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Good suggestions regarding the signal chain. I will look for a demo of that amp sim plugin. Are you recording in mono and then copy/pasting the second track for stereo panning?
Well, it was only a joke but I can imagine so. Someone gave me a maga hat once but they are ugly and I don't vote so I put trash in it's place. I look better in purple and at this stage I'd rather 22...
I looked up some lead sheets. At least one had repeating bars of two adjacent M7's before the head came in so presumably that 'intro' is all part of the tune.
That did occur to me but I still felt some hesitancy through the lack of volume. But okay.
Yeah this is a weird gig. Awesome spot with a super engaged crowd where they have live DJs bring their vinyl collections a few nights a week. So it’s not exactly a straightahead gig but people who...
I guess it might be hard to know where the song comes in if you don’t know the song? Or maybe it wouldn’t be?
What you’re hearing with the sax is probably a function of the placement of the phone I was recording with. It was on the side with me and the bass. He was over on the other side. He was cranking.
I did a fun exercise where I took Sor etudes and changed the harmony using 6th diminished scales. edit: nothing "improv" about it though I guess
I don’t understand it now. Where is this in the book? Sent from my iPhone using Tapatalk
Start by listening to the same music interpreted by Rolf Lislevand and his, erm, band, already :rolleyes:
Barry Harris "miscellaneous rule"
Today, 12:46 AM in Improvisation