{"id":4920,"date":"2016-10-26T13:10:01","date_gmt":"2016-10-26T11:10:01","guid":{"rendered":"https:\/\/www.jazzguitar.be\/blog\/?p=3854"},"modified":"2021-01-20T17:32:45","modified_gmt":"2021-01-20T16:32:45","slug":"gypsy-jazz-guitar-triads","status":"publish","type":"post","link":"https:\/\/www.jazzguitar.be\/blog\/gypsy-jazz-guitar-triads\/","title":{"rendered":"Gypsy Jazz Guitar &#8211; The Magic of Triads"},"content":{"rendered":"<p><span style=\"line-height: 160%; font-size: 18px; font-weight: bold;\">I remember myself struggling with jazz improvisation. It was so complicated! My teachers demanded that I played tensions, substitutes, super-imposed chords, while I was having a hard time just keeping the form&#8230; During my travels in Europe, I played with gypsy guitarists and learned from them. One of the most important things I learned was that making music can be simple.<\/span><\/p>\n<p>There are a few <a href=\"https:\/\/www.jazzguitar.be\/blog\/17-essential-jazz-guitar-chords-beginners\/\">chords<\/a>, three shapes to remember, and that\u2019s all!<\/p>\n<p>Well, it\u2019s not all, but all the rest is the interesting stuff \u2013 embellishments, trills, sound, feel, rhythm, MUSIC!<\/p>\n<p>This method of improvisation became the core of my playing.<\/p>\n<p>Playing music became simple: connecting all the arpeggios, tensions and substitutes I knew to one easy formula.<\/p>\n<p>In this lesson, you will learn how to use triads to build a framework for your guitar solos.<\/p>\n<p>Let&#8217;s begin by learning all the basic triad shapes and inversions&#8230;<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.jazzguitar.be\/recommends\/magic-of-triads.php\" target=\"_new\" rel=\"nofollow noopener\"><img decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/www.jazzguitar.be\/images\/blog\/the-magic-of-triads.jpg\" alt=\"The Magic of Triads\" \/><\/a><\/p>\n<p>&nbsp;<br \/>\n<iframe src=\"https:\/\/www.youtube.com\/embed\/KeE-13EHtCQ\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><br \/>\n&nbsp;<\/p>\n<h2>Major Triads &amp; Inversions [1:00 in the video]<\/h2>\n<p>Here are the major triads and inversions you need to learn:<\/p>\n<p>&nbsp;<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.jazzguitar.be\/images\/blog\/gypsy-jazz-major-triads.png\" alt=\"Major triads\" \/><\/p>\n<p>&nbsp;<\/p>\n<h2>Minor Triads &amp; Inversions [6:17 in the video]<\/h2>\n<p>These are the minor triads and inversions you need to learn:<\/p>\n<p>&nbsp;<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.jazzguitar.be\/images\/blog\/gypsy-jazz-minor-triads.png\" alt=\"Minor triads\" \/><\/p>\n<p>&nbsp;<\/p>\n<h2>Fast Enclosure Exercise [3:54 in the video]<\/h2>\n<p>This is an enclosure exercise for the <strong>second inversion of C<\/strong> (C\/G).<\/p>\n<p>You start with a diatonic note above the chord tone (blue circles), then play the chord tone, then a half step below the chord tone and then the chord tone again.<\/p>\n<p>You do this for all notes of the triad.<\/p>\n<p>&nbsp;<\/p>\n<p><img fetchpriority=\"high\" decoding=\"async\" class=\"alignnone size-full wp-image-14656\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2016\/10\/gypsy-jazz-guitar-triads.png\" alt=\"Gypsy jazz guitar triads\" width=\"779\" height=\"237\" srcset=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2016\/10\/gypsy-jazz-guitar-triads.png 779w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2016\/10\/gypsy-jazz-guitar-triads-300x91.png 300w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2016\/10\/gypsy-jazz-guitar-triads-768x234.png 768w\" sizes=\"(max-width: 779px) 100vw, 779px\" \/><\/p>\n<p>&nbsp;<\/p>\n<h2>Improvising over All of Me<\/h2>\n<h3 class=\"grey\">Step 1 [6:55 in the video]<\/h3>\n<p>Play an accompaniment using only triad shapes (play a triad for each chord).<\/p>\n<p>During chord changes, use chord voicings that are close to each other so that you\u2019ll play all the chords in the same area on the fingerboard.<\/p>\n<p>Here are the chord changes of the A part of <a href=\"https:\/\/www.jazzguitar.be\/blog\/all-of-me\/\">All of Me<\/a>:<\/p>\n<p>&nbsp;<\/p>\n<p><img decoding=\"async\" class=\"alignnone size-full wp-image-14659\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2016\/10\/all-of-me-chords.png\" alt=\"All of Me Chords\" width=\"779\" height=\"467\" srcset=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2016\/10\/all-of-me-chords.png 779w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2016\/10\/all-of-me-chords-300x180.png 300w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2016\/10\/all-of-me-chords-768x460.png 768w\" sizes=\"(max-width: 779px) 100vw, 779px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>And here is an example of <strong>triad voicings<\/strong> you can use over All of Me:<\/p>\n<p>&nbsp;<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.jazzguitar.be\/images\/blog\/all-of-me-triads.png\" alt=\"Triads over All of Me\" \/><\/p>\n<p>&nbsp;<\/p>\n<h3 class=\"grey\">Step 2 [7:55 in the video]<\/h3>\n<p>Improvise over the All of Me chord progression using these triad shapes.<\/p>\n<p>At first, try to stay in the same area on your fingerboard as shown above.<\/p>\n<p>Then start improvising all over the fret board using only these shapes.<\/p>\n<p>Play simple \u2013 even one or two notes per chord. Just to make sure you keep the form.<\/p>\n<p>&nbsp;<\/p>\n<h3 class=\"grey\">Step 3 [9:32 in the video]<\/h3>\n<p>Add the half-tone approach.<\/p>\n<p>For each note of the chord, use a half-step approach: play a chromatic note half a tone below to lead into the target chord note.<\/p>\n<p>Improvise using this idea.<\/p>\n<p>You can play the chromatic note either on the beat or off the beat.<\/p>\n<p>Playing the chromatic approach off the beat gives more tension to the music.<\/p>\n<p><a href=\"https:\/\/www.jazzguitar.be\/blog\/17-essential-jazz-guitar-chords-beginners\/\">Django Reinhardt<\/a> uses this idea a lot.<\/p>\n<p>&nbsp;<\/p>\n<h3 class=\"grey\">Step 4 [9:55 in the video]<\/h3>\n<p>Add enclosures by playing a diatonic note over the chord note and a chromatic note below.<\/p>\n<p>Listen to Django&#8217;s Minor Swing solo for an example.<\/p>\n<p>In his first phrase, he uses the diatonic (of the scale) approach above the target note and a chromatic approach below the target note.<\/p>\n<p>In Django&#8217;s solo, the target note is A, which is the root for Am and the 5th for Dm, which is the next chord.<\/p>\n<p>&nbsp;<\/p>\n<h3 class=\"grey\">Step 5<\/h3>\n<p>Connect all the other skills you have (<a href=\"https:\/\/www.jazzguitar.be\/blog\/easy-jazz-guitar-scales\/\">scales<\/a>, <a href=\"https:\/\/www.jazzguitar.be\/blog\/guitar-arpeggios\/\">arpeggios<\/a>, <a href=\"https:\/\/www.jazzguitar.be\/blog\/bebop-licks\/\">licks<\/a>, \u2026) to those simple shapes.<\/p>\n<p>See the melody within those simple shapes so you can always get back to it in the middle of your improvisation.<\/p>\n<p>This method can become the core of your visualization of the fingerboard.<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><strong>If you want to learn how to use triads in gypsy jazz, click here for Yaakov Hoter&#8217;s video course <a href=\"https:\/\/www.jazzguitar.be\/recommends\/magic-of-triads.php\" rel=\"nofollow noopener\" target=\"_new\">The Magic of Triads&#8230;<\/a><\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.jazzguitar.be\/recommends\/magic-of-triads.php\" target=\"_new\" rel=\"nofollow noopener\"><img decoding=\"async\" class=\"aligncenter\" src=\"https:\/\/www.jazzguitar.be\/images\/blog\/the-magic-of-triads.jpg\" alt=\"The Magic of Triads\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>I remember myself struggling with jazz improvisation. It was so complicated! My teachers demanded that I played tensions, substitutes, super-imposed chords, while I was having a hard time just keeping the form&#8230; During my travels in Europe, I played with gypsy guitarists and learned from them. One of the most important things I learned was [&hellip;]<\/p>\n","protected":false},"author":11,"featured_media":4544,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"default","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[64,5],"tags":[],"class_list":["post-4920","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-gypsy-jazz-guitar","category-arpeggios"],"_links":{"self":[{"href":"https:\/\/www.jazzguitar.be\/blog\/wp-json\/wp\/v2\/posts\/4920","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.jazzguitar.be\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.jazzguitar.be\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.jazzguitar.be\/blog\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/www.jazzguitar.be\/blog\/wp-json\/wp\/v2\/comments?post=4920"}],"version-history":[{"count":0,"href":"https:\/\/www.jazzguitar.be\/blog\/wp-json\/wp\/v2\/posts\/4920\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.jazzguitar.be\/blog\/wp-json\/wp\/v2\/media\/4544"}],"wp:attachment":[{"href":"https:\/\/www.jazzguitar.be\/blog\/wp-json\/wp\/v2\/media?parent=4920"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.jazzguitar.be\/blog\/wp-json\/wp\/v2\/categories?post=4920"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.jazzguitar.be\/blog\/wp-json\/wp\/v2\/tags?post=4920"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}