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Originally Posted by christianm77
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05-08-2019 12:19 PM
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Originally Posted by Roberoo
Every musician is the product of a wider community. That’s one important thing colleges provide.
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Originally Posted by BigDaddyLoveHandles
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Originally Posted by christianm77
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One of the best musicians I know is a bassist, low brass player (tuba!), he was a highly recognized high school musician and could have been accepted into any music school in the US, with plenty of scholarship help, he was recruited by many schools.But....
He went to Boston to study law, and spent every spare moment at Berklee jamming with anyone/everyone, people assumed he was a student there, but he didn't spend one minute in a classroom. Just...four years of jamming, little bit of gigging.
After graduating with a law degree, he went to work for the state prosecutor and gigged locally like a madman. No music degree, but did the Berklee hang and network. Very, very smart man.
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Zappa came from a comfortable middle-class family background.
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Originally Posted by cosmic gumbo
There's also folks that go to berklee, but do film scoring or education or something like that.
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Originally Posted by pcsanwald
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Originally Posted by BigDaddyLoveHandles
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Originally Posted by pcsanwald
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Originally Posted by Jazzstdnt
You can't compare the realistic average earning potential of a doctor or a lawyer with someone with a jazz studies degree.Last edited by Tal_175; 05-09-2019 at 05:23 PM.
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Originally Posted by Alter
The question is whether going to Berklee is still a wise decision for those students who aren't Lage Lund and have to pay full or most of the tuition and whose names won't appear in the lists like you put in your post.Last edited by Tal_175; 05-09-2019 at 05:20 PM.
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Originally Posted by mr. beaumont
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Originally Posted by Tal_175
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I'd love to go to a jazz school for a few years and completely immerse myself in music and meet many musicians. But I'd consider that a long and very expensive vacation, not a career investment. As I'm not a Lage (Lund or Julian) which would leave me with things I have 0 interest in: teaching or having to do music gigs outside of my (relatively narrow) musical interests. But it'd be lovely to do.
To me it's like taking a couple of years off to go do diving expeditions around the world or something.Last edited by Tal_175; 05-09-2019 at 03:50 PM.
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Zappa was not exactly self-taught, though he didn't have as much formal education as a lot of people and certainly not as much as most folks who write orchestral music.
Did Frank Zappa learn about music theory? Why? - Quora
Not all jazz greats "came up from the streets" either. Miles went to Juilliard for 3 semesters and Coltrane went to music school until WW2 intervened.
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The question is whether going to Berklee is still a wise decision for those students who aren't Lage Lund and have to pay full or most of the tuition and whose names won't appear in the lists like you put in your post.
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Originally Posted by Tal_175
A bachelors in music vs. two degrees, and IVY league at that! And like I said earlier, a music grad can go earn their MBA or law degree as well (albeit after earning some additional credits most likely).
Furthermore, not all lawyers do that well, and the same goes for doctors and MBAs. Ask Doctor Jeff about being a family practice guy.
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Originally Posted by Jazzstdnt
I'm in fact quite pleasantly surprised to learn that there are people out there who think being a doctor or lawyer is more or less the same income prospect as having a music degree. World is not such a bad place afterall
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Here are some people who dropped out of Berklee.
Al di Meola, Emily Remler, Kurt Rosenwinkel, Quincy Jones, Melissa Etheridge, Bruce Cockburn, John Mayer, St Vincent, Booker Ervin, Donald Fagen, Aimee Mann, Ben McKee of Imagine Dragons, Psy, Dream Theater's founding members John Petrucci, John Myung and Mike Portnoy.
There may be many others who haven't been discovered, as Tom Lehrer might say. But dropping could be a sensible strategy in financial and career terms, as discussed here in the Boston Globe.
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Originally Posted by Tal_175
I'm confident that a music major can approach the MBA degree, albeit with some additional courses taken in advance, depending on what their undergrad university required. They may not need anything other than a solid GMAT and references.
Cheers.
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I remember reading in an interview with Al Di Meola that when he went to Berklee he realized that he already knew everything they were teaching at the program, he was way ahead of the curriculum. So they asked him to teach instead. He said that was because he had a really good private teacher as a kid.
Well, I'm sure he also soaked up the material like a sponge when he was taking lessons.Last edited by Tal_175; 05-10-2019 at 10:06 AM.
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Nothing to say except that I liked the performance! (And also the blond guitarist grated on me. Good player, but found him quite pretentious. Yeah, I'm superficial.)
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A drummer friend of mine was teaching his HS student, a very talented kid drummer, who is now a jazz performance major at MSM.
He asked my friend, "I don't understand it Mr. D., you're a great drummer, you studied with John Riley (V V Orchestra drummer), Kenny Washington, you've played with every jazz musician I've ever heard of; why are you teaching music at a high school?"
My friend answered him, "Well I've got a habit that I need to pay for every day."
The student asked him, "Gee, Mr. D., what habit is that?"
My friend replied, " I've got this habit where I NEED TO EAT A FEW TIMES A DAY!!!!!!!!!!!!"
A lot of the posters here remind me of that kid.
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Originally Posted by Litterick
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Originally Posted by Litterick
Originally Posted by Roberoo
That picture is from the mid 1970s and was taken in Frank's living room at the time. Check the art on the wall. Do you think Frank's parents were really into Alice Cooper?
Here's a picture from Frank's adolescence:
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Originally Posted by Roberoo
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Sure...but man it is so close to reality. That said, my Italo-Canadian friends had a lot of fun teasing me about being a mangiacake (look it up) and that was close to reality too.
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His father was a scientist in the defence industry. I doubt they were poor.
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Originally Posted by Alter
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Originally Posted by cosmic gumbo
Basic economics, supply and demand.
High demand for jazz education, many people want to learn to play. Not many people are willing to pay for the nusic.
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Originally Posted by BigDaddyLoveHandles
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Originally Posted by greveost
If you ever go to Berklee you'll learn music history, including the history of rock, although you could just read that stuff.
You play very nicely BTW. As well as you play you should upload a full song that goes from start to finish. If you don't have a band just use a backing track with something more than drums, or better yet play an unaccompanied solo guitar piece.
Berklee - and every other college - will require that you do that each and every time you perform, other than short ideas in a private lesson. Anything that is performance related in front of humans beyond your teacher? Full song.
What do you say?
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Originally Posted by greveost
Exactly what 99% of the public is saying.
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Originally Posted by Jazzstdnt
I was unfortunately never interested in solo guitar playing
I also happens to know theory
About Zappa, well, it was a joke
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Seriously though, the quality of young players now never ceases to amaze me. Nice one dude.
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Originally Posted by greveost
So it wasn't actually such an obvious joke to me.
Re: Solo guitar- it doesn't interest me as much as ensemble playing either, but wait until you find yourself on a gig in the position of having to do it in public because the sax player's fast food choices are catching up with them.
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Zappa loved jazz and he played with some of great jazz muscicians in ex. J.L.Ponty or G.Duke.Great staff.
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Originally Posted by christianm77
Actually, I am mainly interested in stuff from the 60's, 70's, 80's 90's and forward when it comes to Jazz, rock, fusion etc.
Originally Posted by christianm77
Originally Posted by christianm77
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Originally Posted by greveost
Another thought - the Guitar IS a solo instrument that adapts to large ensemble formats.
Anyway, you're pretty close to playing solo guitar on these recordings. You just need and intro, accompaniment of other instruments and/or voices, and an ending to make a complete musical statement/performance. Some variation in compositional sections is useful too.
I'm quite sure that you can do it - so - if you're seeking feedback about your playing on the world wide web you should fully engage the listener by playing a complete musical performance. You might be surprised at the difference in feedback between an impressive excerpt and a full performance.
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Originally Posted by Litterick
The real racket in education is outside the instutitons, in the student loan business, which which schools are of course complicit.
Also: Berklee doesn't just teach jazz, right? So this $7.3M is not coming out of the jazz economy, but from the total music economy. Right?
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Originally Posted by lawson-stone
My experience is that many, maybe most people, aren't paying full tuition. I got a modest scholarship to the new school, and I was/am an unremarkable but competent player. I went to the new school after I got an undergrad degree, in computer science, and worked as a software engineer while I went to music school part time, and was able to pay my tuition bill with money from my day job. I couldn't have done this without my (modest) scholarship.
I knew many, many people with similar scholarship stories. I suspect very few people pay the sticker price for music school.Last edited by pcsanwald; 05-13-2019 at 04:18 PM.
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Originally Posted by Jazzstdnt
I was never really into Vai, but I do understand his importance for a certain style of playing.
Originally Posted by Jazzstdnt
I like to practice and also jam/play with only drums sometimes. And sometimes of course add a bass as well. So it is all intentional. Playing duo with a real drummer is of course much better though.
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Originally Posted by christianm77
I earned a Master's in theology because it interests me. I'm never going to use it. I'm actually looking at going back and finishing my music degree too, even though I'll never be a full time musician again.
You get out of a degree exactly what you put into it. I went to North Carolina School of the Arts as a string bass performance major. I took every class available related to playing, played in all of the ensembles that I could, played in as many of the local orchestras as I could, played in as many recitals as I could, performed duets with other people when I had time. I was up every morning at 6:30, rarely went to bed before midnight. My playing was exponentially better after a year. I knew other people there that did the absolute minimum to get by and they sounded about the same after a year.
If you don't get anything out of a degree program, blame yourself, not the program.
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Originally Posted by hogrider16
Originally Posted by hogrider16
It's to the contrary, If you have the means to take a few years off to immerse yourself in music full-time you'll probably have a blast in school. But if you are going to school to study jazz and get in debt in the hopes that it's a career investment in music, you're probably dreaming. There is no contradiction here, those two things can be true at the same time.
It's basically what Bruce Foreman eloquently talks about here, starting around 20:00:
LJS 10: Interview With Bruce Forman - Learn Jazz Standards
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Originally Posted by Tal_175
I can say that independent of jazz guitar.be there definitely is a movement in America to dismiss the value of a college degree. An educated electorate is a politicians worst nightmare.
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Originally Posted by hogrider16
That is like zero percent true, give or take. Which is a good thing.
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Originally Posted by Tal_175
Electric upright bass for fun
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