http://vortex.unespar.edu.br/bream_leathwood_v8_n3.pdf
This is the last piece in English in the journal, describing the collaboration between Bream,...
One not yet mentioned: The Seventy Seven Albatross. Mine was the custom, with P90s. On the smaller side. Jack Z. demoed the HB version (the Jazz) in...
Week 13. Day 5. Ah, the end of the Monday-Friday work week. I had an excellent session this evening. I felt inspired. I had purpose. I was trying to...
Peter C: I was also kind of hoping for more the strat, but the archtop was cool. Good energy and vibe. And yes, I've played a lot of electric blues....
yes, the dr situation was particularly troublesome for me....as i love their pure nickel wrap-round inner core pure blues strings!...one of the rare...
I found an AT 17, which is what I wanted all along. It’s overseas and I’m trying to get it over here now. I’ll post pictures if and when I get it if...
Glad you liked it. Sebastian is a hell of a gypsy jazz player. Plays lightning fast with a quasi Benson picking that he brought over to the manouche...
The overtone phenomenon you're dsecribing I believe is referred to as "Stratitis". As a kid I could never figure out why my bottom string sounded so...
Thank you for the tips. Indeed, the rhythm section would be an excellent source of information, both comping and understanding the harmony itself. I...
I've played a few Silver Skys, but none of them were as great as that first one I mentioned in my OP. I kind of found a similar thing to be true when...
If they’re too low they sound liveless, quiet and more or less muddy, raised too high they‘re indifferent, harsh and they possibly generate unwanted...
The whole thing as written? On what chart by whom? I mean the guy who is credited as the composer has recorded it both ways, so that's a pretty bold...