted by pamosmusic
Have you got any high fives yet while you're playing? That's my fave.
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Originally Posted by pamosmusic
I Should Care
Fly Me to the Moon
Corvovado
Set four:
Im Getting Sentimental
Summertime
Easy to LoveLast edited by pamosmusic; 09-29-2024 at 02:01 PM.
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How long is a set? You must really stretch out on these tunes to fill a set, which is great actually. I personally only have about 4 musical ideas to my name, so I prefer to play lots of tunes and maybe just a chorus of improvising... In, Improv, Out.
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Originally Posted by lawson-stone
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Peter, do you like my new avatar? :P
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Originally Posted by Bobby Timmons
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Ur mad bro.
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Alright first official submission.
So I’ve been working for about sixth months on some of the sixth diminished stuff from Alan’s Barry Harris book.
I had some false starts because I just have trouble with full drop two and drop three voicings, but a couple months ago I started harmonizing the two “Ed Bickert” voicings for maj and min 6 chords through the sixth diminished scales and that really worked, and also just integrated more seamlessly into the kind of chords I already play.
ANYWAY. The other day I decided my best way forward was probably just going through all my solo rep using these voicings.
Disclaimer: these aren’t arrangements. I like much sparser textures with lots of I single notes. Just for the exercise, I harmonized everything. It’s also my existing list of solo tunes, so the goal isn’t really new arrangements or whatever … just to have another tool more firmly under my fingers.
so ….
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That's lovely. Many versions of All Of Me are glib. It sounds as if you are ready to sacrifice it all. Well done Peter.
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Originally Posted by A. Kingstone
Though you might be mistaking my general confusion and hunting for chord voicings for deep insight and commitment to the music.
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The tools are pretty basic at the moment …
It’s those voicings on the top four and middle four strings (essentially they are drop 2 with the top not missing, or drop 2 with the alto missing on each string set).
I’m using just the regular voicings with no borrowing unless I need it for the melody. Just diminished voicings correct the dominant chords, so I’m borrowing up to the root where that’s the melody not a few times. And where that B pops up over the D7.
Ive done a good bit with the minor and tritone minor on the dominant and feel okay on that. Just not a great tune for those with the melody notes so I didn’t use them.
Id like to harmonize the same voicings on the lower set, and the basic rooted shells, but I really want to get into diads.
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Originally Posted by pamosmusic
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That was certainly different (in a good way).
For the sake of andragogy and heutagogy (and perhaps even their first born, pedagogy, see: Pedagogy, Andragogy, & Heutagogy ), please remind us what the two primary Ed Bickert chord voicings are.
Peggy Lee/Dave Barbour - Let There Be Love,...
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