{"id":5189,"date":"2017-07-05T23:58:32","date_gmt":"2017-07-05T21:58:32","guid":{"rendered":"https:\/\/www.jazzguitar.be\/blog\/?p=5189"},"modified":"2026-03-20T19:26:37","modified_gmt":"2026-03-20T18:26:37","slug":"autumn-leaves-melody-and-solo","status":"publish","type":"post","link":"https:\/\/www.jazzguitar.be\/blog\/autumn-leaves-melody-and-solo\/","title":{"rendered":"Autumn Leaves Chord Melody &#038; Solo"},"content":{"rendered":"<p><span style=\"line-height: 160%; font-size: 18px; font-weight: bold;\">Autumn Leaves is one of the most popular jazz standards and a perfect tune for learning how melody, harmony, and improvisation fit together. The song, originally called <em>Les Feuilles Mortes<\/em>,\u00a0was written by French composer Joseph Kosma in 1945. Later, English lyrics by Johnny Mercer helped make the song an international jazz standard, and it has since been recorded by countless jazz musicians.<\/span><\/p>\n<p><img fetchpriority=\"high\" decoding=\"async\" class=\"alignright size-full wp-image-19082\" style=\"margin-top: 10px;\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/miles-davis-autumn-leaves.jpg\" alt=\"Autumn Leaves\" width=\"300\" height=\"300\" srcset=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/miles-davis-autumn-leaves.jpg 300w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/miles-davis-autumn-leaves-150x150.jpg 150w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/miles-davis-autumn-leaves-48x48.jpg 48w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n<p>This Autumn Leaves jazz guitar tutorial focuses on chord melody playing and improvisation over the chord changes.<\/p>\n<p>You\u2019ll learn how to play the melody of Autumn Leaves mixed with chords to fill in the gaps. This common jazz guitar approach outlines the harmony while keeping the melody clear.<\/p>\n<p>Next, you will learn how to solo over Autumn Leaves, and break down the scales and arpeggios used in the guitar solo.<\/p>\n<p>Understanding how these sounds connect to the chords will help you build stronger, more melodic solos of your own.<\/p>\n<p>&nbsp;<\/p>\n<div class=\"tocgreybox\">\n<h3 style=\"background-color: #313131; padding: 5px 5px 5px 10px; color: #ffffff;\">Autumn Leaves Lesson Overview<\/h3>\n<ol class=\"tocl\">\n<li><a href=\"#listening\">Recommended Listening<\/a><\/li>\n<li><a href=\"#video\">Video<\/a><\/li>\n<li><a href=\"#harmony\">Harmonic Analysis<\/a><\/li>\n<li><a href=\"#scales\">Scales<\/a>\n<ul class=\"tocl\">\n<li><a href=\"#major_scale\">G Major Scale<\/a><\/li>\n<li><a href=\"#blues_scale\">E Minor Blues Scale<\/a><\/li>\n<li><a href=\"#harmonic\">Harmonic Minor Scale<\/a><\/li>\n<\/ul>\n<\/li>\n<li><a href=\"#backing_track\">Autumn Leaves Backing Track<\/a><\/li>\n<li><a href=\"#chord_melody\">Chord Melody Arrangement<\/a><\/li>\n<li><a href=\"#solo\">Jazz Guitar Solo Study<\/a>\n<ul class=\"tocl\">\n<li><a href=\"#solo_1\">Solo Chorus 1<\/a><\/li>\n<li><a href=\"#solo_2\">Solo Chorus 2<\/a><\/li>\n<\/ul>\n<\/li>\n<li><a href=\"#autumn_leaves_lessons\">More Autumn Leaves Lessons<\/a><\/li>\n<\/ol>\n<\/div>\n<p>&nbsp;<\/p>\n<div id=\"listening\"><strong>Recommended listening (instrumental versions):<\/strong><\/div>\n<ul>\n<li>Frank Sinatra &#8211; <em>Where Are You?<\/em> (1957)<\/li>\n<li>Cannonball Adderley (with Miles Davis) &#8211; <em>Somethin\u2019 Else<\/em> (1958)<\/li>\n<li>Bill Evans Trio &#8211; <em>Portrait in Jazz<\/em> (1960)<\/li>\n<li>McCoy Tyner &#8211; <em>Today and Tomorrow<\/em> (1964)<\/li>\n<li>Wes Montgomery &#8211; <em>Wes Montgomery Quartet live in Detroit<\/em> (1966)<\/li>\n<li>Jim Hall &#8211; <em>Alone Together<\/em> (1973)<\/li>\n<li>Chet Baker &amp; Paul Desmond &#8211; <em>Together<\/em> (1974)<\/li>\n<li>Jimmy Raney &#8211; <em>Live in Tokyo<\/em> (1976)<\/li>\n<li>Barney Kessel &#8211; <em>Live<\/em> (1979)<\/li>\n<li>Toots Thielemans (with Joe Pass \u2192 <a href=\"https:\/\/www.jazzguitar.be\/courses\/lessons\/joe-pass-g-minor\/?utm_source=blog&amp;utm_medium=autumn_recommended_li\">great solo<\/a>) &#8211; <em>Live<\/em> (1980)<\/li>\n<li>Joe Pass &#8211; <em>Virtuoso 4<\/em> (1983)<\/li>\n<li>Wynton Marsalis &#8211; <em>Marsalis Standard Time, Vol. 1<\/em> (1987)<\/li>\n<li>Earl Klugh &#8211; <em>Solo Guitar<\/em> (1989)<\/li>\n<li>The Chick Corea Akoustic Band &#8211; <em>Chick Corea Akoustic Band<\/em> (1989)<\/li>\n<li>Bir\u00e9li Lagr\u00e8ne &#8211; <em>Standards<\/em> (1992)<\/li>\n<li>Eva Cassidy &#8211; <em>Live<\/em> (1996)<\/li>\n<li>Keith Jarrett &#8211; <em>Tokyo &#8217;96<\/em> (1998)<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p><em>To download the PDF of this lesson, together with the Guitar Pro files, audio, and backing track, join JGO+ and unlock downloads for this and many other jazz guitar lessons \u2192 <a href=\"https:\/\/www.jazzguitar.be\/courses\/product\/jgo-download-pass\/?utm_source=blog&amp;utm_medium=autumn_jgo_li\">Click here to join JGO+<\/a><\/em><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.jazzguitar.be\/courses\/product\/jgo-download-pass\/?utm_source=blog&amp;utm_medium=autumn_top\"><img decoding=\"async\" class=\"alignnone wp-image-19706 size-full\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2026\/04\/download-pdf.png\" alt=\"Dowload PDF and backing tracks\" width=\"779\" height=\"242\" srcset=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2026\/04\/download-pdf.png 779w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2026\/04\/download-pdf-300x93.png 300w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2026\/04\/download-pdf-768x239.png 768w\" sizes=\"(max-width: 779px) 100vw, 779px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<h2 id=\"video\">Autumn Leaves &#8211; Video<\/h2>\n<p>Here is the video of this lesson.<\/p>\n<p>The notation\/guitar tabs of the melody and solo are further below, under the harmonic analysis and scale sections.<\/p>\n<p>&nbsp;<\/p>\n<div class=\"ast-oembed-container \" style=\"height: 100%;\">\n<div data-mode=\"normal\" data-oembed=\"1\" data-provider=\"youtube\" id=\"arve-youtube-7dqr_hgp6gg\" style=\"max-width:900px;\" class=\"arve\">\n<div class=\"arve-inner\">\n<div style=\"aspect-ratio:500\/281\" class=\"arve-embed arve-embed--has-aspect-ratio\">\n<div class=\"arve-ar\" style=\"padding-top:56.200000%\"><\/div>\n<p>\t\t\t<iframe allow=\"accelerometer &apos;none&apos;;autoplay &apos;none&apos;;bluetooth &apos;none&apos;;browsing-topics &apos;none&apos;;camera &apos;none&apos;;clipboard-read &apos;none&apos;;clipboard-write;display-capture &apos;none&apos;;encrypted-media &apos;none&apos;;gamepad &apos;none&apos;;geolocation &apos;none&apos;;gyroscope &apos;none&apos;;hid &apos;none&apos;;identity-credentials-get &apos;none&apos;;idle-detection &apos;none&apos;;keyboard-map &apos;none&apos;;local-fonts;magnetometer &apos;none&apos;;microphone &apos;none&apos;;midi &apos;none&apos;;otp-credentials &apos;none&apos;;payment &apos;none&apos;;picture-in-picture;publickey-credentials-create &apos;none&apos;;publickey-credentials-get &apos;none&apos;;screen-wake-lock &apos;none&apos;;serial &apos;none&apos;;summarizer &apos;none&apos;;sync-xhr;usb &apos;none&apos;;web-share;window-management &apos;none&apos;;xr-spatial-tracking &apos;none&apos;;\" allowfullscreen=\"\" class=\"arve-iframe fitvidsignore\" credentialless data-arve=\"arve-youtube-7dqr_hgp6gg\" data-lenis-prevent=\"\" data-src-no-ap=\"https:\/\/www.youtube-nocookie.com\/embed\/7dQr_HGP6gg?feature=oembed&amp;rel=0&amp;iv_load_policy=3&amp;modestbranding=1&amp;autohide=1&amp;playsinline=0&amp;autoplay=0\" frameborder=\"0\" height=\"505.8\" loading=\"lazy\" name=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" sandbox=\"allow-scripts allow-same-origin allow-presentation allow-popups allow-popups-to-escape-sandbox\" scrolling=\"no\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/7dQr_HGP6gg?feature=oembed&#038;rel=0&#038;iv_load_policy=3&#038;modestbranding=1&#038;autohide=1&#038;playsinline=0&#038;autoplay=0\" title=\"\" width=\"900\"><\/iframe><\/p><\/div>\n<\/p><\/div>\n<p>\t<script type=\"application\/ld+json\">{\"@context\":\"http:\\\/\\\/schema.org\\\/\",\"@id\":\"https:\\\/\\\/www.jazzguitar.be\\\/blog\\\/autumn-leaves-melody-and-solo\\\/#arve-youtube-7dqr_hgp6gg\",\"@type\":\"VideoObject\",\"embedURL\":\"https:\\\/\\\/www.youtube-nocookie.com\\\/embed\\\/7dQr_HGP6gg?feature=oembed&rel=0&iv_load_policy=3&modestbranding=1&autohide=1&playsinline=0&autoplay=0\"}<\/script><\/p>\n<\/div>\n<\/div>\n<p>&nbsp;<\/p>\n<h2 id=\"harmony\" style=\"page-break-before: always; break-before: page;\">Autumn Leaves &#8211; Harmonic Analysis<\/h2>\n<p><strong>Form:<\/strong>\u00a0Autumn Leaves is 32 bars long with an AABC structure<br \/>\n<strong>Key:<\/strong>\u00a0E minor<\/p>\n<p>The original key of Autumn Leaves is\u00a0<strong>A minor<\/strong>, but the key of the arrangement on this page is <strong>E minor<\/strong> (the key of the Real Book).<\/p>\n<p>Other common keys are:<\/p>\n<ul class=\"wp-block-list\">\n<li style=\"list-style-type: none;\">\n<ul class=\"wp-block-list\">\n<li>G minor \u2013 Miles Davis, Joe Pass, Jim Hall<\/li>\n<li>F minor \u2013 Paul Desmond, Chet Baker<\/li>\n<li>C minor \u2013 Barney Kessel<\/li>\n<li>D minor \u2013 Wes Montgomery<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>The chord progression of Autumn Leaves consists of a series of 251s in\u00a0<strong>G major<\/strong>, alternated with 251s from its relative minor\u00a0<strong>E minor<\/strong>.<\/p>\n<p>251s are the bread and butter of jazz and this makes Autumn Leaves a good song to work on for beginners. The downside is that it can be hard to come up with fresh ideas and this is something more advanced players should be working on.<\/p>\n<p>If you are new to harmonic analysis using Roman numerals, read through this tutorial on the blog first: <a href=\"https:\/\/www.jazzguitar.be\/blog\/roman-numeral-analysis\/\">Roman Numeral Analysis for Jazz<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><img decoding=\"async\" class=\"alignnone size-full wp-image-19075\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-harmonic-analysis-1.png\" alt=\"Autumn Leaves harmonic analysis page 1\" width=\"1180\" height=\"1319\" srcset=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-harmonic-analysis-1.png 1180w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-harmonic-analysis-1-268x300.png 268w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-harmonic-analysis-1-916x1024.png 916w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-harmonic-analysis-1-768x858.png 768w\" sizes=\"(max-width: 1180px) 100vw, 1180px\" \/> <img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-19076\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-harmonic-analysis-2.png\" alt=\"Autumn Leaves harmonic analysis page 2\" width=\"1180\" height=\"657\" srcset=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-harmonic-analysis-2.png 1180w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-harmonic-analysis-2-300x167.png 300w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-harmonic-analysis-2-1024x570.png 1024w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-harmonic-analysis-2-768x428.png 768w\" sizes=\"(max-width: 1180px) 100vw, 1180px\" \/><\/p>\n<p>&nbsp;<\/p>\n<h2 style=\"page-break-before: always; break-before: page;\" id=\"scales\">Autumn Leaves &#8211; Scales<\/h2>\n<p>Jazz guitar scales are an important tool for improvisation and part of every jazz guitarist\u2019s vocabulary.<\/p>\n<p>In this section, we will have a look at the <a href=\"https:\/\/www.jazzguitar.be\/blog\/easy-jazz-guitar-scales\/\">basic guitar scales<\/a> to use on Autumn Leaves. These scales outline the harmony of the tune and are a good starting point for building your improvisation.<\/p>\n<p>There are many other scale options you could use over the Autumn Leaves chord progression, but in this lesson, we\u2019ll stick to the most common and practical ones.<\/p>\n<p>&nbsp;<\/p>\n<h3 class=\"grey\" id=\"major_scale\">G Major Scale<\/h3>\n<p>You can get away with playing over the entire chord progression of Autumn Leaves using just one scale: the G major scale (also called G <a href=\"https:\/\/www.jazzguitar.be\/blog\/guitar-modes\/#ionian\">Ionian<\/a>). Most of Autumn Leaves&#8217; chords come from the key of G major, so this scale will generally fit the harmony.<\/p>\n<p>However, if you only use one scale the whole time, your solo will quickly start to sound repetitive.<\/p>\n<p>That\u2019s why it\u2019s useful to combine the G major scale with other scales that highlight the individual chords in the progression.<\/p>\n<p>&nbsp;<\/p>\n<p>Here are the notes of the <strong>G major scale<\/strong>:<\/p>\n<p>&nbsp;<\/p>\n<table class=\"tableizer-table\">\n<tbody>\n<tr class=\"tableizer-firstrow\">\n<th style=\"border-top: 0; text-align: center; color: red; width: 40%;\">G Major Scale<\/th>\n<td style=\"background-color: black; color: white;\">G<\/td>\n<td style=\"background-color: black; color: white;\">A<\/td>\n<td style=\"background-color: black; color: white;\">B<\/td>\n<td style=\"background-color: black; color: white;\">C<\/td>\n<td style=\"background-color: black; color: white;\">D<\/td>\n<td style=\"background-color: black; color: white;\">E<\/td>\n<td style=\"background-color: black; color: white;\">F#<\/td>\n<\/tr>\n<tr class=\"tableizer-firstrow\">\n<th style=\"border-bottom: 0; width: 150px; text-align: left;\"><\/th>\n<td>1<\/td>\n<td>2<\/td>\n<td>3<\/td>\n<td>4<\/td>\n<td>5<\/td>\n<td>6<\/td>\n<td>7<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n<p>Here are the notes of the G major scale mapped across the entire fretboard:<\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-9893\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/G-major-scale-diagram.png\" alt=\"G major scale diagram\" width=\"779\" height=\"261\" srcset=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/G-major-scale-diagram.png 779w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/G-major-scale-diagram-300x101.png 300w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/G-major-scale-diagram-768x257.png 768w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/G-major-scale-diagram-585x196.png 585w\" sizes=\"(max-width: 779px) 100vw, 779px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>If the major scale is new to you, start with this position:<\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-9892\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/G-major-scale.png\" alt=\"G major scale in first position\" width=\"779\" height=\"261\" srcset=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/G-major-scale.png 779w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/G-major-scale-300x101.png 300w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/G-major-scale-768x257.png 768w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/G-major-scale-585x196.png 585w\" sizes=\"(max-width: 779px) 100vw, 779px\" \/><\/p>\n<p>&nbsp;<\/p>\n<h3 class=\"grey\" id=\"blues_scale\" style=\"page-break-before: always; break-before: page;\">E Minor Blues Scale<\/h3>\n<p>Another scale you can use over the entire chord progression of Autumn Leaves is the E <a href=\"https:\/\/www.jazzguitar.be\/blog\/blues-scales\/\">minor blues scale<\/a>.<\/p>\n<p>The minor blues scale is very similar to the <a href=\"https:\/\/www.jazzguitar.be\/blog\/minor-pentatonic-scale\/\">minor pentatonic scale<\/a>, but it contains one additional note called the <span style=\"font-weight: bold; color: #0080ff;\">blue note<\/span> (#4 or b5). This note adds tension and gives the scale its characteristic bluesy sound.<\/p>\n<p>&nbsp;<\/p>\n<table class=\"tableizer-table\">\n<tbody>\n<tr class=\"tableizer-firstrow\">\n<th style=\"border-top: 0; text-align: center; color: red; width: 40%;\">E Minor Blues Scale<\/th>\n<td>E<\/td>\n<td>G<\/td>\n<td>A<\/td>\n<td>A#<\/td>\n<td>B<\/td>\n<td>D<\/td>\n<\/tr>\n<tr class=\"tableizer-firstrow\">\n<th style=\"border-top: 0;\"><\/th>\n<td>1<\/td>\n<td>b3<\/td>\n<td>4<\/td>\n<td>#4<\/td>\n<td>5<\/td>\n<td>b7<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n<p>Here is a common fingering for the <strong>E minor blues scale<\/strong> (the blue note is colored&#8230; blue!):<\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-9894\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/E-minor-blues-scale.png\" alt=\"E minor blues scale\" width=\"779\" height=\"261\" srcset=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/E-minor-blues-scale.png 779w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/E-minor-blues-scale-300x101.png 300w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/E-minor-blues-scale-768x257.png 768w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/E-minor-blues-scale-585x196.png 585w\" sizes=\"(max-width: 779px) 100vw, 779px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>To bring more variety to your solos and keep your playing interesting, it\u2019s useful to combine these scales with others that outline the individual chords of the progression.<\/p>\n<p>&nbsp;<\/p>\n<h3 class=\"grey\" id=\"harmonic\" style=\"page-break-before: always; break-before: page;\">The Harmonic Minor Scale<\/h3>\n<p>The most common scale used over a <a href=\"https:\/\/www.jazzguitar.be\/blog\/dominant-chords\/\">dominant 7 chord<\/a> that resolves to a minor chord is the <a href=\"https:\/\/www.jazzguitar.be\/blog\/harmonic-minor-scale-jazz\/\">harmonic minor scale<\/a>.<\/p>\n<blockquote><p>When a dominant 7 chord resolves to a minor chord, you can play the harmonic minor scale of the target minor chord over the dominant.<\/p>\n<p>For example: <strong>B7 \u2192 Em7<\/strong> \u2192 play <strong>E harmonic minor<\/strong><\/p><\/blockquote>\n<p>This works because the harmonic minor scale contains the 3rd and b7 of the dominant chord, together with the b9 and b13 tensions.<\/p>\n<p>There are two dominant chords like this in the chord progression of Autumn Leaves: B7 and E7.<\/p>\n<ul>\n<li>Play <strong>E harmonic minor<\/strong> over <strong>B7<\/strong> (goes to Em7)<\/li>\n<li>Play <strong>A harmonic minor<\/strong> over <strong>E7<\/strong> (goes to Am7)<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>Here are the notes of the E harmonic minor scale and its relation to B7:<\/p>\n<p>&nbsp;<\/p>\n<table class=\"tableizer-table\">\n<tbody>\n<tr class=\"tableizer-firstrow\">\n<th style=\"border-top: 0; text-align: center; color: red; width: 40%;\">E Harmonic Minor Scale<\/th>\n<td style=\"background-color: black; color: white;\">E<\/td>\n<td style=\"background-color: black; color: white;\">F#<\/td>\n<td style=\"background-color: black; color: white;\">G<\/td>\n<td style=\"background-color: black; color: white;\">A<\/td>\n<td style=\"background-color: black; color: white;\">B<\/td>\n<td style=\"background-color: black; color: white;\">C<\/td>\n<td style=\"background-color: black; color: white;\">D#<\/td>\n<\/tr>\n<tr class=\"tableizer-firstrow\" style=\"border-top: 0;\">\n<th style=\"border-bottom: 0px; border-top: 0; width: 150px; text-align: center;\">Played over B7<\/th>\n<td>11<\/td>\n<td>5<\/td>\n<td>b13<\/td>\n<td>b7<\/td>\n<td>1<\/td>\n<td>b9<\/td>\n<td>3<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n<p>And here is a common position of the E harmonic minor scale:<\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-9895\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/E-harmonic-minor-scale.png\" alt=\"E harmonic minor scale\" width=\"779\" height=\"261\" srcset=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/E-harmonic-minor-scale.png 779w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/E-harmonic-minor-scale-300x101.png 300w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/E-harmonic-minor-scale-768x257.png 768w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/E-harmonic-minor-scale-585x196.png 585w\" sizes=\"(max-width: 779px) 100vw, 779px\" \/><\/p>\n<p>&nbsp;<\/p>\n<h2 id=\"backing_track\">Autumn Leaves Backing Track<\/h2>\n<p>Here is the backing track for this lesson:<\/p>\n<p>&nbsp;<\/p>\n<div class=\"waveplayer-container\"><div id=\"waveplayer-66047c05c6b73b507edb6f1f23e10bd4-6a413cee20faa\" class=\"waveplayer loading wvpl-skin-w2-evolution wvpl-palette-800e3a14c86733ad9ccc96fd80850d88 wvpl-style-light wvpl-size-xs wvpl-shape-rounded \" data-limit=\"0\" data-mode=\"normal\" data-config_id=\"66047c05c6b73b507edb6f1f23e10bd4\" data-instance_id=\"66047c05c6b73b507edb6f1f23e10bd4-6a410b2a8485d\">\n\t<div class=\"wvpl-left-box\" style=\"background-image:url(https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2018\/04\/audiobg.png)\">\n\t\t<div class=\"wvpl-interface\">\n\t\t\t<div class=\"wvpl-volume-overlay\"><\/div>\n\t\t\t<div class=\"wvpl-icon wvpl-info\"><\/div>\n\t\t\t<div class=\"wvpl-controls\">\n\t\t\t\t<div class=\"wvpl-icon wvpl-prev wvpl-disabled\"><\/div>\n\t\t\t\t<div class=\"wvpl-icon wvpl-play\"><\/div>\n\t\t\t\t<div class=\"wvpl-icon wvpl-next wvpl-disabled\"><\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"wvpl-icon wvpl-volume wvpl-volume_up\"><\/div>\n\t\t\t\t\t<\/div>\n\t\t<div class=\"wvpl-poster\"><\/div>\n\t<\/div>\n\t<div class=\"wvpl-right-box\">\n\t\t<div class=\"wvpl-overlay\">\n\t\t\t<svg>\n\t\t\t\t<use xlink:href=\"#waveform-animation\" \/>\n\t\t\t<\/svg>\n\t\t\t<div class=\"percentage\"><\/div>\n\t\t\t<div class=\"wvpl-loading\">\n\t\t\t\t<div class=\"wvpl-loading-progress\"><\/div>\n\t\t\t<\/div>\n\t\t\t<div class=\"message\"><\/div>\n\t\t<\/div>\n\t\t<div class=\"wvpl-position\"><\/div>\n\t\t<div class=\"wvpl-duration\"><\/div>\n\t\t<div class=\"wvpl-waveform\"><\/div>\n\t\t<div class=\"wvpl-infobar\">\n\t\t\t<div class=\"wvpl-playing-info\"><div class=\"wvpl-infoblock\"><\/div><\/div>\n\t\t<\/div>\n\t<\/div>\n\t<div class=\"wvpl-playlist\">\n\t\t<div class=\"wvpl-playlist-wrapper\"><\/div>\n\t<\/div>\n<\/div>\n<\/div>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.jazzguitar.be\/courses\/product\/autumn-leaves\/?utm_source=blog&amp;utm_medium=autumn_box_middle\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-16731 size-full\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-jazz-guitar-course.png\" alt=\"Autumn Leaves Jazz Guitar Course\" width=\"779\" height=\"320\" srcset=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-jazz-guitar-course.png 779w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-jazz-guitar-course-300x123.png 300w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-jazz-guitar-course-768x315.png 768w\" sizes=\"(max-width: 779px) 100vw, 779px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<h2 style=\"page-break-before: always; break-before: page;\" id=\"chord_melody\">Autumn Leaves Chord Melody<\/h2>\n<p>Here is the melody arrangement, where the melody is combined with chords. This type of arrangement is called <a href=\"https:\/\/www.jazzguitar.be\/courses\/product\/complete-chord-melody\/?utm_source=blog&amp;utm_medium=autumn_li\">chord melody<\/a>.<\/p>\n<p>The voicings used in this arrangement are rootless chords. By removing the root and only playing on the higher strings, the chords stay out of the way of the bass.<\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-14425\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-rootless-chords.png\" alt=\"Autumn Leaves rootless chord voicings\" width=\"779\" height=\"215\" srcset=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-rootless-chords.png 779w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-rootless-chords-300x83.png 300w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-rootless-chords-768x212.png 768w\" sizes=\"(max-width: 779px) 100vw, 779px\" \/><\/p>\n<p>&nbsp;<\/p>\n<div class=\"waveplayer-container\"><div id=\"waveplayer-a364836d05357995174a620f62d78a42-6a413cee21efb\" class=\"waveplayer loading wvpl-skin-w2-evolution wvpl-palette-800e3a14c86733ad9ccc96fd80850d88 wvpl-style-light wvpl-size-xs wvpl-shape-rounded \" data-limit=\"0\" data-mode=\"normal\" data-config_id=\"a364836d05357995174a620f62d78a42\" data-instance_id=\"a364836d05357995174a620f62d78a42-6a410b2a86786\">\n\t<div class=\"wvpl-left-box\" style=\"background-image:url(https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2018\/04\/audiobg.png)\">\n\t\t<div class=\"wvpl-interface\">\n\t\t\t<div class=\"wvpl-volume-overlay\"><\/div>\n\t\t\t<div class=\"wvpl-icon wvpl-info\"><\/div>\n\t\t\t<div class=\"wvpl-controls\">\n\t\t\t\t<div class=\"wvpl-icon wvpl-prev wvpl-disabled\"><\/div>\n\t\t\t\t<div class=\"wvpl-icon wvpl-play\"><\/div>\n\t\t\t\t<div class=\"wvpl-icon wvpl-next wvpl-disabled\"><\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"wvpl-icon wvpl-volume wvpl-volume_up\"><\/div>\n\t\t\t\t\t<\/div>\n\t\t<div class=\"wvpl-poster\"><\/div>\n\t<\/div>\n\t<div class=\"wvpl-right-box\">\n\t\t<div class=\"wvpl-overlay\">\n\t\t\t<svg>\n\t\t\t\t<use xlink:href=\"#waveform-animation\" \/>\n\t\t\t<\/svg>\n\t\t\t<div class=\"percentage\"><\/div>\n\t\t\t<div class=\"wvpl-loading\">\n\t\t\t\t<div class=\"wvpl-loading-progress\"><\/div>\n\t\t\t<\/div>\n\t\t\t<div class=\"message\"><\/div>\n\t\t<\/div>\n\t\t<div class=\"wvpl-position\"><\/div>\n\t\t<div class=\"wvpl-duration\"><\/div>\n\t\t<div class=\"wvpl-waveform\"><\/div>\n\t\t<div class=\"wvpl-infobar\">\n\t\t\t<div class=\"wvpl-playing-info\"><div class=\"wvpl-infoblock\"><\/div><\/div>\n\t\t<\/div>\n\t<\/div>\n\t<div class=\"wvpl-playlist\">\n\t\t<div class=\"wvpl-playlist-wrapper\"><\/div>\n\t<\/div>\n<\/div>\n<\/div>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-19107\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-melody-1-1.png\" alt=\"Autumn Leaves Melody Page 1\" width=\"1180\" height=\"1162\" srcset=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-melody-1-1.png 1180w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-melody-1-1-300x295.png 300w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-melody-1-1-1024x1008.png 1024w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-melody-1-1-768x756.png 768w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-melody-1-1-48x48.png 48w\" sizes=\"(max-width: 1180px) 100vw, 1180px\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-19108\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-melody-2-1.png\" alt=\"Autumn Leaves Melody Page 2\" width=\"1180\" height=\"1336\" srcset=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-melody-2-1.png 1180w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-melody-2-1-265x300.png 265w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-melody-2-1-904x1024.png 904w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-melody-2-1-768x870.png 768w\" sizes=\"(max-width: 1180px) 100vw, 1180px\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-19109\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-melody-3.png\" alt=\"Autumn Leaves Melody Page 3\" width=\"1180\" height=\"1390\" srcset=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-melody-3.png 1180w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-melody-3-255x300.png 255w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-melody-3-869x1024.png 869w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-melody-3-768x905.png 768w\" sizes=\"(max-width: 1180px) 100vw, 1180px\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-19110\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-melody-4.png\" alt=\"Autumn Leaves Melody Page 4\" width=\"1180\" height=\"1286\" srcset=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-melody-4.png 1180w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-melody-4-275x300.png 275w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-melody-4-940x1024.png 940w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-melody-4-768x837.png 768w\" sizes=\"(max-width: 1180px) 100vw, 1180px\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-19111\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-melody-5.png\" alt=\"Autumn Leaves Melody Page 5\" width=\"1180\" height=\"1374\" srcset=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-melody-5.png 1180w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-melody-5-258x300.png 258w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-melody-5-879x1024.png 879w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-melody-5-768x894.png 768w\" sizes=\"(max-width: 1180px) 100vw, 1180px\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-19112\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-melody-6.png\" alt=\"Autumn Leaves Melody Page 6\" width=\"1180\" height=\"634\" srcset=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-melody-6.png 1180w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-melody-6-300x161.png 300w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-melody-6-1024x550.png 1024w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-melody-6-768x413.png 768w\" sizes=\"(max-width: 1180px) 100vw, 1180px\" \/><\/p>\n<p>&nbsp;<\/p>\n<h2 style=\"page-break-before: always; break-before: page;\" id=\"solo\">Autumn Leaves &#8211; Jazz Guitar Solo Study<\/h2>\n<h3 class=\"grey\" id=\"solo_1\">Autumn Leaves Solo Study &#8211; Chorus 1 [0:51 in the video]<\/h3>\n<p>In this solo, I combine scales with <a href=\"https:\/\/www.jazzguitar.be\/blog\/guitar-arpeggios\/\">arpeggios<\/a> to outline the chord changes of Autumn Leaves.<\/p>\n<p>To study this solo, start by learning it in <strong>groups of four bars<\/strong>. Once those sections feel comfortable, try playing the entire solo from start to finish.<\/p>\n<p>&nbsp;<\/p>\n<div class=\"waveplayer-container\"><div id=\"waveplayer-8823f0e375aa428d7c6ff887725195e8-6a413cee22aa6\" class=\"waveplayer loading wvpl-skin-w2-evolution wvpl-palette-800e3a14c86733ad9ccc96fd80850d88 wvpl-style-light wvpl-size-xs wvpl-shape-rounded \" data-limit=\"0\" data-mode=\"normal\" data-config_id=\"8823f0e375aa428d7c6ff887725195e8\" data-instance_id=\"8823f0e375aa428d7c6ff887725195e8-6a410b2a875d6\">\n\t<div class=\"wvpl-left-box\" style=\"background-image:url(https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2018\/04\/audiobg.png)\">\n\t\t<div class=\"wvpl-interface\">\n\t\t\t<div class=\"wvpl-volume-overlay\"><\/div>\n\t\t\t<div class=\"wvpl-icon wvpl-info\"><\/div>\n\t\t\t<div class=\"wvpl-controls\">\n\t\t\t\t<div class=\"wvpl-icon wvpl-prev wvpl-disabled\"><\/div>\n\t\t\t\t<div class=\"wvpl-icon wvpl-play\"><\/div>\n\t\t\t\t<div class=\"wvpl-icon wvpl-next wvpl-disabled\"><\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"wvpl-icon wvpl-volume wvpl-volume_up\"><\/div>\n\t\t\t\t\t<\/div>\n\t\t<div class=\"wvpl-poster\"><\/div>\n\t<\/div>\n\t<div class=\"wvpl-right-box\">\n\t\t<div class=\"wvpl-overlay\">\n\t\t\t<svg>\n\t\t\t\t<use xlink:href=\"#waveform-animation\" \/>\n\t\t\t<\/svg>\n\t\t\t<div class=\"percentage\"><\/div>\n\t\t\t<div class=\"wvpl-loading\">\n\t\t\t\t<div class=\"wvpl-loading-progress\"><\/div>\n\t\t\t<\/div>\n\t\t\t<div class=\"message\"><\/div>\n\t\t<\/div>\n\t\t<div class=\"wvpl-position\"><\/div>\n\t\t<div class=\"wvpl-duration\"><\/div>\n\t\t<div class=\"wvpl-waveform\"><\/div>\n\t\t<div class=\"wvpl-infobar\">\n\t\t\t<div class=\"wvpl-playing-info\"><div class=\"wvpl-infoblock\"><\/div><\/div>\n\t\t<\/div>\n\t<\/div>\n\t<div class=\"wvpl-playlist\">\n\t\t<div class=\"wvpl-playlist-wrapper\"><\/div>\n\t<\/div>\n<\/div>\n<\/div>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-19115\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-solo-1-1-1.png\" alt=\"Autumn Leaves jazz guitar solo chorus 1 page 1\" width=\"1180\" height=\"1496\" srcset=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-solo-1-1-1.png 1180w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-solo-1-1-1-237x300.png 237w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-solo-1-1-1-808x1024.png 808w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-solo-1-1-1-768x974.png 768w\" sizes=\"(max-width: 1180px) 100vw, 1180px\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-19116\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-solo-1-2.png\" alt=\"Autumn Leaves jazz guitar solo chorus 1 page 2\" width=\"1180\" height=\"1318\" srcset=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-solo-1-2.png 1180w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-solo-1-2-269x300.png 269w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-solo-1-2-917x1024.png 917w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-solo-1-2-768x858.png 768w\" sizes=\"(max-width: 1180px) 100vw, 1180px\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-19117\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-solo-1-3.png\" alt=\"Autumn Leaves jazz guitar solo chorus 1 page 3\" width=\"1180\" height=\"1350\" srcset=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-solo-1-3.png 1180w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-solo-1-3-262x300.png 262w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-solo-1-3-895x1024.png 895w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-solo-1-3-768x879.png 768w\" sizes=\"(max-width: 1180px) 100vw, 1180px\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-19118\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-solo-1-4.png\" alt=\"Autumn Leaves jazz guitar solo chorus 1 page 4\" width=\"1180\" height=\"1302\" srcset=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-solo-1-4.png 1180w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-solo-1-4-272x300.png 272w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-solo-1-4-928x1024.png 928w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-solo-1-4-768x847.png 768w\" sizes=\"(max-width: 1180px) 100vw, 1180px\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-19138\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-solo-1-5f.png\" alt=\"Autumn Leaves jazz guitar solo chorus 1 page 5\" width=\"1180\" height=\"1454\" srcset=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-solo-1-5f.png 1180w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-solo-1-5f-243x300.png 243w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-solo-1-5f-831x1024.png 831w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-solo-1-5f-768x946.png 768w\" sizes=\"(max-width: 1180px) 100vw, 1180px\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-19120\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-solo-1-6.png\" alt=\"Autumn Leaves jazz guitar solo chorus 1 page 6\" width=\"1180\" height=\"412\" srcset=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-solo-1-6.png 1180w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-solo-1-6-300x105.png 300w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-solo-1-6-1024x358.png 1024w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-solo-1-6-768x268.png 768w\" sizes=\"(max-width: 1180px) 100vw, 1180px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p><strong><span style=\"background: #f5b335; color: #111; padding: 0.1em 0.4em; border-radius: 0.35em; font-weight: 600; white-space: nowrap;\">Bars 1-7<\/span> and <span style=\"background: #f5b335; color: #111; padding: 0.1em 0.4em; border-radius: 0.35em; font-weight: 600; white-space: nowrap;\">Bars 9-12<\/span><\/strong><\/p>\n<p>The first section of the solo focuses on simple voice-leading lines within the G major scale.<\/p>\n<blockquote><p>Voice leading is the smooth movement of notes from one chord to the next. Each note (voice) is moved by the shortest possible distance, often by a half step or a whole step.<\/p>\n<p>In jazz, voice leading typically emphasizes the 3rds and 7ths of the chords, because they define the harmony and connect the chords in a natural way.<\/p><\/blockquote>\n<p>&nbsp;<\/p>\n<p><strong><span style=\"background: #f5b335; color: #111; padding: 0.1em 0.4em; border-radius: 0.35em; font-weight: 600; white-space: nowrap;\">Bars 14 and 40<\/span><\/strong><\/p>\n<p>Here I play a D#dim7 arpeggio over B7, creating a B7b9 sound.<\/p>\n<p>&nbsp;<\/p>\n<table class=\"tableizer-table\">\n<tbody>\n<tr class=\"tableizer-firstrow\">\n<th style=\"border-top: 0; width: 250px; text-align: center; color: red;\">D#dim7 arpeggio<\/th>\n<td style=\"background-color: black; color: white;\">D#<\/td>\n<td style=\"background-color: black; color: white;\">F#<\/td>\n<td style=\"background-color: black; color: white;\">A<\/td>\n<td style=\"background-color: black; color: white;\">C<\/td>\n<\/tr>\n<tr class=\"tableizer-firstrow\">\n<th style=\"border-bottom: 0; border-top: 0; width: 150px; text-align: center;\">Played over B7<\/th>\n<td>3<\/td>\n<td>5<\/td>\n<td>b7<\/td>\n<td>b9<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n<blockquote><p>Play a diminished 7 arpeggio built on the 3rd of a dominant 7 chord to create a dominant 7b9 sound.<\/p><\/blockquote>\n<p>Here is the arpeggio diagram for D#dim7. The <strong>B note<\/strong> is not part of the arpeggio, but the root of the underlying B7 chord.<\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-9896\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/B7b9-arpeggio.png\" alt=\"B7b9 arpeggio\" width=\"779\" height=\"261\" srcset=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/B7b9-arpeggio.png 779w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/B7b9-arpeggio-300x101.png 300w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/B7b9-arpeggio-768x257.png 768w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/B7b9-arpeggio-585x196.png 585w\" sizes=\"(max-width: 779px) 100vw, 779px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p><strong><span style=\"background: #f5b335; color: #111; padding: 0.1em 0.4em; border-radius: 0.35em; font-weight: 600; white-space: nowrap;\">Bar 16<\/span><\/strong><\/p>\n<p>In this bar, I use a Gmaj7 arpeggio over Em7, producing an Em9 sound.<\/p>\n<p>&nbsp;<\/p>\n<table class=\"tableizer-table\">\n<tbody>\n<tr class=\"tableizer-firstrow\">\n<th style=\"border-top: 0; width: 250px; text-align: center; color: red;\">Gmaj7 arpeggio<\/th>\n<td style=\"background-color: black; color: white;\">G<\/td>\n<td style=\"background-color: black; color: white;\">B<\/td>\n<td style=\"background-color: black; color: white;\">D<\/td>\n<td style=\"background-color: black; color: white;\">F#<\/td>\n<\/tr>\n<tr class=\"tableizer-firstrow\">\n<th style=\"border-bottom: 0; border-top: 0; width: 150px; text-align: center;\">Played over Em7<\/th>\n<td>b3<\/td>\n<td>5<\/td>\n<td>b7<\/td>\n<td>9<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n<blockquote><p>Play a major 7 arpeggio built on the 3rd of a minor 7 chord to create a minor 9 sound.<\/p><\/blockquote>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-9897\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/Gmaj7-arpeggio.png\" alt=\"Gmaj7 arpeggio\" width=\"779\" height=\"261\" srcset=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/Gmaj7-arpeggio.png 779w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/Gmaj7-arpeggio-300x101.png 300w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/Gmaj7-arpeggio-768x257.png 768w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/Gmaj7-arpeggio-585x196.png 585w\" sizes=\"(max-width: 779px) 100vw, 779px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p><strong><span style=\"background: #f5b335; color: #111; padding: 0.1em 0.4em; border-radius: 0.35em; font-weight: 600; white-space: nowrap;\">Bars 17, 19, and 31<\/span><\/strong><\/p>\n<p>The arpeggio in bar 17 is an <strong>Am(add9)<\/strong> arpeggio.<\/p>\n<p>This is a minor chord with an added 9, but without the b7.<\/p>\n<p>If the b7 were included, the chord would be called Am9.<\/p>\n<p>&nbsp;<\/p>\n<table class=\"tableizer-table\">\n<tbody>\n<tr class=\"tableizer-firstrow\">\n<th style=\"border-top: 0; width: 250px; text-align: center; color: red;\">Am(add9)<\/th>\n<td style=\"background-color: black; color: white;\">A<\/td>\n<td style=\"background-color: black; color: white;\">B<\/td>\n<td style=\"background-color: black; color: white;\">C<\/td>\n<td style=\"background-color: black; color: white;\">E<\/td>\n<\/tr>\n<tr class=\"tableizer-firstrow\">\n<th style=\"border-bottom: 0; border-top: 0; width: 150px; text-align: center;\"><\/th>\n<td>1<\/td>\n<td>9<\/td>\n<td>b3<\/td>\n<td>5<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-19135\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/Amadd9-arpeggio.png\" alt=\"Am(add9) arpeggio diagram\" width=\"747\" height=\"263\" srcset=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/Amadd9-arpeggio.png 747w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/Amadd9-arpeggio-300x106.png 300w\" sizes=\"(max-width: 747px) 100vw, 747px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>In bar 19, I play a <strong>G(add9)<\/strong> arpeggio. This is the major version of the same idea: a major triad with an added 9, but without the 7.<\/p>\n<p>&nbsp;<\/p>\n<table class=\"tableizer-table\">\n<tbody>\n<tr class=\"tableizer-firstrow\">\n<th style=\"border-top: 0; width: 250px; text-align: center; color: red;\">G(add9)<\/th>\n<td style=\"background-color: black; color: white;\">G<\/td>\n<td style=\"background-color: black; color: white;\">A<\/td>\n<td style=\"background-color: black; color: white;\">B<\/td>\n<td style=\"background-color: black; color: white;\">D<\/td>\n<\/tr>\n<tr class=\"tableizer-firstrow\">\n<th style=\"border-bottom: 0; border-top: 0; width: 150px; text-align: center;\"><\/th>\n<td>1<\/td>\n<td>9<\/td>\n<td>3<\/td>\n<td>5<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-19136\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/Gadd9-arpeggio.png\" alt=\"G(add9) arpeggio diagram\" width=\"747\" height=\"263\" srcset=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/Gadd9-arpeggio.png 747w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/Gadd9-arpeggio-300x106.png 300w\" sizes=\"(max-width: 747px) 100vw, 747px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>This type of add9 arpeggio is often used in <a href=\"https:\/\/www.jazzguitar.be\/blog\/django-reinhardt\/\">gypsy jazz guitar<\/a>, where players often outline chords with triads and added color tones instead of full seventh chords.<\/p>\n<p>&nbsp;<\/p>\n<p><strong><span style=\"background: #f5b335; color: #111; padding: 0.1em 0.4em; border-radius: 0.35em; font-weight: 600; white-space: nowrap;\">Bars 27-28<\/span><\/strong><\/p>\n<p>Here I play a major triad moving up chromatically keeping the same shape.<\/p>\n<p>In bar 27, the line still fits the harmony.<\/p>\n<p>In bar 28, the continuation of this idea no longer matches the chord, but it still sounds good because of the strong voice leading and the clear melodic pattern.<\/p>\n<p>&nbsp;<\/p>\n<h3 id=\"solo_2\" style=\"page-break-before: always; break-before: page;\" class=\"grey\">Autumn Leaves Solo Study &#8211; Chorus 2 [1:41 in the video]<\/h3>\n<p>&nbsp;<\/p>\n<div class=\"waveplayer-container\"><div id=\"waveplayer-932dc45544a4cd5af70dbd709ff9e851-6a413cee2362f\" class=\"waveplayer loading wvpl-skin-w2-evolution wvpl-palette-800e3a14c86733ad9ccc96fd80850d88 wvpl-style-light wvpl-size-xs wvpl-shape-rounded \" data-limit=\"0\" data-mode=\"normal\" data-config_id=\"932dc45544a4cd5af70dbd709ff9e851\" data-instance_id=\"932dc45544a4cd5af70dbd709ff9e851-6a410b2a88387\">\n\t<div class=\"wvpl-left-box\" style=\"background-image:url(https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2018\/04\/audiobg.png)\">\n\t\t<div class=\"wvpl-interface\">\n\t\t\t<div class=\"wvpl-volume-overlay\"><\/div>\n\t\t\t<div class=\"wvpl-icon wvpl-info\"><\/div>\n\t\t\t<div class=\"wvpl-controls\">\n\t\t\t\t<div class=\"wvpl-icon wvpl-prev wvpl-disabled\"><\/div>\n\t\t\t\t<div class=\"wvpl-icon wvpl-play\"><\/div>\n\t\t\t\t<div class=\"wvpl-icon wvpl-next wvpl-disabled\"><\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"wvpl-icon wvpl-volume wvpl-volume_up\"><\/div>\n\t\t\t\t\t<\/div>\n\t\t<div class=\"wvpl-poster\"><\/div>\n\t<\/div>\n\t<div class=\"wvpl-right-box\">\n\t\t<div class=\"wvpl-overlay\">\n\t\t\t<svg>\n\t\t\t\t<use xlink:href=\"#waveform-animation\" \/>\n\t\t\t<\/svg>\n\t\t\t<div class=\"percentage\"><\/div>\n\t\t\t<div class=\"wvpl-loading\">\n\t\t\t\t<div class=\"wvpl-loading-progress\"><\/div>\n\t\t\t<\/div>\n\t\t\t<div class=\"message\"><\/div>\n\t\t<\/div>\n\t\t<div class=\"wvpl-position\"><\/div>\n\t\t<div class=\"wvpl-duration\"><\/div>\n\t\t<div class=\"wvpl-waveform\"><\/div>\n\t\t<div class=\"wvpl-infobar\">\n\t\t\t<div class=\"wvpl-playing-info\"><div class=\"wvpl-infoblock\"><\/div><\/div>\n\t\t<\/div>\n\t<\/div>\n\t<div class=\"wvpl-playlist\">\n\t\t<div class=\"wvpl-playlist-wrapper\"><\/div>\n\t<\/div>\n<\/div>\n<\/div>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-19122\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-solo-2-1-1.png\" alt=\"Autumn Leaves jazz guitar solo chorus 2 page 1\" width=\"1180\" height=\"1428\" srcset=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-solo-2-1-1.png 1180w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-solo-2-1-1-248x300.png 248w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-solo-2-1-1-846x1024.png 846w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-solo-2-1-1-768x929.png 768w\" sizes=\"(max-width: 1180px) 100vw, 1180px\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-19123\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-solo-2-2.png\" alt=\"Autumn Leaves jazz guitar solo chorus 2 page 2\" width=\"1180\" height=\"1372\" srcset=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-solo-2-2.png 1180w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-solo-2-2-258x300.png 258w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-solo-2-2-881x1024.png 881w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-solo-2-2-768x893.png 768w\" sizes=\"(max-width: 1180px) 100vw, 1180px\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-19124\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-solo-2-3.png\" alt=\"Autumn Leaves jazz guitar solo chorus 2 page 3\" width=\"1180\" height=\"1400\" srcset=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-solo-2-3.png 1180w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-solo-2-3-253x300.png 253w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-solo-2-3-863x1024.png 863w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-solo-2-3-768x911.png 768w\" sizes=\"(max-width: 1180px) 100vw, 1180px\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-19125\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-solo-2-4.png\" alt=\"Autumn Leaves jazz guitar solo chorus 2 page 4\" width=\"1180\" height=\"1276\" srcset=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-solo-2-4.png 1180w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-solo-2-4-277x300.png 277w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-solo-2-4-947x1024.png 947w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-solo-2-4-768x830.png 768w\" sizes=\"(max-width: 1180px) 100vw, 1180px\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-19126\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-solo-2-5.png\" alt=\"Autumn Leaves jazz guitar solo chorus 2 page 5\" width=\"1180\" height=\"1370\" srcset=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-solo-2-5.png 1180w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-solo-2-5-258x300.png 258w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-solo-2-5-882x1024.png 882w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-solo-2-5-768x892.png 768w\" sizes=\"(max-width: 1180px) 100vw, 1180px\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-19127\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-solo-2-6.png\" alt=\"Autumn Leaves jazz guitar solo chorus 2 page 6\" width=\"1180\" height=\"414\" srcset=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-solo-2-6.png 1180w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-solo-2-6-300x105.png 300w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-solo-2-6-1024x359.png 1024w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/autumn-leaves-solo-2-6-768x269.png 768w\" sizes=\"(max-width: 1180px) 100vw, 1180px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p><strong><span style=\"background: #f5b335; color: #111; padding: 0.1em 0.4em; border-radius: 0.35em; font-weight: 600; white-space: nowrap;\">Bar 43-44<\/span><\/strong><\/p>\n<p>At this point, I play the arpeggios of the upcoming chords two beats in advance. This technique is called anticipation.<\/p>\n<blockquote><p>Anticipation means outlining the next chord before it arrives, usually by playing notes from the upcoming harmony ahead of the chord change.<\/p><\/blockquote>\n<p>This creates a line that overlaps the bar line, instead of restarting with each new chord, and makes the phrase feel less tied to the bar structure.<\/p>\n<p>Anticipation is a common phrasing technique in bebop.<\/p>\n<p>Here are the arpeggio shapes:<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Cmaj7<\/strong><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-9898\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/Cmaj7-arpeggio.png\" alt=\"Cmaj7 arpeggio\" width=\"779\" height=\"261\" srcset=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/Cmaj7-arpeggio.png 779w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/Cmaj7-arpeggio-300x101.png 300w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/Cmaj7-arpeggio-768x257.png 768w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/Cmaj7-arpeggio-585x196.png 585w\" sizes=\"(max-width: 779px) 100vw, 779px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p><strong>F#m7b5<\/strong><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-9899\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/Fxm7b5-arpeggio.png\" alt=\"F#m7b5 arpeggio\" width=\"779\" height=\"261\" srcset=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/Fxm7b5-arpeggio.png 779w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/Fxm7b5-arpeggio-300x101.png 300w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/Fxm7b5-arpeggio-768x257.png 768w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2017\/07\/Fxm7b5-arpeggio-585x196.png 585w\" sizes=\"(max-width: 779px) 100vw, 779px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.jazzguitar.be\/courses\/product\/jgo-download-pass\/?utm_source=blog&amp;utm_medium=autumn_bottom\"><img decoding=\"async\" class=\"alignnone wp-image-19706 size-full\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2026\/04\/download-pdf.png\" alt=\"Dowload PDF and backing tracks\" width=\"779\" height=\"242\" srcset=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2026\/04\/download-pdf.png 779w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2026\/04\/download-pdf-300x93.png 300w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2026\/04\/download-pdf-768x239.png 768w\" sizes=\"(max-width: 779px) 100vw, 779px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>Autumn Leaves is a great study song because it contains many of the harmonic movements found in other jazz standards while not being overly complicated.<\/p>\n<p>Continue studying this tune and check out the additional Autumn Leaves lessons below.<\/p>\n<p>&nbsp;<\/p>\n<div class=\"tocgreybox\" id=\"autumn_leaves_lessons\">\n<h3 style=\"background-color: #313131; padding: 5px 5px 5px 10px; color: #ffffff;\">More Autumn Leaves Lessons<\/h3>\n<ol class=\"tocl\">\n<li><a href=\"https:\/\/www.jazzguitar.be\/courses\/product\/autumn-leaves\/?utm_source=blog&amp;utm_medium=autumn_li_bottom\">Jazz Standards 101 &#8211; Autumn Leaves (online course + printable PDF)<\/a><\/li>\n<li><a href=\"https:\/\/www.jazzguitar.be\/courses\/lessons\/further-melodic-development\/?utm_source=blog&amp;utm_medium=autumn_li_barney\">Autumn Leaves &#8211; Barney Kessel Melody<\/a><\/li>\n<li><a href=\"https:\/\/www.jazzguitar.be\/courses\/lessons\/joe-pass-g-minor\/?utm_source=blog&amp;utm_medium=autumn_li_joe\">Joe Pass Solo on Autumn Leaves (G minor)<\/a><\/li>\n<li><a href=\"https:\/\/www.jazzguitar.be\/blog\/autumn-leaves-easy-jazz-guitar-chords\/\">Autumn Leaves Easy Jazz Guitar Chord Study<\/a><\/li>\n<li><a href=\"https:\/\/www.jazzguitar.be\/blog\/autumn-leaves-jazz-guitar-chords\/\">Autumn Leaves Jazz Guitar Chords<\/a><\/li>\n<li><a href=\"https:\/\/www.jazzguitar.be\/blog\/autumn-leaves-melody-guitar\/\">Autumn Leaves Melody for Beginners<\/a><\/li>\n<li><a href=\"https:\/\/www.jazzguitar.be\/blog\/miles-davis-for-guitar\/#autumn_leaves\">Miles Davis Solo on Autumn Leaves<\/a><\/li>\n<\/ol>\n<\/div>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Autumn Leaves is a must-know jazz standard.<\/p>\n<p>In this lesson, you will learn a chord\/melody version of Autumn Leaves. You will also learn how to solo over Autumn Leaves&#8217; chord changes.<\/p>\n","protected":false},"author":1,"featured_media":19082,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"default","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[154,93,10],"tags":[],"class_list":["post-5189","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-jazz-standards","category-jazz-guitar-for-beginners","category-jazz-guitar-soloing"],"_links":{"self":[{"href":"https:\/\/www.jazzguitar.be\/blog\/wp-json\/wp\/v2\/posts\/5189","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.jazzguitar.be\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.jazzguitar.be\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.jazzguitar.be\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.jazzguitar.be\/blog\/wp-json\/wp\/v2\/comments?post=5189"}],"version-history":[{"count":3,"href":"https:\/\/www.jazzguitar.be\/blog\/wp-json\/wp\/v2\/posts\/5189\/revisions"}],"predecessor-version":[{"id":19212,"href":"https:\/\/www.jazzguitar.be\/blog\/wp-json\/wp\/v2\/posts\/5189\/revisions\/19212"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.jazzguitar.be\/blog\/wp-json\/wp\/v2\/media\/19082"}],"wp:attachment":[{"href":"https:\/\/www.jazzguitar.be\/blog\/wp-json\/wp\/v2\/media?parent=5189"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.jazzguitar.be\/blog\/wp-json\/wp\/v2\/categories?post=5189"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.jazzguitar.be\/blog\/wp-json\/wp\/v2\/tags?post=5189"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}