{"id":2566,"date":"2015-09-09T16:00:13","date_gmt":"2015-09-09T14:00:13","guid":{"rendered":"https:\/\/www.jazzguitar.be\/blog\/?p=2566"},"modified":"2024-11-26T14:08:57","modified_gmt":"2024-11-26T13:08:57","slug":"georgia-on-my-mind-guitar-chords","status":"publish","type":"post","link":"https:\/\/www.jazzguitar.be\/blog\/georgia-on-my-mind-guitar-chords\/","title":{"rendered":"Georgia on My Mind Guitar Chords"},"content":{"rendered":"<p style=\"text-align: justify;\"><span style=\"line-height: 160%; font-size: 18px; font-weight: bold;\">One of the most popular jazz standards of all time, Georgia on My Mind is a favorite vehicle for jazz guitarists of all levels of experience. With a memorable melody, engaging chord progression, and a slow bluesy feel, Georgia is a great tune to jam on in a solo, duo, or combo setting.<\/span><\/p>\n<p>In this lesson, you&#8217;ll learn how to play the chords of Georgia on My Mind by getting a chord study under your fingers.<\/p>\n<p>Not only with this study help you learn to play Georgia, it will also expand your chord knowledge, build your <a href=\"https:\/\/www.jazzguitar.be\/blog\/jazz-guitar-chord-rhythms\/\">rhythm chops<\/a>, and increase your guitar technique all in one study.<\/p>\n<span style=\"--tl-form-height-m:555.828px;--tl-form-height-t:361.672px;--tl-form-height-d:361.672px;\" class=\"tl-placeholder-f-type-shortcode_10980 tl-preload-form\"><span><\/span><\/span>\n<h2>What\u2019s in This Georgia on My Mind Guitar Chords Study<\/h2>\n<p>Before you learn how to play the Georgia chord study, here&#8217;s a bit of background on important elements used in the etude below. If you find that you enjoy any of these concepts, feel free to take them out of the study and expand upon them in your practice routine.<\/p>\n<p>Lastly, if you have any questions about these concepts\u00a0or anything in the study, share them in the <strong>comments section<\/strong> below.<\/p>\n<p>&nbsp;<\/p>\n<h3 class=\"grey\">Rhythms<\/h3>\n<p>The main rhythm used in this study is a quarter-note pulse.<\/p>\n<p>Mostly associated with Freddie Green, quarter note comping is a bit different in a ballad setting such as this. You don\u2019t have to accent the 2 and 4 as much as you would when using quarter notes at faster tempos.<\/p>\n<p>Once you get the hang of the steady rhythm, you can experiment with anticipating the quarter notes by playing them an 8<sup>th<\/sup>-note early.<\/p>\n<p>In the bridge section, there are more 8<sup>th<\/sup> notes and rests used to break up the quarter-note pulse set in the other sections of the study. When you reach a bridge section, it\u2019s often a good idea to change your rhythmic approach to signify that it\u2019s a change in the form, as you do in the study below.<\/p>\n<p>&nbsp;<\/p>\n<h3 class=\"grey\">3 to 9 Chords<\/h3>\n<p>These chords are common chord substitutions found in jazz guitar\u00a0and are used by every great jazz guitarist.<\/p>\n<p>To build a 3 to 9 chord, you play one chord (such as Fmaj7) over the underlying chord (Dm7) to create the interval pattern 3-5-7-9.<\/p>\n<ul>\n<li><strong>Dm9<\/strong> = D F A C E<\/li>\n<li><strong>Fmaj7<\/strong> = F A C E (b3 5 b7 9 of Dm7)<\/li>\n<\/ul>\n<p>You can see these being used with the Fmaj7 over Dm7, Cmaj7 over Am7, and Bm7b5 over G7 in the study below.<\/p>\n<p>&nbsp;<\/p>\n<h3 class=\"grey\">Lydian Subs 1<\/h3>\n<p>The first Lydian sub you\u2019ll see is playing a maj7#11 chord from the b7 of any<a href=\"https:\/\/www.jazzguitar.be\/blog\/dominant-chords\/\"> dominant 7<sup>th<\/sup> chord<\/a>.<\/p>\n<p>When doing so, you create a rootless 13<sup>th<\/sup> sound over the underlying chord.<\/p>\n<p>An example of this would be playing Bbmaj7#11 over C7. The notes of Bbmaj7#11 (Bb-D-E-A) produce the intervals b7-9-3-13 over C7.<\/p>\n<p>So, whenever you are comping, and you see a 7<sup>th<\/sup> chord, just play a maj7#11 one tone down from that chord to build a rootless 13<sup>th<\/sup> sound in your playing.<\/p>\n<p>&nbsp;<\/p>\n<h3 class=\"grey\">Lydian Subs 2<\/h3>\n<p>The second Lydian sub is when you play a maj7#11 chord from the 3<sup>rd<\/sup> of a dominant 7<sup>th<\/sup> chord.<\/p>\n<p>When doing so, you create a 7(#9,#5) sound in the underlying chord.<\/p>\n<p>For example, if you play F#maj7#11 (F#, A#, C, F) over D7, you get the intervals 3, #5, b7, #9.<\/p>\n<p>If you ever have a 7<sup>th<\/sup> chord, you can play a maj7#11 from the 3<sup>rd<\/sup> to create a 7 altered sound over that underlying chord.<\/p>\n<p>&nbsp;<\/p>\n<h3 class=\"grey\">4th Chords<\/h3>\n<p>These are chords built by stacking 4<sup>th<\/sup> intervals, compared to the traditional stacking of 3rds you are used to seeing and playing.<\/p>\n<p><a href=\"https:\/\/www.jazzguitar.be\/blog\/quartal-chords-harmony-voicings-for-guitar\/\">Quartal chords<\/a> tend to sound more modern, but they can be used in <a href=\"https:\/\/www.jazzguitar.be\/blog\/bebop-guitar\/\">bebop<\/a> and more traditional jazz genres as well.<\/p>\n<p>An example of this chord is the Fmaj7 in bar 15, where you\u2019re playing A-D-G-C, all four notes stacked in 4<sup>th<\/sup> intervals on top of each other.<\/p>\n<p>&nbsp;<\/p>\n<h3 class=\"grey\">Drop 2 Chords<\/h3>\n<p>Most of the chords in this study are <a href=\"https:\/\/www.jazzguitar.be\/blog\/drop-2-chords\/\">drop 2 chords<\/a> played on the top four strings.<\/p>\n<p>Drop 2 chords are built with the interval pattern 1-5-7-3, and all inversions built up from there.<\/p>\n<p>Because they\u2019re on consecutive strings\u00a0and can be played in the upper range of the guitar, these shapes are great when playing in a combo setting, or any setting with a bass player.<\/p>\n<h2>Georgia on My Mind Guitar Chord Study<\/h2>\n<p>Now that you have some background info on what\u2019s in this study, here\u2019s the chord etude. Take your time, working it in 2, 4, or 8-bar phrases as needed until you\u2019re ready to play the study as a whole.<\/p>\n<p>There\u2019s a backing track included below, bass and drums only, that you can use to practice along.<\/p>\n<p><i>Backing Track<\/i><br \/>\n<div class=\"waveplayer-container\"><div id=\"waveplayer-ff0b3d28a4253325e5593534e866e585-6a4eccafd2a8e\" class=\"waveplayer loading wvpl-skin-w2-evolution wvpl-palette-800e3a14c86733ad9ccc96fd80850d88 wvpl-style-light wvpl-size-xs wvpl-shape-rounded \" data-limit=\"0\" data-mode=\"normal\" data-config_id=\"ff0b3d28a4253325e5593534e866e585\" data-instance_id=\"ff0b3d28a4253325e5593534e866e585-6a4e699685446\">\n\t<div class=\"wvpl-left-box\" style=\"background-image:url(https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2018\/04\/audiobg.png)\">\n\t\t<div class=\"wvpl-interface\">\n\t\t\t<div class=\"wvpl-volume-overlay\"><\/div>\n\t\t\t<div class=\"wvpl-icon wvpl-info\"><\/div>\n\t\t\t<div class=\"wvpl-controls\">\n\t\t\t\t<div class=\"wvpl-icon wvpl-prev wvpl-disabled\"><\/div>\n\t\t\t\t<div class=\"wvpl-icon wvpl-play\"><\/div>\n\t\t\t\t<div class=\"wvpl-icon wvpl-next wvpl-disabled\"><\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"wvpl-icon wvpl-volume wvpl-volume_up\"><\/div>\n\t\t\t\t\t<\/div>\n\t\t<div class=\"wvpl-poster\"><\/div>\n\t<\/div>\n\t<div class=\"wvpl-right-box\">\n\t\t<div class=\"wvpl-overlay\">\n\t\t\t<svg>\n\t\t\t\t<use xlink:href=\"#waveform-animation\" \/>\n\t\t\t<\/svg>\n\t\t\t<div class=\"percentage\"><\/div>\n\t\t\t<div class=\"wvpl-loading\">\n\t\t\t\t<div class=\"wvpl-loading-progress\"><\/div>\n\t\t\t<\/div>\n\t\t\t<div class=\"message\"><\/div>\n\t\t<\/div>\n\t\t<div class=\"wvpl-position\"><\/div>\n\t\t<div class=\"wvpl-duration\"><\/div>\n\t\t<div class=\"wvpl-waveform\"><\/div>\n\t\t<div class=\"wvpl-infobar\">\n\t\t\t<div class=\"wvpl-playing-info\"><div class=\"wvpl-infoblock\"><\/div><\/div>\n\t\t<\/div>\n\t<\/div>\n\t<div class=\"wvpl-playlist\">\n\t\t<div class=\"wvpl-playlist-wrapper\"><\/div>\n\t<\/div>\n<\/div>\n<\/div><br \/>\n<i>Listen &amp; Play Along<\/i><br \/>\n<div class=\"waveplayer-container\"><div id=\"waveplayer-bfeb9f6a680d3d8c8549d8e7fb22ac2b-6a4eccafd3b0b\" class=\"waveplayer loading wvpl-skin-w2-evolution wvpl-palette-800e3a14c86733ad9ccc96fd80850d88 wvpl-style-light wvpl-size-xs wvpl-shape-rounded \" data-limit=\"0\" data-mode=\"normal\" data-config_id=\"bfeb9f6a680d3d8c8549d8e7fb22ac2b\" data-instance_id=\"bfeb9f6a680d3d8c8549d8e7fb22ac2b-6a4e69968697a\">\n\t<div class=\"wvpl-left-box\" style=\"background-image:url(https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2018\/04\/audiobg.png)\">\n\t\t<div class=\"wvpl-interface\">\n\t\t\t<div class=\"wvpl-volume-overlay\"><\/div>\n\t\t\t<div class=\"wvpl-icon wvpl-info\"><\/div>\n\t\t\t<div class=\"wvpl-controls\">\n\t\t\t\t<div class=\"wvpl-icon wvpl-prev wvpl-disabled\"><\/div>\n\t\t\t\t<div class=\"wvpl-icon wvpl-play\"><\/div>\n\t\t\t\t<div class=\"wvpl-icon wvpl-next wvpl-disabled\"><\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"wvpl-icon wvpl-volume wvpl-volume_up\"><\/div>\n\t\t\t\t\t<\/div>\n\t\t<div class=\"wvpl-poster\"><\/div>\n\t<\/div>\n\t<div class=\"wvpl-right-box\">\n\t\t<div class=\"wvpl-overlay\">\n\t\t\t<svg>\n\t\t\t\t<use xlink:href=\"#waveform-animation\" \/>\n\t\t\t<\/svg>\n\t\t\t<div class=\"percentage\"><\/div>\n\t\t\t<div class=\"wvpl-loading\">\n\t\t\t\t<div class=\"wvpl-loading-progress\"><\/div>\n\t\t\t<\/div>\n\t\t\t<div class=\"message\"><\/div>\n\t\t<\/div>\n\t\t<div class=\"wvpl-position\"><\/div>\n\t\t<div class=\"wvpl-duration\"><\/div>\n\t\t<div class=\"wvpl-waveform\"><\/div>\n\t\t<div class=\"wvpl-infobar\">\n\t\t\t<div class=\"wvpl-playing-info\"><div class=\"wvpl-infoblock\"><\/div><\/div>\n\t\t<\/div>\n\t<\/div>\n\t<div class=\"wvpl-playlist\">\n\t\t<div class=\"wvpl-playlist-wrapper\"><\/div>\n\t<\/div>\n<\/div>\n<\/div><\/p>\n<p><img fetchpriority=\"high\" decoding=\"async\" class=\"alignnone size-full wp-image-13713\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2015\/09\/georgia-on-my-mind-chords.png\" alt=\"\" width=\"779\" height=\"1181\" srcset=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2015\/09\/georgia-on-my-mind-chords.png 779w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2015\/09\/georgia-on-my-mind-chords-198x300.png 198w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2015\/09\/georgia-on-my-mind-chords-675x1024.png 675w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2015\/09\/georgia-on-my-mind-chords-768x1164.png 768w\" sizes=\"(max-width: 779px) 100vw, 779px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p><img decoding=\"async\" class=\"alignnone size-full wp-image-10503\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2015\/09\/georgia-on-my-mind-chords-1.png\" alt=\"Georgia On My Mind chords 1\" width=\"779\" height=\"1201\" srcset=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2015\/09\/georgia-on-my-mind-chords-1.png 779w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2015\/09\/georgia-on-my-mind-chords-1-195x300.png 195w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2015\/09\/georgia-on-my-mind-chords-1-768x1184.png 768w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2015\/09\/georgia-on-my-mind-chords-1-664x1024.png 664w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2015\/09\/georgia-on-my-mind-chords-1-585x902.png 585w\" sizes=\"(max-width: 779px) 100vw, 779px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p><img decoding=\"async\" class=\"alignnone size-full wp-image-10504\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2015\/09\/georgia-on-my-mind-chords-2.png\" alt=\"Georgia On My Mind chords 2\" width=\"779\" height=\"1201\" srcset=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2015\/09\/georgia-on-my-mind-chords-2.png 779w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2015\/09\/georgia-on-my-mind-chords-2-195x300.png 195w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2015\/09\/georgia-on-my-mind-chords-2-768x1184.png 768w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2015\/09\/georgia-on-my-mind-chords-2-664x1024.png 664w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2015\/09\/georgia-on-my-mind-chords-2-585x902.png 585w\" sizes=\"(max-width: 779px) 100vw, 779px\" \/><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>One of the most popular jazz standards of all time, Georgia on My Mind is a favorite vehicle for jazz guitarists of all levels of experience. With a memorable melody, engaging chord progression, and a slow bluesy feel, Georgia is a great tune to jam on in a solo, duo, or combo setting. In this [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2577,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"default","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[154,16],"tags":[],"class_list":["post-2566","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-jazz-standards","category-jazz-guitar-chords"],"_links":{"self":[{"href":"https:\/\/www.jazzguitar.be\/blog\/wp-json\/wp\/v2\/posts\/2566","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.jazzguitar.be\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.jazzguitar.be\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.jazzguitar.be\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.jazzguitar.be\/blog\/wp-json\/wp\/v2\/comments?post=2566"}],"version-history":[{"count":0,"href":"https:\/\/www.jazzguitar.be\/blog\/wp-json\/wp\/v2\/posts\/2566\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.jazzguitar.be\/blog\/wp-json\/wp\/v2\/media\/2577"}],"wp:attachment":[{"href":"https:\/\/www.jazzguitar.be\/blog\/wp-json\/wp\/v2\/media?parent=2566"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.jazzguitar.be\/blog\/wp-json\/wp\/v2\/categories?post=2566"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.jazzguitar.be\/blog\/wp-json\/wp\/v2\/tags?post=2566"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}