{"id":7440,"date":"2018-04-25T21:59:31","date_gmt":"2018-04-25T19:59:31","guid":{"rendered":"https:\/\/www.jazzguitar.be\/blog\/?p=7440"},"modified":"2020-12-07T22:58:58","modified_gmt":"2020-12-07T21:58:58","slug":"bebop-guitar","status":"publish","type":"post","link":"https:\/\/www.jazzguitar.be\/blog\/bebop-guitar\/","title":{"rendered":"Bebop Guitar &#8211; The Beginner&#8217;s Guide"},"content":{"rendered":"<p style=\"line-height: 160%; font-size: 18px; font-weight: bold;\"><span class=\"firstletter\">B<\/span>ebop is one of the most exciting, engaging, and popular jazz styles, and has captivated guitarists for decades. Though you may dig the bebop sound and want to learn to play it on guitar, it\u2019s easy to be overwhelmed and not know where to start in your practicing. To help you explore bebop sounds in your playing, without the stress, this lesson teaches you the essential first steps in beginning bebop guitar.<\/p>\n<p>In the early 1940s, a new jazz style emerged from the displeasure some jazz musicians had with the commercialism of swing music.<\/p>\n<p>Musicians like saxophonist Charlie Parker, trumpet player Dizzy Gillespie, pianist Thelonious Monk, and other young jazz players reacted against the big dance bands by playing a kind of music characterized by advanced harmonies, frantic tempos, rhythmic intricacies and long improvisations. They were more interested in developing the technical aspects of music and increasing its aesthetic qualities, rather than enlarging their audience and wallets.<\/p>\n<p>There is much to be learned out of bebop today. Every jazz musician should be familiar with its language and techniques. This tutorial will help you to start learning bebop, we&#8217;ll have look at the concepts, vocabulary, scales, and techniques that are typical for this popular jazz style.<\/p>\n<p>Go slow with the exercises below, have fun with them, and enjoy your bebop guitar journey.<\/p>\n<span style=\"--tl-form-height-m:562.469px;--tl-form-height-t:361.875px;--tl-form-height-d:361.875px;\" class=\"tl-placeholder-f-type-shortcode_10059 tl-preload-form\"><span><\/span><\/span>\n<div class=\"tocgreybox\">\n<h3 style=\"background-color: #313131; padding: 5px 5px 5px 10px; color: #ffffff;\">What You Will Learn In This Bebop Lesson<\/h3>\n<ol class=\"tocl\">\n<li><a href=\"#tunes\">Bebop Tunes &amp; Guitar Players<\/a><\/li>\n<li><a href=\"#changes\">Playing The Chord Changes<\/a><\/li>\n<li><a href=\"#concept\">The Arpeggio Up, Scale Down Concept<\/a>\n<ul class=\"tocl\">\n<li><a href=\"#min\">Minor<\/a><\/li>\n<li><a href=\"#dom\">Dominant<\/a><\/li>\n<li><a href=\"#maj\">Major<\/a><\/li>\n<li><a href=\"#251\">ii V I<\/a><\/li>\n<\/ul>\n<\/li>\n<li><a href=\"#chromatic\">Chromatic Notes<\/a>\n<ul class=\"tocl\">\n<li><a href=\"#passing\">Chromatic Passing Notes<\/a><\/li>\n<li><a href=\"#approach\">Chromatic Approach Notes<\/a><\/li>\n<li><a href=\"#enclosures\">Chromatic Enclosures<\/a><\/li>\n<li><a href=\"#combi\">Chromatic Notes Combined<\/a><\/li>\n<\/ul>\n<\/li>\n<li><a href=\"#scales\">Bebop Scales<\/a>\n<ul class=\"tocl\">\n<li><a href=\"#minor\">The Minor Bebop Scale<\/a><\/li>\n<li><a href=\"#dominant\">The Dominant Bebop Scale<\/a><\/li>\n<li><a href=\"#major\">The Major Bebop Scale<\/a><\/li>\n<li><a href=\"#iivi\">The Bebop Scale over a ii V I<\/a><\/li>\n<\/ul>\n<\/li>\n<li><a href=\"#harmonic\">The Harmonic Minor Scale<\/a><\/li>\n<li><a href=\"#vocabulary\">Bebop Vocabulary<\/a>\n<ul class=\"tocl\">\n<li><a href=\"#motif1\">Bebop Motif 1<\/a><\/li>\n<li><a href=\"#motif2\">Bebop Motif 2<\/a><\/li>\n<li><a href=\"#motif3\">Bebop Motif 3<\/a><\/li>\n<li><a href=\"#motif4\">Bebop Motif 4<\/a><\/li>\n<\/ul>\n<\/li>\n<li><a href=\"#solo\">Scrapple From The Apple Solo<\/a><\/li>\n<li><a href=\"#more\">More Bebop Lessons<\/a><\/li>\n<\/ol>\n<\/div>\n&nbsp;\n<p>&nbsp;<br \/>\n<a name=\"tunes\"><\/a><\/p>\n<h2>Bebop Tunes &amp; Guitar Players<\/h2>\n<p>Before you dive into learning how to play bebop guitar, here are 10 tunes to get the bebop sound into your ears.<\/p>\n<p>Listening to a style of jazz is just as, or more\u00a0important than learning material on the guitar.<\/p>\n<p>If you wanted to learn a language but didn\u2019t know what that language sounded like, it\u2019d be tough to learn. It&#8217;s the same with learning a musical language such as bebop.<\/p>\n<p>As you work on bebop concepts, spend time each day listening to bebop in order to understand the sounds you\u2019re aiming for in your practicing and performing.<\/p>\n<ul>\n<li>Anthropology<\/li>\n<li>Bebop<\/li>\n<li>Bouncing With Bud<\/li>\n<li>Confirmation<\/li>\n<li>Donna Lee<\/li>\n<li>Groovin\u2019 High<\/li>\n<li>Hot House<\/li>\n<li>In Walked Bud<\/li>\n<li>Scrapple from the Apple<\/li>\n<li>Yardbird Suite<\/li>\n<li>Blues For Alice<\/li>\n<\/ul>\n<p>Here are some bebop guitar players for you to check out:<\/p>\n<ul>\n<li><a href=\"https:\/\/www.jazzguitar.be\/blog\/wes-montgomery-jazz-guitar-licks\/\">Wes Montgomery<\/a><\/li>\n<li><a href=\"https:\/\/www.jazzguitar.be\/blog\/joe-pass-jazz-guitar-licks\/\">Joe Pass<\/a><\/li>\n<li><a href=\"https:\/\/www.jazzguitar.be\/blog\/charlie-christian-grand-slam-solo\/\">Charlie Christian<\/a><\/li>\n<li><a href=\"https:\/\/www.jazzguitar.be\/blog\/midnight-blue-kenny-burrell\/\">Kenny Burrell<\/a><\/li>\n<li><a href=\"https:\/\/www.jazzguitar.be\/blog\/5-barney-kessel-jazz-guitar-intros\/\">Barney Kessel<\/a><\/li>\n<li>Jimmy Raney<\/li>\n<li>Herb Ellis<\/li>\n<li>Tal Farlow<\/li>\n<\/ul>\n<p>&nbsp;<br \/>\n<a id=\"changes\"><\/a><\/p>\n<h2>Playing The Chord Changes<\/h2>\n<p>Before bebop, improvisations were based on the melody of a tune. A bebop improvisation is based on the harmony of a tune with little or no reference to the original melody. A bebop improviser should be able to outline a tune&#8217;s harmony in his solos. When you listen to a bebop improvisation and you would take away the accompaniment, you can still hear the chords of the standard in the improvised lines.<\/p>\n<p>A way of doing this is by putting emphasis on the chord tones. To be able to do this you should know your <a href=\"https:\/\/www.jazzguitar.be\/blog\/guitar-arpeggios\/\">chord arpeggios<\/a> very well in all positions on the neck. Another thing that can help you outline the harmony is voice leading.<\/p>\n<p>&nbsp;<br \/>\n<a id=\"concept\"><\/a><\/p>\n<h2>Arpeggio Up Scale Down<\/h2>\n<p>One of the most overlooked concepts in bebop is playing arpeggios up and scales down.<\/p>\n<p>You don\u2019t always play arpeggios up and scales down, but this is an important and easy way to begin studying bebop on guitar.<\/p>\n<p>To help you get this sound into your ears and under your fingers, here are three examples of arpeggios up and scales down to explore.<\/p>\n<p>&nbsp;<br \/>\n<a id=\"min\"><\/a><\/p>\n<h3 class=\"grey\">Minor<\/h3>\n<p>The first exercise uses a Dm7 arpeggio up and <a href=\"https:\/\/www.jazzguitar.be\/blog\/guitar-modes\/#dorian\">D Dorian mode<\/a> down.<\/p>\n<p>Work this pattern in a few keys first, then take it to other positions before adding it to your solos over <a href=\"https:\/\/www.jazzguitar.be\/blog\/minor-chords\/\">m7 chords<\/a> in tunes and progressions you\u2019re studying.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Listen and Play Along<\/strong><\/p>\n<div class=\"waveplayer-container\"><div id=\"waveplayer-2b7736b09d811657d4117f7526192975-6a4f9be3bae9c\" class=\"waveplayer loading wvpl-skin-w2-evolution wvpl-palette-800e3a14c86733ad9ccc96fd80850d88 wvpl-style-light wvpl-size-xs wvpl-shape-rounded \" data-limit=\"0\" data-mode=\"normal\" data-config_id=\"2b7736b09d811657d4117f7526192975\" data-instance_id=\"2b7736b09d811657d4117f7526192975-6a4e68d31122d\">\n\t<div class=\"wvpl-left-box\" style=\"background-image:url(https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2018\/04\/audiobg.png)\">\n\t\t<div class=\"wvpl-interface\">\n\t\t\t<div class=\"wvpl-volume-overlay\"><\/div>\n\t\t\t<div class=\"wvpl-icon wvpl-info\"><\/div>\n\t\t\t<div class=\"wvpl-controls\">\n\t\t\t\t<div class=\"wvpl-icon wvpl-prev wvpl-disabled\"><\/div>\n\t\t\t\t<div class=\"wvpl-icon wvpl-play\"><\/div>\n\t\t\t\t<div class=\"wvpl-icon wvpl-next wvpl-disabled\"><\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"wvpl-icon wvpl-volume wvpl-volume_up\"><\/div>\n\t\t\t\t\t<\/div>\n\t\t<div class=\"wvpl-poster\"><\/div>\n\t<\/div>\n\t<div class=\"wvpl-right-box\">\n\t\t<div class=\"wvpl-overlay\">\n\t\t\t<svg>\n\t\t\t\t<use xlink:href=\"#waveform-animation\" \/>\n\t\t\t<\/svg>\n\t\t\t<div class=\"percentage\"><\/div>\n\t\t\t<div class=\"wvpl-loading\">\n\t\t\t\t<div class=\"wvpl-loading-progress\"><\/div>\n\t\t\t<\/div>\n\t\t\t<div class=\"message\"><\/div>\n\t\t<\/div>\n\t\t<div class=\"wvpl-position\"><\/div>\n\t\t<div class=\"wvpl-duration\"><\/div>\n\t\t<div class=\"wvpl-waveform\"><\/div>\n\t\t<div class=\"wvpl-infobar\">\n\t\t\t<div class=\"wvpl-playing-info\"><div class=\"wvpl-infoblock\"><\/div><\/div>\n\t\t<\/div>\n\t<\/div>\n\t<div class=\"wvpl-playlist\">\n\t\t<div class=\"wvpl-playlist-wrapper\"><\/div>\n\t<\/div>\n<\/div>\n<\/div>\n<p><img fetchpriority=\"high\" decoding=\"async\" class=\"size-full wp-image-7441 alignnone\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2018\/04\/bebop-1.gif\" alt=\"bebop 1\" width=\"720\" height=\"230\" \/><\/p>\n<p>&nbsp;<br \/>\n<a id=\"dom\"><\/a><\/p>\n<h3 class=\"grey\">Dominant<\/h3>\n<p>The next example lays out a G7 arpeggio up and <a href=\"https:\/\/www.jazzguitar.be\/blog\/guitar-modes\/#mixolydian\">G Mixolydian mode<\/a> down.<\/p>\n<p>Practice this pattern in a number of keys before taking it to other positions and adding it to your solos over <a href=\"https:\/\/www.jazzguitar.be\/blog\/category\/jazz-standards\/\">jazz tunes<\/a>.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Listen and Play Along<\/strong><\/p>\n<div class=\"waveplayer-container\"><div id=\"waveplayer-7b80c1cbccc6732a659b4c0f31d541b6-6a4f9be3bbedf\" class=\"waveplayer loading wvpl-skin-w2-evolution wvpl-palette-800e3a14c86733ad9ccc96fd80850d88 wvpl-style-light wvpl-size-xs wvpl-shape-rounded \" data-limit=\"0\" data-mode=\"normal\" data-config_id=\"7b80c1cbccc6732a659b4c0f31d541b6\" data-instance_id=\"7b80c1cbccc6732a659b4c0f31d541b6-6a4e68d313133\">\n\t<div class=\"wvpl-left-box\" style=\"background-image:url(https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2018\/04\/audiobg.png)\">\n\t\t<div class=\"wvpl-interface\">\n\t\t\t<div class=\"wvpl-volume-overlay\"><\/div>\n\t\t\t<div class=\"wvpl-icon wvpl-info\"><\/div>\n\t\t\t<div class=\"wvpl-controls\">\n\t\t\t\t<div class=\"wvpl-icon wvpl-prev wvpl-disabled\"><\/div>\n\t\t\t\t<div class=\"wvpl-icon wvpl-play\"><\/div>\n\t\t\t\t<div class=\"wvpl-icon wvpl-next wvpl-disabled\"><\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"wvpl-icon wvpl-volume wvpl-volume_up\"><\/div>\n\t\t\t\t\t<\/div>\n\t\t<div class=\"wvpl-poster\"><\/div>\n\t<\/div>\n\t<div class=\"wvpl-right-box\">\n\t\t<div class=\"wvpl-overlay\">\n\t\t\t<svg>\n\t\t\t\t<use xlink:href=\"#waveform-animation\" \/>\n\t\t\t<\/svg>\n\t\t\t<div class=\"percentage\"><\/div>\n\t\t\t<div class=\"wvpl-loading\">\n\t\t\t\t<div class=\"wvpl-loading-progress\"><\/div>\n\t\t\t<\/div>\n\t\t\t<div class=\"message\"><\/div>\n\t\t<\/div>\n\t\t<div class=\"wvpl-position\"><\/div>\n\t\t<div class=\"wvpl-duration\"><\/div>\n\t\t<div class=\"wvpl-waveform\"><\/div>\n\t\t<div class=\"wvpl-infobar\">\n\t\t\t<div class=\"wvpl-playing-info\"><div class=\"wvpl-infoblock\"><\/div><\/div>\n\t\t<\/div>\n\t<\/div>\n\t<div class=\"wvpl-playlist\">\n\t\t<div class=\"wvpl-playlist-wrapper\"><\/div>\n\t<\/div>\n<\/div>\n<\/div>\n<p><img decoding=\"async\" class=\"size-full wp-image-7442 alignnone\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2018\/04\/bebop-2.gif\" alt=\"bebop 2\" width=\"720\" height=\"230\" \/><\/p>\n<p>&nbsp;<br \/>\n<a id=\"maj\"><\/a><\/p>\n<h3 class=\"grey\">Major<\/h3>\n<p>Here\u2019s a Cmaj7 arpeggio up and scale down to get you started with this sound in your playing.<\/p>\n<p>Work this concept over other <a href=\"https:\/\/www.jazzguitar.be\/blog\/how-to-play-maj7-arpeggios\/\">maj7 arpeggio<\/a> and scale positions, then take it to other keys when comfortable.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Listen and Play Along<\/strong><\/p>\n<div class=\"waveplayer-container\"><div id=\"waveplayer-9940159c8f8399e1e8cd9f0ecfb8b794-6a4f9be3bcb12\" class=\"waveplayer loading wvpl-skin-w2-evolution wvpl-palette-800e3a14c86733ad9ccc96fd80850d88 wvpl-style-light wvpl-size-xs wvpl-shape-rounded \" data-limit=\"0\" data-mode=\"normal\" data-config_id=\"9940159c8f8399e1e8cd9f0ecfb8b794\" data-instance_id=\"9940159c8f8399e1e8cd9f0ecfb8b794-6a4e68d313fb1\">\n\t<div class=\"wvpl-left-box\" style=\"background-image:url(https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2018\/04\/audiobg.png)\">\n\t\t<div class=\"wvpl-interface\">\n\t\t\t<div class=\"wvpl-volume-overlay\"><\/div>\n\t\t\t<div class=\"wvpl-icon wvpl-info\"><\/div>\n\t\t\t<div class=\"wvpl-controls\">\n\t\t\t\t<div class=\"wvpl-icon wvpl-prev wvpl-disabled\"><\/div>\n\t\t\t\t<div class=\"wvpl-icon wvpl-play\"><\/div>\n\t\t\t\t<div class=\"wvpl-icon wvpl-next wvpl-disabled\"><\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"wvpl-icon wvpl-volume wvpl-volume_up\"><\/div>\n\t\t\t\t\t<\/div>\n\t\t<div class=\"wvpl-poster\"><\/div>\n\t<\/div>\n\t<div class=\"wvpl-right-box\">\n\t\t<div class=\"wvpl-overlay\">\n\t\t\t<svg>\n\t\t\t\t<use xlink:href=\"#waveform-animation\" \/>\n\t\t\t<\/svg>\n\t\t\t<div class=\"percentage\"><\/div>\n\t\t\t<div class=\"wvpl-loading\">\n\t\t\t\t<div class=\"wvpl-loading-progress\"><\/div>\n\t\t\t<\/div>\n\t\t\t<div class=\"message\"><\/div>\n\t\t<\/div>\n\t\t<div class=\"wvpl-position\"><\/div>\n\t\t<div class=\"wvpl-duration\"><\/div>\n\t\t<div class=\"wvpl-waveform\"><\/div>\n\t\t<div class=\"wvpl-infobar\">\n\t\t\t<div class=\"wvpl-playing-info\"><div class=\"wvpl-infoblock\"><\/div><\/div>\n\t\t<\/div>\n\t<\/div>\n\t<div class=\"wvpl-playlist\">\n\t\t<div class=\"wvpl-playlist-wrapper\"><\/div>\n\t<\/div>\n<\/div>\n<\/div>\n<p><img decoding=\"async\" class=\"size-full wp-image-7443 alignnone\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2018\/04\/bebop-3.gif\" alt=\"bebop 3\" width=\"720\" height=\"232\" \/><\/p>\n<p>&nbsp;<br \/>\n<a id=\"251\"><\/a><\/p>\n<h3 class=\"grey\">ii V I<\/h3>\n<p>Here\u2019s a sample line to get you started with applying the arpeggio up and scale down-concept to your solos:<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Listen and Play Along<\/strong><\/p>\n<div class=\"waveplayer-container\"><div id=\"waveplayer-fc3354229721763003e6728aec2e45a0-6a4f9be3bd726\" class=\"waveplayer loading wvpl-skin-w2-evolution wvpl-palette-800e3a14c86733ad9ccc96fd80850d88 wvpl-style-light wvpl-size-xs wvpl-shape-rounded \" data-limit=\"0\" data-mode=\"normal\" data-config_id=\"fc3354229721763003e6728aec2e45a0\" data-instance_id=\"fc3354229721763003e6728aec2e45a0-6a4e68d314deb\">\n\t<div class=\"wvpl-left-box\" style=\"background-image:url(https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2018\/04\/audiobg.png)\">\n\t\t<div class=\"wvpl-interface\">\n\t\t\t<div class=\"wvpl-volume-overlay\"><\/div>\n\t\t\t<div class=\"wvpl-icon wvpl-info\"><\/div>\n\t\t\t<div class=\"wvpl-controls\">\n\t\t\t\t<div class=\"wvpl-icon wvpl-prev wvpl-disabled\"><\/div>\n\t\t\t\t<div class=\"wvpl-icon wvpl-play\"><\/div>\n\t\t\t\t<div class=\"wvpl-icon wvpl-next wvpl-disabled\"><\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"wvpl-icon wvpl-volume wvpl-volume_up\"><\/div>\n\t\t\t\t\t<\/div>\n\t\t<div class=\"wvpl-poster\"><\/div>\n\t<\/div>\n\t<div class=\"wvpl-right-box\">\n\t\t<div class=\"wvpl-overlay\">\n\t\t\t<svg>\n\t\t\t\t<use xlink:href=\"#waveform-animation\" \/>\n\t\t\t<\/svg>\n\t\t\t<div class=\"percentage\"><\/div>\n\t\t\t<div class=\"wvpl-loading\">\n\t\t\t\t<div class=\"wvpl-loading-progress\"><\/div>\n\t\t\t<\/div>\n\t\t\t<div class=\"message\"><\/div>\n\t\t<\/div>\n\t\t<div class=\"wvpl-position\"><\/div>\n\t\t<div class=\"wvpl-duration\"><\/div>\n\t\t<div class=\"wvpl-waveform\"><\/div>\n\t\t<div class=\"wvpl-infobar\">\n\t\t\t<div class=\"wvpl-playing-info\"><div class=\"wvpl-infoblock\"><\/div><\/div>\n\t\t<\/div>\n\t<\/div>\n\t<div class=\"wvpl-playlist\">\n\t\t<div class=\"wvpl-playlist-wrapper\"><\/div>\n\t<\/div>\n<\/div>\n<\/div>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-7444 alignnone\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2018\/04\/bebop-4.gif\" alt=\"bebop 4\" width=\"720\" height=\"247\" \/><\/p>\n<p>&nbsp;<br \/>\n<a id=\"chromatic\"><\/a><\/p>\n<h2>Chromatic Notes<\/h2>\n<p>One of the most important concepts in bebop is tension and release, especially with the use of <a href=\"https:\/\/www.jazzguitar.be\/blog\/chromaticism-how-to-add-chromatic-notes\/\">chromatic notes<\/a> to achieve this sound.<\/p>\n<p>While chromatic notes are an important bebop sound, you can\u2019t achieve a solid line by randomly adding chromatic notes into your scales and arpeggios.<\/p>\n<p>Instead, it\u2019s the use of organized chromatic notes that helps build the bebop sound in your solos.<\/p>\n<p>In this section, you learn about three essential chromatic notes and how to use them to create a bebop flavor in your solos.<\/p>\n<p>&nbsp;<br \/>\n<a id=\"passing\"><\/a><\/p>\n<h3 class=\"grey\">Passing Notes<\/h3>\n<p>The first chromatic note you learn is the passing note, where you add a chromatic note between two diatonic notes in your playing.<\/p>\n<p>Here\u2019s an example of a passing note added between the 2<sup>nd<\/sup> and 3<sup>rd<\/sup> notes of the C major scale.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Listen and Play Along<\/strong><\/p>\n<div class=\"waveplayer-container\"><div id=\"waveplayer-44ca7f15c20a9b09f6165874bae510b1-6a4f9be3be328\" class=\"waveplayer loading wvpl-skin-w2-evolution wvpl-palette-800e3a14c86733ad9ccc96fd80850d88 wvpl-style-light wvpl-size-xs wvpl-shape-rounded \" data-limit=\"0\" data-mode=\"normal\" data-config_id=\"44ca7f15c20a9b09f6165874bae510b1\" data-instance_id=\"44ca7f15c20a9b09f6165874bae510b1-6a4e68d315bce\">\n\t<div class=\"wvpl-left-box\" style=\"background-image:url(https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2018\/04\/audiobg.png)\">\n\t\t<div class=\"wvpl-interface\">\n\t\t\t<div class=\"wvpl-volume-overlay\"><\/div>\n\t\t\t<div class=\"wvpl-icon wvpl-info\"><\/div>\n\t\t\t<div class=\"wvpl-controls\">\n\t\t\t\t<div class=\"wvpl-icon wvpl-prev wvpl-disabled\"><\/div>\n\t\t\t\t<div class=\"wvpl-icon wvpl-play\"><\/div>\n\t\t\t\t<div class=\"wvpl-icon wvpl-next wvpl-disabled\"><\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"wvpl-icon wvpl-volume wvpl-volume_up\"><\/div>\n\t\t\t\t\t<\/div>\n\t\t<div class=\"wvpl-poster\"><\/div>\n\t<\/div>\n\t<div class=\"wvpl-right-box\">\n\t\t<div class=\"wvpl-overlay\">\n\t\t\t<svg>\n\t\t\t\t<use xlink:href=\"#waveform-animation\" \/>\n\t\t\t<\/svg>\n\t\t\t<div class=\"percentage\"><\/div>\n\t\t\t<div class=\"wvpl-loading\">\n\t\t\t\t<div class=\"wvpl-loading-progress\"><\/div>\n\t\t\t<\/div>\n\t\t\t<div class=\"message\"><\/div>\n\t\t<\/div>\n\t\t<div class=\"wvpl-position\"><\/div>\n\t\t<div class=\"wvpl-duration\"><\/div>\n\t\t<div class=\"wvpl-waveform\"><\/div>\n\t\t<div class=\"wvpl-infobar\">\n\t\t\t<div class=\"wvpl-playing-info\"><div class=\"wvpl-infoblock\"><\/div><\/div>\n\t\t<\/div>\n\t<\/div>\n\t<div class=\"wvpl-playlist\">\n\t\t<div class=\"wvpl-playlist-wrapper\"><\/div>\n\t<\/div>\n<\/div>\n<\/div>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-7445 alignnone\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2018\/04\/bebop-5.gif\" alt=\"bebop 5\" width=\"720\" height=\"234\" \/><\/p>\n<p>&nbsp;<br \/>\n<a id=\"approach\"><\/a><\/p>\n<h3 class=\"grey\">Approach Notes<\/h3>\n<p>The next chromatic note is the approach note, where you play one fret below a chord or scale note and resolve into the diatonic note from there.<\/p>\n<p>You can also us approach notes from a fret above scale or chord tones, but it doesn\u2019t always work as well as below. For this reason, start with the approach note below before exploring approach notes from above in your playing.<\/p>\n<p>Here\u2019s an example of a Cmaj7 arpeggio with an approach note into the 5<sup>th<\/sup> of each octave in this shape.<\/p>\n<p>Practice adding approach notes to other chord tones as you expand this sound in your playing.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Listen and Play Along<\/strong><\/p>\n<div class=\"waveplayer-container\"><div id=\"waveplayer-d81f57d002cae714567059ce768b3aac-6a4f9be3bef1d\" class=\"waveplayer loading wvpl-skin-w2-evolution wvpl-palette-800e3a14c86733ad9ccc96fd80850d88 wvpl-style-light wvpl-size-xs wvpl-shape-rounded \" data-limit=\"0\" data-mode=\"normal\" data-config_id=\"d81f57d002cae714567059ce768b3aac\" data-instance_id=\"d81f57d002cae714567059ce768b3aac-6a4e68d316999\">\n\t<div class=\"wvpl-left-box\" style=\"background-image:url(https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2018\/04\/audiobg.png)\">\n\t\t<div class=\"wvpl-interface\">\n\t\t\t<div class=\"wvpl-volume-overlay\"><\/div>\n\t\t\t<div class=\"wvpl-icon wvpl-info\"><\/div>\n\t\t\t<div class=\"wvpl-controls\">\n\t\t\t\t<div class=\"wvpl-icon wvpl-prev wvpl-disabled\"><\/div>\n\t\t\t\t<div class=\"wvpl-icon wvpl-play\"><\/div>\n\t\t\t\t<div class=\"wvpl-icon wvpl-next wvpl-disabled\"><\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"wvpl-icon wvpl-volume wvpl-volume_up\"><\/div>\n\t\t\t\t\t<\/div>\n\t\t<div class=\"wvpl-poster\"><\/div>\n\t<\/div>\n\t<div class=\"wvpl-right-box\">\n\t\t<div class=\"wvpl-overlay\">\n\t\t\t<svg>\n\t\t\t\t<use xlink:href=\"#waveform-animation\" \/>\n\t\t\t<\/svg>\n\t\t\t<div class=\"percentage\"><\/div>\n\t\t\t<div class=\"wvpl-loading\">\n\t\t\t\t<div class=\"wvpl-loading-progress\"><\/div>\n\t\t\t<\/div>\n\t\t\t<div class=\"message\"><\/div>\n\t\t<\/div>\n\t\t<div class=\"wvpl-position\"><\/div>\n\t\t<div class=\"wvpl-duration\"><\/div>\n\t\t<div class=\"wvpl-waveform\"><\/div>\n\t\t<div class=\"wvpl-infobar\">\n\t\t\t<div class=\"wvpl-playing-info\"><div class=\"wvpl-infoblock\"><\/div><\/div>\n\t\t<\/div>\n\t<\/div>\n\t<div class=\"wvpl-playlist\">\n\t\t<div class=\"wvpl-playlist-wrapper\"><\/div>\n\t<\/div>\n<\/div>\n<\/div>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-7446 alignnone\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2018\/04\/bebop-6.gif\" alt=\"bebop 6\" width=\"720\" height=\"245\" \/><\/p>\n<p>&nbsp;<br \/>\n<a id=\"enclosures\"><\/a><\/p>\n<h3 class=\"grey\">Enclosures<\/h3>\n<p>The next chromatic concept uses two chromatic notes to build what\u2019s called an <a href=\"https:\/\/www.jazzguitar.be\/blog\/diatonic-enclosure\/\">enclosure<\/a>.<\/p>\n<p>There are a number of enclosures to explore, but the best place to start is chromatic above, chromatic below, then resolving to a diatonic note from there.<\/p>\n<p>Here\u2019s a Cmaj7 arpeggio with an enclosure around the 3<sup>rd<\/sup> in each octave of the shape.<\/p>\n<p>&nbsp;<\/p>\n<p>Take it to other arpeggios and positions when comfortable, and add it to your jazz guitar solos to bring it to a musical situation.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Listen and Play Along<\/strong><\/p>\n<div class=\"waveplayer-container\"><div id=\"waveplayer-d55418bd642590a1e0d4acb6d477135e-6a4f9be3bfb07\" class=\"waveplayer loading wvpl-skin-w2-evolution wvpl-palette-800e3a14c86733ad9ccc96fd80850d88 wvpl-style-light wvpl-size-xs wvpl-shape-rounded \" data-limit=\"0\" data-mode=\"normal\" data-config_id=\"d55418bd642590a1e0d4acb6d477135e\" data-instance_id=\"d55418bd642590a1e0d4acb6d477135e-6a4e68d31777b\">\n\t<div class=\"wvpl-left-box\" style=\"background-image:url(https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2018\/04\/audiobg.png)\">\n\t\t<div class=\"wvpl-interface\">\n\t\t\t<div class=\"wvpl-volume-overlay\"><\/div>\n\t\t\t<div class=\"wvpl-icon wvpl-info\"><\/div>\n\t\t\t<div class=\"wvpl-controls\">\n\t\t\t\t<div class=\"wvpl-icon wvpl-prev wvpl-disabled\"><\/div>\n\t\t\t\t<div class=\"wvpl-icon wvpl-play\"><\/div>\n\t\t\t\t<div class=\"wvpl-icon wvpl-next wvpl-disabled\"><\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"wvpl-icon wvpl-volume wvpl-volume_up\"><\/div>\n\t\t\t\t\t<\/div>\n\t\t<div class=\"wvpl-poster\"><\/div>\n\t<\/div>\n\t<div class=\"wvpl-right-box\">\n\t\t<div class=\"wvpl-overlay\">\n\t\t\t<svg>\n\t\t\t\t<use xlink:href=\"#waveform-animation\" \/>\n\t\t\t<\/svg>\n\t\t\t<div class=\"percentage\"><\/div>\n\t\t\t<div class=\"wvpl-loading\">\n\t\t\t\t<div class=\"wvpl-loading-progress\"><\/div>\n\t\t\t<\/div>\n\t\t\t<div class=\"message\"><\/div>\n\t\t<\/div>\n\t\t<div class=\"wvpl-position\"><\/div>\n\t\t<div class=\"wvpl-duration\"><\/div>\n\t\t<div class=\"wvpl-waveform\"><\/div>\n\t\t<div class=\"wvpl-infobar\">\n\t\t\t<div class=\"wvpl-playing-info\"><div class=\"wvpl-infoblock\"><\/div><\/div>\n\t\t<\/div>\n\t<\/div>\n\t<div class=\"wvpl-playlist\">\n\t\t<div class=\"wvpl-playlist-wrapper\"><\/div>\n\t<\/div>\n<\/div>\n<\/div>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-7447 alignnone\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2018\/04\/bebop-7.gif\" alt=\"bebop 7\" width=\"720\" height=\"247\" \/><\/p>\n<p>&nbsp;<br \/>\n<a id=\"combi\"><\/a><\/p>\n<h3 class=\"grey\">Chromatic Notes Combined<\/h3>\n<p>Here\u2019s a line that uses all three chromatic notes from this section.<\/p>\n<p>Start by learning the line in C major, and then take it to other keys in your practice routine.<\/p>\n<p>Add this line to your solos to bring it to a musical situation. Then, when you\u2019re ready, write your own lines that use these chromatic notes.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Listen and Play Along<\/strong><\/p>\n<div class=\"waveplayer-container\"><div id=\"waveplayer-c6f096e22c697e671a42097d3a6dd5b7-6a4f9be3c06f6\" class=\"waveplayer loading wvpl-skin-w2-evolution wvpl-palette-800e3a14c86733ad9ccc96fd80850d88 wvpl-style-light wvpl-size-xs wvpl-shape-rounded \" data-limit=\"0\" data-mode=\"normal\" data-config_id=\"c6f096e22c697e671a42097d3a6dd5b7\" data-instance_id=\"c6f096e22c697e671a42097d3a6dd5b7-6a4e68d318571\">\n\t<div class=\"wvpl-left-box\" style=\"background-image:url(https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2018\/04\/audiobg.png)\">\n\t\t<div class=\"wvpl-interface\">\n\t\t\t<div class=\"wvpl-volume-overlay\"><\/div>\n\t\t\t<div class=\"wvpl-icon wvpl-info\"><\/div>\n\t\t\t<div class=\"wvpl-controls\">\n\t\t\t\t<div class=\"wvpl-icon wvpl-prev wvpl-disabled\"><\/div>\n\t\t\t\t<div class=\"wvpl-icon wvpl-play\"><\/div>\n\t\t\t\t<div class=\"wvpl-icon wvpl-next wvpl-disabled\"><\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"wvpl-icon wvpl-volume wvpl-volume_up\"><\/div>\n\t\t\t\t\t<\/div>\n\t\t<div class=\"wvpl-poster\"><\/div>\n\t<\/div>\n\t<div class=\"wvpl-right-box\">\n\t\t<div class=\"wvpl-overlay\">\n\t\t\t<svg>\n\t\t\t\t<use xlink:href=\"#waveform-animation\" \/>\n\t\t\t<\/svg>\n\t\t\t<div class=\"percentage\"><\/div>\n\t\t\t<div class=\"wvpl-loading\">\n\t\t\t\t<div class=\"wvpl-loading-progress\"><\/div>\n\t\t\t<\/div>\n\t\t\t<div class=\"message\"><\/div>\n\t\t<\/div>\n\t\t<div class=\"wvpl-position\"><\/div>\n\t\t<div class=\"wvpl-duration\"><\/div>\n\t\t<div class=\"wvpl-waveform\"><\/div>\n\t\t<div class=\"wvpl-infobar\">\n\t\t\t<div class=\"wvpl-playing-info\"><div class=\"wvpl-infoblock\"><\/div><\/div>\n\t\t<\/div>\n\t<\/div>\n\t<div class=\"wvpl-playlist\">\n\t\t<div class=\"wvpl-playlist-wrapper\"><\/div>\n\t<\/div>\n<\/div>\n<\/div>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-7448 alignnone\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2018\/04\/bebop-8.gif\" alt=\"bebop 8\" width=\"720\" height=\"247\" \/><\/p>\n<p>&nbsp;<br \/>\n<a id=\"scales\"><\/a><\/p>\n<h2>Bebop Scales<\/h2>\n<p>One of the most common ways to bring a bebop sound into your playing is using the bebop scale over minor 7, dominant 7, and major 7 chords.<\/p>\n<p>These scales are all built by adding one passing note to a common mode, Dorian, Mixolydian, and Ionian.<\/p>\n<p>Because of this, they help organize chromatic notes in your scale lines as you bring an extra chromatic note into each of these scales.<\/p>\n<p>In this section, you learn two fingerings for each scale as well as a sample line that uses all three bebop scales.<\/p>\n<p>Start by working each scale one at a time and adding it to your soloing repertoire over chords and <a href=\"https:\/\/www.jazzguitar.be\/blog\/jazz-chord-progressions\/\">progressions<\/a>.<\/p>\n<p>From there, mix two and then all three bebop scales into your solos as you take these ideas further into your playing.<\/p>\n<p>&nbsp;<br \/>\n<a id=\"minor\"><\/a><\/p>\n<h3 class=\"grey\">The Minor Bebop Scale<\/h3>\n<p>The first bebop scale is used to solo over minor chords, and is built by adding a major 7 passing note to the Dorian mode.<\/p>\n<blockquote><p>Minor bebop scale = Dorian mode + major 7<\/p><\/blockquote>\n<p>You sometimes see the minor bebop scale with a <strong>major 3<sup>rd<\/sup><\/strong> passing tone added, but this creates a scale that has the same notes as the dominant bebop scale.<\/p>\n<p>To help keep these sounds separate in your solos, you learn the major 7 passing note version in this lesson.<\/p>\n<p>Start by learning one shape at a time and adding them to your soloing practice over one-chord vamps and simple tunes.<\/p>\n<blockquote><p>Use the major 7 as a passing note<strong>,<\/strong>\u00a0don\u2019t sit on it in your solos.<\/p><\/blockquote>\n<p>Over time you can linger on that note, but in the beginning, it\u2019s more important to get it into your ears as a passing note before moving on to more advanced applications of this scale.<\/p>\n<p>Here are the diagrams for the D minor bebop scale in 2 positions. The <span style=\"color: #0080ff; font-weight: bold;\">major 7 passing tone<\/span> is blue, <span style=\"color: red; font-weight: bold;\">root notes<\/span> are red. Start by playing the scale from the root<\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-7500\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2018\/04\/d-minor-bebop-scale.png\" alt=\"D minor bebop scale diagrams\" width=\"779\" height=\"676\" srcset=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2018\/04\/d-minor-bebop-scale.png 779w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2018\/04\/d-minor-bebop-scale-300x260.png 300w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2018\/04\/d-minor-bebop-scale-768x666.png 768w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2018\/04\/d-minor-bebop-scale-585x508.png 585w\" sizes=\"(max-width: 779px) 100vw, 779px\" \/><\/p>\n<p>&nbsp;<br \/>\n<a id=\"dominant\"><\/a><\/p>\n<h3 class=\"grey\">The Dominant Bebop Scale<\/h3>\n<p>The next bebop scale is used over <a href=\"https:\/\/www.jazzguitar.be\/blog\/dominant-chords\/\">dominant\u00a07 chords<\/a> and is built by adding a major 7<sup>th<\/sup> passing note to the Mixolydian scale.<\/p>\n<blockquote><p>Dominant bebop scale = Mixolydian mode + major 7<\/p><\/blockquote>\n<p>Because this scale is the most popular of the 3 bebop scales in this section, you often see this scale called simply the bebop scale. To differentiate it from the other scales you can also call it the dominant bebop scale.<\/p>\n<p>Here are two fingerings to help get this scale under your fingers. When you have one shape down, use it to <a href=\"https:\/\/www.jazzguitar.be\/store\/band-in-a-box.php\">solo over backing tracks<\/a> as you integrate this scale into your soloing lines and phrases.<\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-7503\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2018\/04\/g-dominant-bebop-scale.png\" alt=\"G dominant bebop scale diagrams\" width=\"779\" height=\"676\" srcset=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2018\/04\/g-dominant-bebop-scale.png 779w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2018\/04\/g-dominant-bebop-scale-300x260.png 300w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2018\/04\/g-dominant-bebop-scale-768x666.png 768w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2018\/04\/g-dominant-bebop-scale-585x508.png 585w\" sizes=\"(max-width: 779px) 100vw, 779px\" \/><\/p>\n<p><a href=\"https:\/\/www.jazzguitar.be\/blog\/bebop-scale\/\">Learn more about the dominant bebop scale here&#8230;<\/a><\/p>\n<p>&nbsp;<br \/>\n<a id=\"major\"><\/a><\/p>\n<h3 class=\"grey\">The Major Bebop Scale<\/h3>\n<p>The major bebop scale is used to improvise over major chords\u00a0and is built by adding a #5 to the major scale.<\/p>\n<blockquote><p>Major bebop scale = Ionian mode + #5<\/p><\/blockquote>\n<p>When doing so, you create a passing note between 5 and 6 (5-#5-6), and 6 and 5 (6-#5-5).<\/p>\n<p>Again, as you add this scale to your soloing, use the #5 as a passing note. Don\u2019t sit or rest on it too long in the beginning.<\/p>\n<p>Over time your ears will become accustomed to this passing note and you can spend more time on it in your lines. But, in the beginning, it\u2019s best to pass through it from one scale note to another to avoid any awkward sounding phrases in your solos.<\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-7502\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2018\/04\/c-major-bebop-scale.png\" alt=\"C major bebop scale diagrams\" width=\"779\" height=\"676\" srcset=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2018\/04\/c-major-bebop-scale.png 779w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2018\/04\/c-major-bebop-scale-300x260.png 300w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2018\/04\/c-major-bebop-scale-768x666.png 768w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2018\/04\/c-major-bebop-scale-585x508.png 585w\" sizes=\"(max-width: 779px) 100vw, 779px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<br \/>\n<a id=\"iivi\"><\/a><\/p>\n<h3 class=\"grey\">The Bebop Scale over a ii V I<\/h3>\n<p>To finish your introduction to bebop scales, here\u2019s a line that uses bebop scales over every chord in a <a href=\"https:\/\/www.jazzguitar.be\/blog\/20-ways-to-play-ii-v-i-vi-chord-progressions\/\">major ii V I progression<\/a>.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Listen and Play Along<\/strong><\/p>\n<div class=\"waveplayer-container\"><div id=\"waveplayer-69b57f3d00e3be85e728d22d97bc1c25-6a4f9be3c12a4\" class=\"waveplayer loading wvpl-skin-w2-evolution wvpl-palette-800e3a14c86733ad9ccc96fd80850d88 wvpl-style-light wvpl-size-xs wvpl-shape-rounded \" data-limit=\"0\" data-mode=\"normal\" data-config_id=\"69b57f3d00e3be85e728d22d97bc1c25\" data-instance_id=\"69b57f3d00e3be85e728d22d97bc1c25-6a4e68d3193ef\">\n\t<div class=\"wvpl-left-box\" style=\"background-image:url(https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2018\/04\/audiobg.png)\">\n\t\t<div class=\"wvpl-interface\">\n\t\t\t<div class=\"wvpl-volume-overlay\"><\/div>\n\t\t\t<div class=\"wvpl-icon wvpl-info\"><\/div>\n\t\t\t<div class=\"wvpl-controls\">\n\t\t\t\t<div class=\"wvpl-icon wvpl-prev wvpl-disabled\"><\/div>\n\t\t\t\t<div class=\"wvpl-icon wvpl-play\"><\/div>\n\t\t\t\t<div class=\"wvpl-icon wvpl-next wvpl-disabled\"><\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"wvpl-icon wvpl-volume wvpl-volume_up\"><\/div>\n\t\t\t\t\t<\/div>\n\t\t<div class=\"wvpl-poster\"><\/div>\n\t<\/div>\n\t<div class=\"wvpl-right-box\">\n\t\t<div class=\"wvpl-overlay\">\n\t\t\t<svg>\n\t\t\t\t<use xlink:href=\"#waveform-animation\" \/>\n\t\t\t<\/svg>\n\t\t\t<div class=\"percentage\"><\/div>\n\t\t\t<div class=\"wvpl-loading\">\n\t\t\t\t<div class=\"wvpl-loading-progress\"><\/div>\n\t\t\t<\/div>\n\t\t\t<div class=\"message\"><\/div>\n\t\t<\/div>\n\t\t<div class=\"wvpl-position\"><\/div>\n\t\t<div class=\"wvpl-duration\"><\/div>\n\t\t<div class=\"wvpl-waveform\"><\/div>\n\t\t<div class=\"wvpl-infobar\">\n\t\t\t<div class=\"wvpl-playing-info\"><div class=\"wvpl-infoblock\"><\/div><\/div>\n\t\t<\/div>\n\t<\/div>\n\t<div class=\"wvpl-playlist\">\n\t\t<div class=\"wvpl-playlist-wrapper\"><\/div>\n\t<\/div>\n<\/div>\n<\/div>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-7452 alignnone\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2018\/04\/bebop-12.gif\" alt=\"bebop 12\" width=\"720\" height=\"247\" \/><\/p>\n<p>&nbsp;<br \/>\n<a id=\"harmonic\"><\/a><\/p>\n<h2>The Harmonic Minor Scale<\/h2>\n<p>Another scale that is often used in bebop is the harmonic minor scale, usually over <a href=\"https:\/\/www.jazzguitar.be\/blog\/understanding-the-minor-ii-v-i-progression\/\">minor ii V Is<\/a>. You can play the harmonic minor scale of the I over all chords in this progression.<\/p>\n<p>For example: over a ii V I in C minor (Dm7b5, G7, Cm7), play the C harmonic minor scale.<\/p>\n<p>Over the I this scale results in the minor\/major 7 sound. Over the G7, you get a b9b13 sound:<\/p>\n<p>&nbsp;<\/p>\n<table class=\"tableizer-table\">\n<tbody>\n<tr class=\"tableizer-firstrow\">\n<th style=\"border-top: 0; text-align: center; color: red; width: 40%;\">C Harmonic Minor Scale<\/th>\n<td style=\"background-color: black; color: white;\">C<\/td>\n<td style=\"background-color: black; color: white;\">D<\/td>\n<td style=\"background-color: black; color: white;\">Eb<\/td>\n<td style=\"background-color: black; color: white;\">F<\/td>\n<td style=\"background-color: black; color: white;\">G<\/td>\n<td style=\"background-color: black; color: white;\">Ab<\/td>\n<td style=\"background-color: black; color: white;\">B<\/td>\n<\/tr>\n<tr class=\"tableizer-firstrow\">\n<th style=\"border-bottom: 0; text-align: center;\">Played over G7<\/th>\n<td>4<\/td>\n<td>5<\/td>\n<td>b13<\/td>\n<td>b7<\/td>\n<td>1<\/td>\n<td>b9<\/td>\n<td>3<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>Here is the fingering for the C harmonic minor scale:<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-7507\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2018\/04\/c-harmonic-minor-scale.png\" alt=\"C harmonic minor scale diagram\" width=\"779\" height=\"676\" srcset=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2018\/04\/c-harmonic-minor-scale.png 779w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2018\/04\/c-harmonic-minor-scale-300x260.png 300w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2018\/04\/c-harmonic-minor-scale-768x666.png 768w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2018\/04\/c-harmonic-minor-scale-585x508.png 585w\" sizes=\"(max-width: 779px) 100vw, 779px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>And here are 2 example licks:<\/p>\n<p><i>Listen &amp; Play Along<\/i><\/p>\n<div class=\"waveplayer-container\"><div id=\"waveplayer-56e4d3002fb67db413c16d9114f9dac5-6a4f9be3c1e39\" class=\"waveplayer loading wvpl-skin-w2-evolution wvpl-palette-800e3a14c86733ad9ccc96fd80850d88 wvpl-style-light wvpl-size-xs wvpl-shape-rounded \" data-limit=\"0\" data-mode=\"normal\" data-config_id=\"56e4d3002fb67db413c16d9114f9dac5\" data-instance_id=\"56e4d3002fb67db413c16d9114f9dac5-6a4e68d31a1f0\">\n\t<div class=\"wvpl-left-box\" style=\"background-image:url(https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2018\/04\/audiobg.png)\">\n\t\t<div class=\"wvpl-interface\">\n\t\t\t<div class=\"wvpl-volume-overlay\"><\/div>\n\t\t\t<div class=\"wvpl-icon wvpl-info\"><\/div>\n\t\t\t<div class=\"wvpl-controls\">\n\t\t\t\t<div class=\"wvpl-icon wvpl-prev wvpl-disabled\"><\/div>\n\t\t\t\t<div class=\"wvpl-icon wvpl-play\"><\/div>\n\t\t\t\t<div class=\"wvpl-icon wvpl-next wvpl-disabled\"><\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"wvpl-icon wvpl-volume wvpl-volume_up\"><\/div>\n\t\t\t\t\t<\/div>\n\t\t<div class=\"wvpl-poster\"><\/div>\n\t<\/div>\n\t<div class=\"wvpl-right-box\">\n\t\t<div class=\"wvpl-overlay\">\n\t\t\t<svg>\n\t\t\t\t<use xlink:href=\"#waveform-animation\" \/>\n\t\t\t<\/svg>\n\t\t\t<div class=\"percentage\"><\/div>\n\t\t\t<div class=\"wvpl-loading\">\n\t\t\t\t<div class=\"wvpl-loading-progress\"><\/div>\n\t\t\t<\/div>\n\t\t\t<div class=\"message\"><\/div>\n\t\t<\/div>\n\t\t<div class=\"wvpl-position\"><\/div>\n\t\t<div class=\"wvpl-duration\"><\/div>\n\t\t<div class=\"wvpl-waveform\"><\/div>\n\t\t<div class=\"wvpl-infobar\">\n\t\t\t<div class=\"wvpl-playing-info\"><div class=\"wvpl-infoblock\"><\/div><\/div>\n\t\t<\/div>\n\t<\/div>\n\t<div class=\"wvpl-playlist\">\n\t\t<div class=\"wvpl-playlist-wrapper\"><\/div>\n\t<\/div>\n<\/div>\n<\/div>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-7506\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2018\/04\/bebop-harmonic-minor-scale.png\" alt=\"Bebop harmonic minor scale lick\" width=\"720\" height=\"468\" srcset=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2018\/04\/bebop-harmonic-minor-scale.png 720w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2018\/04\/bebop-harmonic-minor-scale-300x195.png 300w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2018\/04\/bebop-harmonic-minor-scale-585x380.png 585w\" sizes=\"(max-width: 720px) 100vw, 720px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.jazzguitar.be\/blog\/harmonic-minor-scale-jazz\/\">Learn more about the Harmonic Minor Scale here&#8230;<\/a><\/p>\n<p>&nbsp;<br \/>\n<a id=\"vocabulary\"><\/a><\/p>\n<h2>Bebop Vocabulary<\/h2>\n<p>As well as learning concepts when studying bebop, it\u2019s also important to learn vocabulary from this style of jazz.<\/p>\n<p>In this section, you learn four classic <a href=\"https:\/\/www.jazzguitar.be\/blog\/bebop-licks\/\">jazz guitar licks<\/a> that are used over and over by bebop soloists in their improvisations. Learn each of these phrases, as well as the theory behind them, and then add them to your own solos.<\/p>\n<p>You don\u2019t want to recite these phrases forever in your playing. But, learning them is a great way to begin incorporating the bebop language into your solos.<\/p>\n<p>Then, over time, you can alter and personalize these lines to make them your own as you adapt them to your bebop soloing style.<\/p>\n<p>&nbsp;<br \/>\n<a id=\"motif1\"><\/a><\/p>\n<h3 class=\"grey\">Bebop Motif 1<\/h3>\n<p>The first bebop line is one you find in Charlie Parker\u2019s playing, as well as many other bebop musicians.<\/p>\n<p>It\u2019s built by approaching the iim7 arpeggio with a half step (the C# in the line below) and then ending on the notes C-A-A#-B. The A# is a passing note between A and B.<\/p>\n<p>As well the C is the b7 of Dm7 and the B is the 3<sup>rd<\/sup> of G7, so you use solid voice leading here as you target those guide tones in the line.<\/p>\n<p>Work this phrase over Dm7-G7 to begin. Then take it to other keys and other positions as you bring this line into different musical situations.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Listen and Play Along<\/strong><\/p>\n<div class=\"waveplayer-container\"><div id=\"waveplayer-690a1e93bb00753679ccf6b42964b6cc-6a4f9be3c29d2\" class=\"waveplayer loading wvpl-skin-w2-evolution wvpl-palette-800e3a14c86733ad9ccc96fd80850d88 wvpl-style-light wvpl-size-xs wvpl-shape-rounded \" data-limit=\"0\" data-mode=\"normal\" data-config_id=\"690a1e93bb00753679ccf6b42964b6cc\" data-instance_id=\"690a1e93bb00753679ccf6b42964b6cc-6a4e68d31afe1\">\n\t<div class=\"wvpl-left-box\" style=\"background-image:url(https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2018\/04\/audiobg.png)\">\n\t\t<div class=\"wvpl-interface\">\n\t\t\t<div class=\"wvpl-volume-overlay\"><\/div>\n\t\t\t<div class=\"wvpl-icon wvpl-info\"><\/div>\n\t\t\t<div class=\"wvpl-controls\">\n\t\t\t\t<div class=\"wvpl-icon wvpl-prev wvpl-disabled\"><\/div>\n\t\t\t\t<div class=\"wvpl-icon wvpl-play\"><\/div>\n\t\t\t\t<div class=\"wvpl-icon wvpl-next wvpl-disabled\"><\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"wvpl-icon wvpl-volume wvpl-volume_up\"><\/div>\n\t\t\t\t\t<\/div>\n\t\t<div class=\"wvpl-poster\"><\/div>\n\t<\/div>\n\t<div class=\"wvpl-right-box\">\n\t\t<div class=\"wvpl-overlay\">\n\t\t\t<svg>\n\t\t\t\t<use xlink:href=\"#waveform-animation\" \/>\n\t\t\t<\/svg>\n\t\t\t<div class=\"percentage\"><\/div>\n\t\t\t<div class=\"wvpl-loading\">\n\t\t\t\t<div class=\"wvpl-loading-progress\"><\/div>\n\t\t\t<\/div>\n\t\t\t<div class=\"message\"><\/div>\n\t\t<\/div>\n\t\t<div class=\"wvpl-position\"><\/div>\n\t\t<div class=\"wvpl-duration\"><\/div>\n\t\t<div class=\"wvpl-waveform\"><\/div>\n\t\t<div class=\"wvpl-infobar\">\n\t\t\t<div class=\"wvpl-playing-info\"><div class=\"wvpl-infoblock\"><\/div><\/div>\n\t\t<\/div>\n\t<\/div>\n\t<div class=\"wvpl-playlist\">\n\t\t<div class=\"wvpl-playlist-wrapper\"><\/div>\n\t<\/div>\n<\/div>\n<\/div>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-7453 alignnone\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2018\/04\/bebop-13.gif\" alt=\"bebop 13\" width=\"720\" height=\"245\" \/><\/p>\n<p>&nbsp;<br \/>\n<a id=\"motif2\"><\/a><\/p>\n<h3 class=\"grey\">Bebop Motif 2<\/h3>\n<p>Here\u2019s a classic line based on the opening melody to Honeysuckle Rose, and one that\u2019s been used by every bebop musician at some point in their careers.<\/p>\n<p>This line is built by playing down the bebop scale over a iim7 or V7 chord, then playing up a triad and resolving to the 6<sup>th<\/sup> of that chord.<\/p>\n<p>You can see this over Dm7 and G7 in the examples below.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Listen and Play Along<\/strong><\/p>\n<div class=\"waveplayer-container\"><div id=\"waveplayer-c1bab4c847aab6775d740c4372f911a5-6a4f9be3c35bb\" class=\"waveplayer loading wvpl-skin-w2-evolution wvpl-palette-800e3a14c86733ad9ccc96fd80850d88 wvpl-style-light wvpl-size-xs wvpl-shape-rounded \" data-limit=\"0\" data-mode=\"normal\" data-config_id=\"c1bab4c847aab6775d740c4372f911a5\" data-instance_id=\"c1bab4c847aab6775d740c4372f911a5-6a4e68d31bda3\">\n\t<div class=\"wvpl-left-box\" style=\"background-image:url(https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2018\/04\/audiobg.png)\">\n\t\t<div class=\"wvpl-interface\">\n\t\t\t<div class=\"wvpl-volume-overlay\"><\/div>\n\t\t\t<div class=\"wvpl-icon wvpl-info\"><\/div>\n\t\t\t<div class=\"wvpl-controls\">\n\t\t\t\t<div class=\"wvpl-icon wvpl-prev wvpl-disabled\"><\/div>\n\t\t\t\t<div class=\"wvpl-icon wvpl-play\"><\/div>\n\t\t\t\t<div class=\"wvpl-icon wvpl-next wvpl-disabled\"><\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"wvpl-icon wvpl-volume wvpl-volume_up\"><\/div>\n\t\t\t\t\t<\/div>\n\t\t<div class=\"wvpl-poster\"><\/div>\n\t<\/div>\n\t<div class=\"wvpl-right-box\">\n\t\t<div class=\"wvpl-overlay\">\n\t\t\t<svg>\n\t\t\t\t<use xlink:href=\"#waveform-animation\" \/>\n\t\t\t<\/svg>\n\t\t\t<div class=\"percentage\"><\/div>\n\t\t\t<div class=\"wvpl-loading\">\n\t\t\t\t<div class=\"wvpl-loading-progress\"><\/div>\n\t\t\t<\/div>\n\t\t\t<div class=\"message\"><\/div>\n\t\t<\/div>\n\t\t<div class=\"wvpl-position\"><\/div>\n\t\t<div class=\"wvpl-duration\"><\/div>\n\t\t<div class=\"wvpl-waveform\"><\/div>\n\t\t<div class=\"wvpl-infobar\">\n\t\t\t<div class=\"wvpl-playing-info\"><div class=\"wvpl-infoblock\"><\/div><\/div>\n\t\t<\/div>\n\t<\/div>\n\t<div class=\"wvpl-playlist\">\n\t\t<div class=\"wvpl-playlist-wrapper\"><\/div>\n\t<\/div>\n<\/div>\n<\/div>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-7454 alignnone\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2018\/04\/bebop-14.gif\" alt=\"bebop 14\" width=\"720\" height=\"262\" \/><\/p>\n<p>&nbsp;<br \/>\n<a id=\"motif3\"><\/a><\/p>\n<h3 class=\"grey\">Bebop Motif 3<\/h3>\n<p>The next phrase uses the D <a href=\"https:\/\/www.jazzguitar.be\/blog\/how-to-use-the-melodic-minor-scale\/\">melodic minor scale<\/a> over the G7 chord, creating a G7#11 sound in the process.<\/p>\n<p>When played over G7, D melodic minor creates the <a href=\"https:\/\/www.jazzguitar.be\/blog\/tritone-substitution\/#solo\">Lydian dominant mode<\/a>, which you may have read about in your studies:<\/p>\n<p>&nbsp;<\/p>\n<table class=\"tableizer-table\">\n<tbody>\n<tr class=\"tableizer-firstrow\">\n<th style=\"border-top: 0; text-align: center; color: red; width: 40%;\">D Melodic Minor Scale<\/th>\n<td style=\"background-color: black; color: white;\">D<\/td>\n<td style=\"background-color: black; color: white;\">E<\/td>\n<td style=\"background-color: black; color: white;\">F<\/td>\n<td style=\"background-color: black; color: white;\">G<\/td>\n<td style=\"background-color: black; color: white;\">A<\/td>\n<td style=\"background-color: black; color: white;\">B<\/td>\n<td style=\"background-color: black; color: white;\">C#<\/td>\n<\/tr>\n<tr class=\"tableizer-firstrow\">\n<th style=\"border-bottom: 0; text-align: center;\">Played over G7<\/th>\n<td>5<\/td>\n<td>13<\/td>\n<td>b7<\/td>\n<td>1<\/td>\n<td>9<\/td>\n<td>3<\/td>\n<td>#11<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n<p>Melodic minor and Lydian dominant are both essential bebop sounds, and therefore are worth studying further in your playing.<\/p>\n<p>The easiest way to apply these sounds to your solos is to use them over ii V progressions.<\/p>\n<blockquote><p>Whenever you have a iim7-V7 progression, play melodic minor from the iim7 chord over both to hit those sounds.<\/p><\/blockquote>\n<p>This means that if you have Am7-D7, you play A melodic minor over both chords to create the AmMaj7 and D7#11 sounds in your lines.<\/p>\n<p>The raised 7<sup>th<\/sup> over a m7 chord and #11 over a 7<sup>th<\/sup> chord creates tension, so it takes time for these sound to become normal to your ears. Because of this, start exploring those sounds sooner than later in your playing so that these sounds will come out naturally in your playing.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Listen and Play Along<\/strong><\/p>\n<div class=\"waveplayer-container\"><div id=\"waveplayer-c0b1504561ec46f92a6c0360bbc7bf6c-6a4f9be3c419c\" class=\"waveplayer loading wvpl-skin-w2-evolution wvpl-palette-800e3a14c86733ad9ccc96fd80850d88 wvpl-style-light wvpl-size-xs wvpl-shape-rounded \" data-limit=\"0\" data-mode=\"normal\" data-config_id=\"c0b1504561ec46f92a6c0360bbc7bf6c\" data-instance_id=\"c0b1504561ec46f92a6c0360bbc7bf6c-6a4e68d31cb42\">\n\t<div class=\"wvpl-left-box\" style=\"background-image:url(https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2018\/04\/audiobg.png)\">\n\t\t<div class=\"wvpl-interface\">\n\t\t\t<div class=\"wvpl-volume-overlay\"><\/div>\n\t\t\t<div class=\"wvpl-icon wvpl-info\"><\/div>\n\t\t\t<div class=\"wvpl-controls\">\n\t\t\t\t<div class=\"wvpl-icon wvpl-prev wvpl-disabled\"><\/div>\n\t\t\t\t<div class=\"wvpl-icon wvpl-play\"><\/div>\n\t\t\t\t<div class=\"wvpl-icon wvpl-next wvpl-disabled\"><\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"wvpl-icon wvpl-volume wvpl-volume_up\"><\/div>\n\t\t\t\t\t<\/div>\n\t\t<div class=\"wvpl-poster\"><\/div>\n\t<\/div>\n\t<div class=\"wvpl-right-box\">\n\t\t<div class=\"wvpl-overlay\">\n\t\t\t<svg>\n\t\t\t\t<use xlink:href=\"#waveform-animation\" \/>\n\t\t\t<\/svg>\n\t\t\t<div class=\"percentage\"><\/div>\n\t\t\t<div class=\"wvpl-loading\">\n\t\t\t\t<div class=\"wvpl-loading-progress\"><\/div>\n\t\t\t<\/div>\n\t\t\t<div class=\"message\"><\/div>\n\t\t<\/div>\n\t\t<div class=\"wvpl-position\"><\/div>\n\t\t<div class=\"wvpl-duration\"><\/div>\n\t\t<div class=\"wvpl-waveform\"><\/div>\n\t\t<div class=\"wvpl-infobar\">\n\t\t\t<div class=\"wvpl-playing-info\"><div class=\"wvpl-infoblock\"><\/div><\/div>\n\t\t<\/div>\n\t<\/div>\n\t<div class=\"wvpl-playlist\">\n\t\t<div class=\"wvpl-playlist-wrapper\"><\/div>\n\t<\/div>\n<\/div>\n<\/div>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-7455 alignnone\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2018\/04\/bebop-15.gif\" alt=\"bebop 15\" width=\"720\" height=\"271\" \/><\/p>\n<p>&nbsp;<br \/>\n<a id=\"motif4\"><\/a><\/p>\n<h3 class=\"grey\">Bebop Motif 4<\/h3>\n<p>The final bebop vocabulary line is a variation of the previous lick, where here you mix up the order of the first four notes.<\/p>\n<p>Work this line on its own, then when ready mix this phrase with the previous line to hear how they compare and contrast in your playing.<\/p>\n<p>As was the case with the previous line, you play D melodic minor over the first bar of the line. This creates a DmMaj7 sound over the Dm7 in this instance, as the raised 7<sup>th<\/sup> from D melodic minor lands on the Dm7 chord in this line.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Listen and Play Along<\/strong><\/p>\n<div class=\"waveplayer-container\"><div id=\"waveplayer-557ec1dd2fb3e6890e394c5018192fcd-6a4f9be3c4d6e\" class=\"waveplayer loading wvpl-skin-w2-evolution wvpl-palette-800e3a14c86733ad9ccc96fd80850d88 wvpl-style-light wvpl-size-xs wvpl-shape-rounded \" data-limit=\"0\" data-mode=\"normal\" data-config_id=\"557ec1dd2fb3e6890e394c5018192fcd\" data-instance_id=\"557ec1dd2fb3e6890e394c5018192fcd-6a4e68d31d8dc\">\n\t<div class=\"wvpl-left-box\" style=\"background-image:url(https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2018\/04\/audiobg.png)\">\n\t\t<div class=\"wvpl-interface\">\n\t\t\t<div class=\"wvpl-volume-overlay\"><\/div>\n\t\t\t<div class=\"wvpl-icon wvpl-info\"><\/div>\n\t\t\t<div class=\"wvpl-controls\">\n\t\t\t\t<div class=\"wvpl-icon wvpl-prev wvpl-disabled\"><\/div>\n\t\t\t\t<div class=\"wvpl-icon wvpl-play\"><\/div>\n\t\t\t\t<div class=\"wvpl-icon wvpl-next wvpl-disabled\"><\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"wvpl-icon wvpl-volume wvpl-volume_up\"><\/div>\n\t\t\t\t\t<\/div>\n\t\t<div class=\"wvpl-poster\"><\/div>\n\t<\/div>\n\t<div class=\"wvpl-right-box\">\n\t\t<div class=\"wvpl-overlay\">\n\t\t\t<svg>\n\t\t\t\t<use xlink:href=\"#waveform-animation\" \/>\n\t\t\t<\/svg>\n\t\t\t<div class=\"percentage\"><\/div>\n\t\t\t<div class=\"wvpl-loading\">\n\t\t\t\t<div class=\"wvpl-loading-progress\"><\/div>\n\t\t\t<\/div>\n\t\t\t<div class=\"message\"><\/div>\n\t\t<\/div>\n\t\t<div class=\"wvpl-position\"><\/div>\n\t\t<div class=\"wvpl-duration\"><\/div>\n\t\t<div class=\"wvpl-waveform\"><\/div>\n\t\t<div class=\"wvpl-infobar\">\n\t\t\t<div class=\"wvpl-playing-info\"><div class=\"wvpl-infoblock\"><\/div><\/div>\n\t\t<\/div>\n\t<\/div>\n\t<div class=\"wvpl-playlist\">\n\t\t<div class=\"wvpl-playlist-wrapper\"><\/div>\n\t<\/div>\n<\/div>\n<\/div>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-7456 alignnone\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2018\/04\/bebop-16.gif\" alt=\"bebop 16\" width=\"720\" height=\"271\" \/><\/p>\n&nbsp;\n<p><a href=\"https:\/\/www.jazzguitar.be\/blog\/jazz-guitar-patterns\/\">Learn more jazz guitar motifs here&#8230;<\/a><\/p>\n<p>&nbsp;<br \/>\n<a id=\"solo\"><\/a><\/p>\n<h2>Scrapple From the Apple Solo<\/h2>\n<p>Now that you have checked out essential bebop techniques, you learn a solo over the <a href=\"https:\/\/www.jazzguitar.be\/blog\/charlie-parker\/\">Charlie Parker<\/a> tune Scrapple from the Apple.<\/p>\n<p>Most of the ideas in this solo are based on Parker\u2019s improvisation and use the concepts you studies earlier in this lesson.<\/p>\n<p>Start by learning one phrase at a time (2-4 bars). Then, glue those phrases together until you can play the whole solo as one.<\/p>\n<p>Work the solo along with the audio example and then take it to the backing track on your own when you\u2019re ready.<\/p>\n<p>Lastly, pull out your favorite lines and phrases and work them in different keys before adding them to your solos over other jazz tunes.<\/p>\n<p>Have fun with this solo as you summarize all of the ideas from this lesson over a famous bebop tune.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Backing Track<\/strong><\/p>\n<div class=\"waveplayer-container\"><div id=\"waveplayer-cf4b20dbf033af08425369765a0c390b-6a4f9be3c5956\" class=\"waveplayer loading wvpl-skin-w2-evolution wvpl-palette-800e3a14c86733ad9ccc96fd80850d88 wvpl-style-light wvpl-size-xs wvpl-shape-rounded \" data-limit=\"0\" data-mode=\"normal\" data-config_id=\"cf4b20dbf033af08425369765a0c390b\" data-instance_id=\"cf4b20dbf033af08425369765a0c390b-6a4e68d31e67d\">\n\t<div class=\"wvpl-left-box\" style=\"background-image:url(https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2018\/04\/audiobg.png)\">\n\t\t<div class=\"wvpl-interface\">\n\t\t\t<div class=\"wvpl-volume-overlay\"><\/div>\n\t\t\t<div class=\"wvpl-icon wvpl-info\"><\/div>\n\t\t\t<div class=\"wvpl-controls\">\n\t\t\t\t<div class=\"wvpl-icon wvpl-prev wvpl-disabled\"><\/div>\n\t\t\t\t<div class=\"wvpl-icon wvpl-play\"><\/div>\n\t\t\t\t<div class=\"wvpl-icon wvpl-next wvpl-disabled\"><\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"wvpl-icon wvpl-volume wvpl-volume_up\"><\/div>\n\t\t\t\t\t<\/div>\n\t\t<div class=\"wvpl-poster\"><\/div>\n\t<\/div>\n\t<div class=\"wvpl-right-box\">\n\t\t<div class=\"wvpl-overlay\">\n\t\t\t<svg>\n\t\t\t\t<use xlink:href=\"#waveform-animation\" \/>\n\t\t\t<\/svg>\n\t\t\t<div class=\"percentage\"><\/div>\n\t\t\t<div class=\"wvpl-loading\">\n\t\t\t\t<div class=\"wvpl-loading-progress\"><\/div>\n\t\t\t<\/div>\n\t\t\t<div class=\"message\"><\/div>\n\t\t<\/div>\n\t\t<div class=\"wvpl-position\"><\/div>\n\t\t<div class=\"wvpl-duration\"><\/div>\n\t\t<div class=\"wvpl-waveform\"><\/div>\n\t\t<div class=\"wvpl-infobar\">\n\t\t\t<div class=\"wvpl-playing-info\"><div class=\"wvpl-infoblock\"><\/div><\/div>\n\t\t<\/div>\n\t<\/div>\n\t<div class=\"wvpl-playlist\">\n\t\t<div class=\"wvpl-playlist-wrapper\"><\/div>\n\t<\/div>\n<\/div>\n<\/div>\n<p><strong>Listen and Play Along<\/strong><\/p>\n<div class=\"waveplayer-container\"><div id=\"waveplayer-a7c6c360b11e07b4e082b7f6ee79ef8d-6a4f9be3c6538\" class=\"waveplayer loading wvpl-skin-w2-evolution wvpl-palette-800e3a14c86733ad9ccc96fd80850d88 wvpl-style-light wvpl-size-xs wvpl-shape-rounded \" data-limit=\"0\" data-mode=\"normal\" data-config_id=\"a7c6c360b11e07b4e082b7f6ee79ef8d\" data-instance_id=\"a7c6c360b11e07b4e082b7f6ee79ef8d-6a4e68d31f436\">\n\t<div class=\"wvpl-left-box\" style=\"background-image:url(https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2018\/04\/audiobg.png)\">\n\t\t<div class=\"wvpl-interface\">\n\t\t\t<div class=\"wvpl-volume-overlay\"><\/div>\n\t\t\t<div class=\"wvpl-icon wvpl-info\"><\/div>\n\t\t\t<div class=\"wvpl-controls\">\n\t\t\t\t<div class=\"wvpl-icon wvpl-prev wvpl-disabled\"><\/div>\n\t\t\t\t<div class=\"wvpl-icon wvpl-play\"><\/div>\n\t\t\t\t<div class=\"wvpl-icon wvpl-next wvpl-disabled\"><\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"wvpl-icon wvpl-volume wvpl-volume_up\"><\/div>\n\t\t\t\t\t<\/div>\n\t\t<div class=\"wvpl-poster\"><\/div>\n\t<\/div>\n\t<div class=\"wvpl-right-box\">\n\t\t<div class=\"wvpl-overlay\">\n\t\t\t<svg>\n\t\t\t\t<use xlink:href=\"#waveform-animation\" \/>\n\t\t\t<\/svg>\n\t\t\t<div class=\"percentage\"><\/div>\n\t\t\t<div class=\"wvpl-loading\">\n\t\t\t\t<div class=\"wvpl-loading-progress\"><\/div>\n\t\t\t<\/div>\n\t\t\t<div class=\"message\"><\/div>\n\t\t<\/div>\n\t\t<div class=\"wvpl-position\"><\/div>\n\t\t<div class=\"wvpl-duration\"><\/div>\n\t\t<div class=\"wvpl-waveform\"><\/div>\n\t\t<div class=\"wvpl-infobar\">\n\t\t\t<div class=\"wvpl-playing-info\"><div class=\"wvpl-infoblock\"><\/div><\/div>\n\t\t<\/div>\n\t<\/div>\n\t<div class=\"wvpl-playlist\">\n\t\t<div class=\"wvpl-playlist-wrapper\"><\/div>\n\t<\/div>\n<\/div>\n<\/div>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-7458\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2018\/04\/bebop-17.gif\" alt=\"bebop 17\" width=\"720\" height=\"1099\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-7457 alignnone\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2018\/04\/bebop-17.1.gif\" alt=\"bebop 17.1\" width=\"720\" height=\"1099\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Bebop is one of the most exciting jazz styles to play on the guitar.<\/p>\n<p>In this lesson, you will learn the basics of bebop: chromatic notes, the bebop scales, bebop motifs and a solo over Scrapple from the Apple in the style of Charlie Parker. Practice the bebop concepts in this lesson and you will get that &#8220;jazzy&#8221; sound in your guitar playing.<\/p>\n","protected":false},"author":15,"featured_media":7460,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"default","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[93],"tags":[],"class_list":["post-7440","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-jazz-guitar-for-beginners"],"_links":{"self":[{"href":"https:\/\/www.jazzguitar.be\/blog\/wp-json\/wp\/v2\/posts\/7440","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.jazzguitar.be\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.jazzguitar.be\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.jazzguitar.be\/blog\/wp-json\/wp\/v2\/users\/15"}],"replies":[{"embeddable":true,"href":"https:\/\/www.jazzguitar.be\/blog\/wp-json\/wp\/v2\/comments?post=7440"}],"version-history":[{"count":0,"href":"https:\/\/www.jazzguitar.be\/blog\/wp-json\/wp\/v2\/posts\/7440\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.jazzguitar.be\/blog\/wp-json\/wp\/v2\/media\/7460"}],"wp:attachment":[{"href":"https:\/\/www.jazzguitar.be\/blog\/wp-json\/wp\/v2\/media?parent=7440"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.jazzguitar.be\/blog\/wp-json\/wp\/v2\/categories?post=7440"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.jazzguitar.be\/blog\/wp-json\/wp\/v2\/tags?post=7440"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}