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So I walk into my regular Sunday evening solo gig at the local beautiful, historic hotel I've been playing and the crowd erupts in applause. Even standing up ovations. These are obviously folks who are extremely intoxicated or escapees from the local mental institution. I find out they think I'm the Karaoke guy and are very wound up to sing "New York, New York". I set up quickly and Immediately ran through Round Midnight, Nardis, and In a Sentimental Mood. They all left within minutes. The joys of the solo jazz guitarist.
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01-30-2023 10:26 AM
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You deserve better.
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Originally Posted by jaco1
Tony
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Keep in mind Jaco that the majority of people are f#cking idiots even before they over consume alcohol.
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Originally Posted by jaco1
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Originally Posted by BigDaddyLoveHandles
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This is a problem you can fix.
If it was my gig, I'd be working on an upbeat solo version of New York New York right now. Maybe a few other overplayed (aka, well known and liked) tunes. Then you might keep the room next time.
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Originally Posted by nevershouldhavesoldit
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Originally Posted by whiskey02
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This is why there’s hardly any gigs anymore. Musicians in their own world driving away business
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Good riddance to drunk karaoke lovers says I. They aren't a target audience. Nor are they a potential audience even if you shake your booty playing a sick solo version of new york new york with your teeth they are leaving. The other option is let drunks on your stage to sing badly. I'd rather work the cash register at a Valero myself. You didn't even have to ask them to leave so that is actually even better. Almost paradise, lol.
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Originally Posted by RyanM
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Originally Posted by RyanM
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Originally Posted by jaco1
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I do a solo jazz guitar gig at a wine bar very close to my house every Saturday. I have been doing this gig for 11 years now. I have a few observations:
1. Some days the crowd is with me, meaning lots of applause, lots of tips and a few people coming up to talk to me on my breaks (usually guitarists). Some days the crowd could care less and on those days my tip jar is very light indeed (no matter, the venue pays me well).
2. I get my best crowd response from VERY well known tunes like Girl From Ipanema and Fly me to the moon. Obscure tunes like September in the Rain or Where or When do not reach a non-jazz audience as well.
3. I get way more interest in the guitar I bring when it is a solid body rather than an archtop.
4. I am mostly at ease about the gig when I reflect that my job is to provide background ambience to folks doing a wine tasting. I am not Joe Pass and they did not show up to hear me give a concert (though there are a few who tell me that I am a big reason for their regular visits, along with the superb wines).
Playing to ones audience and understanding one's role in the gig is a recipe for keeping the gig and earning a living as a professional musician.
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Originally Posted by mr. beaumont
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Originally Posted by AllanAllen
This is clearly the issue of the person who does the booking. It's not the OP's fault that he wasn't suddenly ready to turn his cocktail music into a karaoke party. I mean, he said it's his "regular gig."
Now, if you show up for that regular gig and the karaoke guy is there too, that's just a shitty way of finding out you got fired. Since there was no karaoke guy, this sounds like a human booking error.
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Originally Posted by mr. beaumont
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Originally Posted by mr. beaumont
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Originally Posted by nevershouldhavesoldit
My guess is most folks wouldn't even recognize the tune without the exact intro they're expecting...
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Yeah just because you're a jazz musician doesn't mean you shouldn't be able to bust out tunes with higher energy. Not saying you can't. Just it's something one would be expected to be able to adapt to. Chilled out jazz is really cool for a hotel environment where people are just chit chatting. However I'd think that any working musician should be comfortable playing to somewhat of a party environment too. It's part of being a musician. It's something that I personally would work up to even if I were playing solo - being able to entertain at different energy levels.
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A looper helps for variety..
I've actually played a gig in a place called Hell years back, i think it was a bar.. had this photo on my Instagram
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Originally Posted by Alter
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I'm only being a bit of a smartass but maybe you could have sprinkled in some Karaoke?
I see a chance for some comedy / performance art / social engineering.
Come out play a straight-up standard with much reverence etc. - start into a 2nd number....... and as it becomes apparent a few people are leaving bust out your good-time Karaoke persona, "Hey folks I bet you thought I was a jazz guitarist! Nah, just funnin' ya, let's get this party started!" Then go into the dumb Karaoke that people love.
But, here's the thing, Maybe sprinkle in a few light guitar tunes that they'll recognize.
Or not.
There is something cathartic and "jazz" about clearing a room.Last edited by ChazFromCali; 02-01-2023 at 08:48 PM.
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Originally Posted by jaco1
2010 Eastman AR910
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