{"id":2450,"date":"2026-05-21T10:49:10","date_gmt":"2026-05-21T08:49:10","guid":{"rendered":"https:\/\/www.jazzguitar.be\/blog\/?p=2450"},"modified":"2026-06-05T19:30:58","modified_gmt":"2026-06-05T17:30:58","slug":"take-five-chords","status":"publish","type":"post","link":"https:\/\/www.jazzguitar.be\/blog\/take-five-chords\/","title":{"rendered":"Take Five Chords for Guitar &#038; 5\/4 Comping"},"content":{"rendered":"<p style=\"font-size: 18px; line-height: 160%; font-weight: bold;\">Take Five was composed by Paul Desmond and first recorded by The Dave Brubeck Quartet for the 1959 album <em>Time Out<\/em>. It was one of the first jazz compositions with a time signature other than 4\/4 or 3\/4 and went on to become the best-selling jazz single of all time.<\/p>\n<p><img fetchpriority=\"high\" decoding=\"async\" class=\"alignright size-full wp-image-19954\" style=\"margin-top: 7px;\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2015\/07\/take-five-chords.jpg\" alt=\"Take Five chords\" width=\"300\" height=\"300\" srcset=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2015\/07\/take-five-chords.jpg 300w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2015\/07\/take-five-chords-150x150.jpg 150w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2015\/07\/take-five-chords-48x48.jpg 48w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n<p>The idea came from drummer Joe Morello, who was interested in unusual time signatures. Morello had been playing around with 5\/4 in his solos and asked Desmond to write a tune in that meter. That challenge led to Take Five.<\/p>\n<p>Even though the tune became the best-selling jazz single ever, Desmond reportedly saw it as just a simple studio piece to complete the album rather than become a major success.<\/p>\n<p>In this lesson, you will learn how to play the chords of <em>Take Five<\/em> and how to approach its famous 5\/4 groove.<\/p>\n<p>You will also learn two ways to play the chords of the bridge. One version follows Dave Brubeck&#8217;s original diatonic chords. The other, inspired by George Benson&#8217;s version, adds passing chords and turns the bridge into a circle of fifths progression.<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><em>Download PDF, backing track, and bonus content with <strong>JGO+<\/strong> (<a href=\"https:\/\/www.jazzguitar.be\/courses\/product\/jgo-download-pass\/?utm_source=blog&amp;utm_medium=take_5_li1\">Click here to join<\/a> \/ <a href=\"https:\/\/www.jazzguitar.be\/courses\/my-account\/?utm_source=blog&amp;utm_medium=take_five_li2\">Member log in<\/a><\/em>)<\/p>\n<p><a href=\"https:\/\/www.jazzguitar.be\/courses\/product\/jgo-download-pass\/?utm_source=blog&amp;utm_medium=take_5_top\"><img decoding=\"async\" class=\"alignnone size-full wp-image-20051\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2026\/05\/take-five-bonus-content.png\" alt=\"Take Five melody and Paul Desmond solo\" width=\"779\" height=\"242\" srcset=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2026\/05\/take-five-bonus-content.png 779w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2026\/05\/take-five-bonus-content-300x93.png 300w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2026\/05\/take-five-bonus-content-768x239.png 768w\" sizes=\"(max-width: 779px) 100vw, 779px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Recommended listening:<\/strong><\/p>\n<ul>\n<li>The Dave Brubeck Quartet &#8211; <em>Time Out<\/em> (1959)<\/li>\n<li>The Dave Brubeck Quartet &#8211; <em>At Carnegie Hall<\/em> (1963)<\/li>\n<li>George Benson &#8211; <em>Bad Benson<\/em> (1974)<\/li>\n<li>Al Jarreau &#8211; <em>Look to the Rainbow<\/em> (1977)<\/li>\n<li>Joe Morello &#8211; <em>Morello Standard Time<\/em> (1994)<\/li>\n<li>Toots Thielemans (with Robben Ford) &#8211; <em>East Coast West Coast<\/em> (1994)<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h2>Playing 5\/4 Time \u2013 3+2 Rhythm<\/h2>\n<p>One of the things that makes Take Five instantly recognizable and where the song gets its name from is the 5\/4 time signature. Although 5\/4 might seem unusual at first, the groove feels natural once you hear how the beat is divided.<\/p>\n<blockquote><p>Instead of counting 1-2-3-4-5, the rhythm is grouped as <strong>1-2-3 | 1-2<\/strong><\/p><\/blockquote>\n<p>This way of dividing the beat gives the song its relaxed, flowing feel. In the original recording, the piano, drums, and bass all highlight this grouping, which keeps the groove smooth without making it sound stiff or technical.<\/p>\n<p>When playing the chord vamp, try to feel the bigger 3 + 2 pulse instead of counting each beat on its own.<\/p>\n<p>&nbsp;<\/p>\n<h2>Take Five Chords &amp; Groove<\/h2>\n<p><strong>Form:<\/strong> ABA (24 bars)<br \/>\n<strong>Key:<\/strong> Eb minor<\/p>\n<p>Take Five has a simple harmony, but it&#8217;s the mix of the vamp, 5\/4 groove, and phrasing what makes the song stand out.<\/p>\n<blockquote><p>The groove might sound simple on the original recording, but making it feel relaxed and natural on guitar can be tricky.<\/p><\/blockquote>\n<p>The rhythm flows naturally on piano, while on guitar there is a risk of making the groove sound stiff or too heavily accented.<\/p>\n<p>In this section, you&#8217;ll learn how to play through the chords while keeping the light, floating feel of the original recording as much as possible.<\/p>\n<p>&nbsp;<\/p>\n<h3 class=\"grey\">A Section<\/h3>\n<p>The A section is built around a two-chord vamp alternating between Ebm and Bbm7.<\/p>\n<p>The comping pattern follows the 3 + 2 subdivision of the bar. Try to keep the rhythm relaxed and consistent.<\/p>\n<p>Start by practicing the groove slowly by itself until the subdivision feels comfortable. When the rhythm feels natural, try playing along with a metronome or backing track.<\/p>\n<p>&nbsp;<\/p>\n<div class=\"waveplayer-container\"><div id=\"waveplayer-91f227f51b3e135b03eac32fcae71b8f-6a572bdb68360\" class=\"waveplayer loading wvpl-skin-w2-evolution wvpl-palette-800e3a14c86733ad9ccc96fd80850d88 wvpl-style-light wvpl-size-xs wvpl-shape-rounded \" data-limit=\"0\" data-mode=\"normal\" data-config_id=\"91f227f51b3e135b03eac32fcae71b8f\" data-instance_id=\"91f227f51b3e135b03eac32fcae71b8f-6a564ef73fce6\">\n\t<div class=\"wvpl-left-box\" style=\"background-image:url(https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2018\/04\/audiobg.png)\">\n\t\t<div class=\"wvpl-interface\">\n\t\t\t<div class=\"wvpl-volume-overlay\"><\/div>\n\t\t\t<div class=\"wvpl-icon wvpl-info\"><\/div>\n\t\t\t<div class=\"wvpl-controls\">\n\t\t\t\t<div class=\"wvpl-icon wvpl-prev wvpl-disabled\"><\/div>\n\t\t\t\t<div class=\"wvpl-icon wvpl-play\"><\/div>\n\t\t\t\t<div class=\"wvpl-icon wvpl-next wvpl-disabled\"><\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"wvpl-icon wvpl-volume wvpl-volume_up\"><\/div>\n\t\t\t\t\t<\/div>\n\t\t<div class=\"wvpl-poster\"><\/div>\n\t<\/div>\n\t<div class=\"wvpl-right-box\">\n\t\t<div class=\"wvpl-overlay\">\n\t\t\t<svg>\n\t\t\t\t<use xlink:href=\"#waveform-animation\" \/>\n\t\t\t<\/svg>\n\t\t\t<div class=\"percentage\"><\/div>\n\t\t\t<div class=\"wvpl-loading\">\n\t\t\t\t<div class=\"wvpl-loading-progress\"><\/div>\n\t\t\t<\/div>\n\t\t\t<div class=\"message\"><\/div>\n\t\t<\/div>\n\t\t<div class=\"wvpl-position\"><\/div>\n\t\t<div class=\"wvpl-duration\"><\/div>\n\t\t<div class=\"wvpl-waveform\"><\/div>\n\t\t<div class=\"wvpl-infobar\">\n\t\t\t<div class=\"wvpl-playing-info\"><div class=\"wvpl-infoblock\"><\/div><\/div>\n\t\t<\/div>\n\t<\/div>\n\t<div class=\"wvpl-playlist\">\n\t\t<div class=\"wvpl-playlist-wrapper\"><\/div>\n\t<\/div>\n<\/div>\n<\/div>\n<p>&nbsp;<\/p>\n<p><img decoding=\"async\" class=\"alignnone size-full wp-image-19945\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2015\/07\/take-five-chords-A.png\" alt=\"Take Five chords - A section\" width=\"1180\" height=\"439\" srcset=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2015\/07\/take-five-chords-A.png 1180w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2015\/07\/take-five-chords-A-300x112.png 300w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2015\/07\/take-five-chords-A-1024x381.png 1024w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2015\/07\/take-five-chords-A-768x286.png 768w\" sizes=\"(max-width: 1180px) 100vw, 1180px\" \/><\/p>\n<p>&nbsp;<\/p>\n<h3 class=\"grey\">Bridge<\/h3>\n<p>The bridge modulates to Gb major and follows Dave Brubeck\u2019s original chord movement, which is a descending diatonic progression:<\/p>\n<p>Cbmaj7 \u2192 Bbm7 \u2192 Abm7 \u2192 Gbmaj7<\/p>\n<p>Each chord is followed by a short voice-leading line, originally played on piano, that connects the harmony smoothly from one chord to the next.<\/p>\n<p>&nbsp;<\/p>\n<div class=\"waveplayer-container\"><div id=\"waveplayer-95af2de47b768e2d093ec53546f346e0-6a572bdb692b6\" class=\"waveplayer loading wvpl-skin-w2-evolution wvpl-palette-800e3a14c86733ad9ccc96fd80850d88 wvpl-style-light wvpl-size-xs wvpl-shape-rounded \" data-limit=\"0\" data-mode=\"normal\" data-config_id=\"95af2de47b768e2d093ec53546f346e0\" data-instance_id=\"95af2de47b768e2d093ec53546f346e0-6a564ef7410d2\">\n\t<div class=\"wvpl-left-box\" style=\"background-image:url(https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2018\/04\/audiobg.png)\">\n\t\t<div class=\"wvpl-interface\">\n\t\t\t<div class=\"wvpl-volume-overlay\"><\/div>\n\t\t\t<div class=\"wvpl-icon wvpl-info\"><\/div>\n\t\t\t<div class=\"wvpl-controls\">\n\t\t\t\t<div class=\"wvpl-icon wvpl-prev wvpl-disabled\"><\/div>\n\t\t\t\t<div class=\"wvpl-icon wvpl-play\"><\/div>\n\t\t\t\t<div class=\"wvpl-icon wvpl-next wvpl-disabled\"><\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"wvpl-icon wvpl-volume wvpl-volume_up\"><\/div>\n\t\t\t\t\t<\/div>\n\t\t<div class=\"wvpl-poster\"><\/div>\n\t<\/div>\n\t<div class=\"wvpl-right-box\">\n\t\t<div class=\"wvpl-overlay\">\n\t\t\t<svg>\n\t\t\t\t<use xlink:href=\"#waveform-animation\" \/>\n\t\t\t<\/svg>\n\t\t\t<div class=\"percentage\"><\/div>\n\t\t\t<div class=\"wvpl-loading\">\n\t\t\t\t<div class=\"wvpl-loading-progress\"><\/div>\n\t\t\t<\/div>\n\t\t\t<div class=\"message\"><\/div>\n\t\t<\/div>\n\t\t<div class=\"wvpl-position\"><\/div>\n\t\t<div class=\"wvpl-duration\"><\/div>\n\t\t<div class=\"wvpl-waveform\"><\/div>\n\t\t<div class=\"wvpl-infobar\">\n\t\t\t<div class=\"wvpl-playing-info\"><div class=\"wvpl-infoblock\"><\/div><\/div>\n\t\t<\/div>\n\t<\/div>\n\t<div class=\"wvpl-playlist\">\n\t\t<div class=\"wvpl-playlist-wrapper\"><\/div>\n\t<\/div>\n<\/div>\n<\/div>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-20076\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2026\/05\/take-five-chords-bridge.png\" alt=\"Take Five chords - Bridge\" width=\"1180\" height=\"1445\" srcset=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2026\/05\/take-five-chords-bridge.png 1180w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2026\/05\/take-five-chords-bridge-245x300.png 245w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2026\/05\/take-five-chords-bridge-836x1024.png 836w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2026\/05\/take-five-chords-bridge-768x940.png 768w\" sizes=\"(max-width: 1180px) 100vw, 1180px\" \/><\/p>\n<p>&nbsp;<\/p>\n<h3 class=\"grey\">Alternative Bridge<\/h3>\n<p>This alternative bridge adds ii-V movement and non-diatonic chords to the original Brubeck changes.<\/p>\n<p>Now, each bar has two chords instead of one, which adds more harmonic movement and makes the circle-of-fifths sound stronger.<\/p>\n<p>This version combines the Real Book chords with George Benson\u2019s arrangement. The extra ii-V progressions make the bridge sound more like a classic jazz standard.<\/p>\n<p>&nbsp;<\/p>\n<div class=\"waveplayer-container\"><div id=\"waveplayer-d83fb6587241cb27db2d26647ae7831c-6a572bdb69e45\" class=\"waveplayer loading wvpl-skin-w2-evolution wvpl-palette-800e3a14c86733ad9ccc96fd80850d88 wvpl-style-light wvpl-size-xs wvpl-shape-rounded \" data-limit=\"0\" data-mode=\"normal\" data-config_id=\"d83fb6587241cb27db2d26647ae7831c\" data-instance_id=\"d83fb6587241cb27db2d26647ae7831c-6a564ef741ebe\">\n\t<div class=\"wvpl-left-box\" style=\"background-image:url(https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2018\/04\/audiobg.png)\">\n\t\t<div class=\"wvpl-interface\">\n\t\t\t<div class=\"wvpl-volume-overlay\"><\/div>\n\t\t\t<div class=\"wvpl-icon wvpl-info\"><\/div>\n\t\t\t<div class=\"wvpl-controls\">\n\t\t\t\t<div class=\"wvpl-icon wvpl-prev wvpl-disabled\"><\/div>\n\t\t\t\t<div class=\"wvpl-icon wvpl-play\"><\/div>\n\t\t\t\t<div class=\"wvpl-icon wvpl-next wvpl-disabled\"><\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"wvpl-icon wvpl-volume wvpl-volume_up\"><\/div>\n\t\t\t\t\t<\/div>\n\t\t<div class=\"wvpl-poster\"><\/div>\n\t<\/div>\n\t<div class=\"wvpl-right-box\">\n\t\t<div class=\"wvpl-overlay\">\n\t\t\t<svg>\n\t\t\t\t<use xlink:href=\"#waveform-animation\" \/>\n\t\t\t<\/svg>\n\t\t\t<div class=\"percentage\"><\/div>\n\t\t\t<div class=\"wvpl-loading\">\n\t\t\t\t<div class=\"wvpl-loading-progress\"><\/div>\n\t\t\t<\/div>\n\t\t\t<div class=\"message\"><\/div>\n\t\t<\/div>\n\t\t<div class=\"wvpl-position\"><\/div>\n\t\t<div class=\"wvpl-duration\"><\/div>\n\t\t<div class=\"wvpl-waveform\"><\/div>\n\t\t<div class=\"wvpl-infobar\">\n\t\t\t<div class=\"wvpl-playing-info\"><div class=\"wvpl-infoblock\"><\/div><\/div>\n\t\t<\/div>\n\t<\/div>\n\t<div class=\"wvpl-playlist\">\n\t\t<div class=\"wvpl-playlist-wrapper\"><\/div>\n\t<\/div>\n<\/div>\n<\/div>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-19957\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2015\/07\/take-five-chords-alternative-bridge-1.png\" alt=\"Take Five chords - alternative bridge page 1\" width=\"1180\" height=\"1364\" srcset=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2015\/07\/take-five-chords-alternative-bridge-1.png 1180w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2015\/07\/take-five-chords-alternative-bridge-1-260x300.png 260w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2015\/07\/take-five-chords-alternative-bridge-1-886x1024.png 886w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2015\/07\/take-five-chords-alternative-bridge-1-768x888.png 768w\" sizes=\"(max-width: 1180px) 100vw, 1180px\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-19958\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2015\/07\/take-five-chords-alternative-bridge-2.png\" alt=\"Take Five chords - alternative bridge page 2\" width=\"1180\" height=\"451\" srcset=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2015\/07\/take-five-chords-alternative-bridge-2.png 1180w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2015\/07\/take-five-chords-alternative-bridge-2-300x115.png 300w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2015\/07\/take-five-chords-alternative-bridge-2-1024x391.png 1024w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2015\/07\/take-five-chords-alternative-bridge-2-768x294.png 768w\" sizes=\"(max-width: 1180px) 100vw, 1180px\" \/><\/p>\n<p>&nbsp;<\/p>\n<h2>Take Five Melody &amp; Paul Desmond Solo<\/h2>\n<p>If you\u2019re a JGO+ member, you can access the extra content for this lesson, including:<\/p>\n<ul>\n<li>A guitar arrangement of the melody of Take Five<\/li>\n<li>Paul Desmond\u2019s original solo on Take Five, divided into 5 phrases<\/li>\n<\/ul>\n<p>Members can also download a printable PDF, Guitar Pro file, audio examples, and backing track for this lesson, along with downloads for 65+ other lessons.<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><em><a href=\"https:\/\/www.jazzguitar.be\/courses\/product\/jgo-download-pass\/?utm_source=blog&amp;utm_medium=take_5_li3\">Click Here to Join<\/a> \/ <a href=\"https:\/\/www.jazzguitar.be\/courses\/my-account\/?utm_source=blog&amp;utm_medium=take_five_li4\">Member Log In<\/a><\/em><\/p>\n<p><a href=\"https:\/\/www.jazzguitar.be\/courses\/product\/jgo-download-pass\/?utm_source=blog&amp;utm_medium=take_5_bottom\"><img decoding=\"async\" class=\"alignnone size-full wp-image-20051\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2026\/05\/take-five-bonus-content.png\" alt=\"Take Five melody and Paul Desmond solo\" width=\"779\" height=\"242\" srcset=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2026\/05\/take-five-bonus-content.png 779w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2026\/05\/take-five-bonus-content-300x93.png 300w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2026\/05\/take-five-bonus-content-768x239.png 768w\" sizes=\"(max-width: 779px) 100vw, 779px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Take 5 is probably one of the most recognized jazz standards of all time.<\/p>\n<p>As the title of the song suggests, Take 5 is in the 5\/4 time signature. You will learn how to play Take 5 chords on guitar with both the original groove and a more advanced, syncopated chord study.<\/p>\n","protected":false},"author":1,"featured_media":19954,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[154,16],"tags":[],"class_list":["post-2450","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-jazz-standards","category-jazz-guitar-chords"],"_links":{"self":[{"href":"https:\/\/www.jazzguitar.be\/blog\/wp-json\/wp\/v2\/posts\/2450","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.jazzguitar.be\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.jazzguitar.be\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.jazzguitar.be\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.jazzguitar.be\/blog\/wp-json\/wp\/v2\/comments?post=2450"}],"version-history":[{"count":4,"href":"https:\/\/www.jazzguitar.be\/blog\/wp-json\/wp\/v2\/posts\/2450\/revisions"}],"predecessor-version":[{"id":20082,"href":"https:\/\/www.jazzguitar.be\/blog\/wp-json\/wp\/v2\/posts\/2450\/revisions\/20082"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.jazzguitar.be\/blog\/wp-json\/wp\/v2\/media\/19954"}],"wp:attachment":[{"href":"https:\/\/www.jazzguitar.be\/blog\/wp-json\/wp\/v2\/media?parent=2450"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.jazzguitar.be\/blog\/wp-json\/wp\/v2\/categories?post=2450"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.jazzguitar.be\/blog\/wp-json\/wp\/v2\/tags?post=2450"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}