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Long ago, when I was newly auditioning for Broadway shows, I got some very good advice from a director.
Most of the time, one is asked to have an uptempo and a ballad for auditions. But occasionally one will be asked to prepare a certain song. And usually one has a day or two to learn it.
So I was asked to prepare a song, and the night before the audition I went over it and over it.
At the audition, I forgot the lyrics after about 4 measures. In my naiveté, I said, "But I knew it last night!" I received a withering look from the director, who said, "Until you sing it in front of someone, you don't know it."
After that, I always made sure to perform a new song for someone before I tried to perform it. And make no mistake, an audition is a performance.
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01-19-2024 11:46 AM
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Originally Posted by joelf
I was asked to sing a few songs at the 80th birthday of someone I know and I choose My Way. This time I tried to work out the right key but the problem was I did it sitting on my sofa and at the performance I was standing and that felt totally different and I had a vocal range problem once more. In my eyes it was horrible but she liked it and was happy at least. But my next lesson was: When singing at the performance standing practice standing as well.
This is the French original but I like Paul Anka's life retrospect lyrics much more than the French disappoinment about the breakup of a liason.
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I would never call myself a singer, but as long as I can hide behind my guitar I feel okay singing in my own band. With our Repertoire of vintage tunes I feel like some imperfection is more or less appropriate for the material.
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Originally Posted by Webby
That's you singing lead? Shit man, they should take the guitar away from you and have you just sing.
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Originally Posted by RobbieAG
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Originally Posted by RobbieAG
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It's just a fact of performing life: most people find singing more interesting than purely instrumental music, unless they're dancing. Even many of those strongly attached to instrumental music (me, for example*) are going to perk up at a well-sung song. I suspect it's just primate preference.
Fortunately, many instrumentalists turn out to be competent or even first-rate singers. I was tickled on my first listen to the CD variously titled "Nirvana" or "Somebody Loves Me" or "Send In the Clowns"--a Zoot Sims-Buddy Rich duet of "Gee Babe, Ain't I Good to You"--and they're both good. (I've noticed that a lot of horn players are respectable singers--good breath control and sense of phrasing, among other things.) And even singers with limited pipes can figure out how to sell a song--Randy Newman is my go-to example. But then, his vocal performances are also a form of composing. It's hard to imagine anybody else singing "Davy the Fat Boy" as effectively.
I recall on an old jazz-guitar Usenet group that there would be a certain amount of dissing of John Pizzarelli, partly because he sang. I never understood the scorn--John's a very decent singer--though maybe there was a dash of envy over the success he was having as a kind of cabaret artist instead of starving in a garret while guarding his jazz purity.
* As much as I love playing guitar, just as a sideman, I found that performing was even more fun after my bandmate/mentors talked me into singing. And, to my surprise, at least some in the audiences liked it as well. No accounting for taste, I guess.
Found it!
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01-20-2024, 11:34 PM #58joelf GuestOriginally Posted by Bop Head
The lyric is self-congratulatory BS to me, and the original French melody Plain Jane-no more, no less. And please no argument, Bopster (; I played that rotten song in mob joints in ‘78 and hated it THEN!!. I mentioned it only as gallows humor, since I still get f)&(ing requests for the POS, like when I play in my bldg. Thursdays. The neighbors in the audience even tease me to get a rise outta me. One day I’m gonna hand my gtr to someone doing that, and ‘Here, Big Shot-YOU sing it!! (Which actually reminds me of a humorous and oft-repeated yarn: Gene Quill was coming off a bandstand. Customer: ‘Gene Quill, all you do is play like Charlie Parker. Quill-offering his horn-‘Here. Play like Charlie Parker’)…
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Originally Posted by AllanAllen
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01-21-2024, 07:44 AM #60joelf Guest
Guys: Sorry if my rant about Paul Anka seemed mean-spirited. It’s my honest opinion, no more, no less. And I also take back my smartass comment on his supposed lack of talent. That’s not sporting at all, and probably untrue. TBH I don’t know his music all that well to be running off at the thumb (on the tiny iPhone characters). What I DO dislike is his oft-outrageous behavior. But that’s no excuse for putting a man’s music down unsampled…
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Originally Posted by joelf
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01-21-2024, 10:45 AM #62joelf GuestOriginally Posted by AllanAllen
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Originally Posted by joelf
But I really like the lyrics he wrote with Sinatra in mind and I do not find them self-congratulatory at all. In recent years I try to live every day in a way so I can say I have lived my live and it was OK. It was not always like that and i do not succeed always, but still more often than not.
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01-21-2024, 08:12 PM #64joelf GuestOriginally Posted by Bop Head
I also am troubled by how Sinatra lowered his standards in the ‘60s, some pretty poor choices, But he also never stopped singing the great songs. I feel he more than redeemed himself on Ol’ Blue Eyes is Back, singing 3 or more songs by Joe Raposo, to me one of the great songwriters of the last 50 years or so. I honestly don’t feel Anka’s In that league, but I could be wrong…
What the heck....
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