{"id":16295,"date":"2023-01-24T18:13:54","date_gmt":"2023-01-24T17:13:54","guid":{"rendered":"https:\/\/www.jazzguitar.be\/blog\/?p=16295"},"modified":"2026-04-16T17:57:14","modified_gmt":"2026-04-16T15:57:14","slug":"billies-bounce","status":"publish","type":"post","link":"https:\/\/www.jazzguitar.be\/blog\/billies-bounce\/","title":{"rendered":"Billie&#8217;s Bounce"},"content":{"rendered":"<p style=\"font-size: 18px; line-height: 160%; font-weight: bold; text-align: justify;\">Billie&#8217;s Bounce, one of the most iconic jazz standards from the bebop era, was written by Charlie Parker in 1945 and is one of his most famous songs. In this in-depth tutorial, you will learn about the melody and bebop language used in this classic tune.<\/p>\n<p><img fetchpriority=\"high\" decoding=\"async\" class=\"alignright size-full wp-image-16328\" style=\"margin-top: 10px;\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2023\/01\/charlie-parker-bilies-bounce.jpg\" alt=\"Charlie Parker Billie's Bounce\" width=\"300\" height=\"314\" srcset=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2023\/01\/charlie-parker-bilies-bounce.jpg 300w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2023\/01\/charlie-parker-bilies-bounce-287x300.jpg 287w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n<p>The original recording included Charlie Parker (alto sax), Miles Davis (trumpet), Dizzy Gillespie (piano !), Curley Russell (bass), and Max Roach (drums).<\/p>\n<p>The story goes that Billie&#8217;s Bounce was named after Billie Holiday, but actually refers to Billie Miller, who was the secretary for Charlie Parker&#8217;s agent, Billy Shaw. That&#8217;s a lot of Billies!<\/p>\n<p>In this guitar lesson, you&#8217;ll learn to play the melody of Billie&#8217;s Bounce in two octaves. Practicing it will help you understand jazz phrasing and get comfortable with syncopation.<\/p>\n<p>The melody uses syncopated rhythms, the F blues scale, chromatic approach notes, and enclosures. You will learn more about these features in the melodic analysis later in this lesson.<\/p>\n<p>Billie&#8217;s Bounce follows a 12-bar bebop blues form in the key of F.<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><em>Download the PDF, GP files, and backing track with <strong>JGO+<\/strong> (<a href=\"https:\/\/www.jazzguitar.be\/courses\/product\/jgo-download-pass\/?utm_source=blog&amp;utm_medium=billie_li\">click here to join<\/a> or<a href=\"https:\/\/www.jazzguitar.be\/courses\/my-account\/?utm_source=blog&amp;utm_medium=billie_li2\">\u00a0log in<\/a>)<\/em><\/p>\n<p><a href=\"https:\/\/www.jazzguitar.be\/courses\/product\/jgo-download-pass\/?utm_source=blog&amp;utm_medium=billie_top\"><img decoding=\"async\" class=\"alignnone wp-image-19706 size-full\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2026\/04\/download-pdf.png\" alt=\"Dowload PDF and backing tracks\" width=\"779\" height=\"242\" srcset=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2026\/04\/download-pdf.png 779w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2026\/04\/download-pdf-300x93.png 300w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2026\/04\/download-pdf-768x239.png 768w\" sizes=\"(max-width: 779px) 100vw, 779px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Recommended listening:<\/strong><\/p>\n<ul>\n<li>Charlie Parker &#8211; <em>Charley Parker&#8217;s Ree Boppers<\/em> (1945) \u2192 not my typo<\/li>\n<li>Chet Baker &#8211; <em>Out of Nowhere Volume 2<\/em> (1954)<\/li>\n<li>Jimmy Smith (with Kenny Burrell) &#8211; <em>Jimmy Smith at the Organ<\/em> (1957)<\/li>\n<li>Stan Getz and J.J. Johnson (w Herb Ellis \/ Oscar Peterson) &#8211; <em>At the Opera House<\/em> (1957)<\/li>\n<li>The Red Garland Quintet with John Coltrane &#8211; <em>Dig It!<\/em> (1957)<\/li>\n<li>Wes Montgomery &#8211; <em>Fingerpickin&#8217;<\/em> (1958)<\/li>\n<li>Eddie Jefferson &#8211; <em>Letter From Home<\/em> (1962) \u2192 vocal version with lyrics<\/li>\n<li>George Benson &#8211; <em>Giblet Gravy<\/em> (1968)<\/li>\n<li>Jim Hall &#8211; <em>Live in Tokyo<\/em> (1976)<\/li>\n<li>Jimmy Raney &#8211; <em>The Master<\/em> (1983)<\/li>\n<li>Oscar Peterson (with Herb Ellis) &#8211; <em>Encore at the Blue Note<\/em> (1990)<\/li>\n<li>Tal Farlow &amp; Philippe Petit &#8211; <em>Standards Recital<\/em> (1991)<\/li>\n<li>Keith Jarrett &#8211; <em>Tokyo &#8217;96<\/em> (1996)<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h2>Billie&#8217;s Bounce &#8211; Video &amp; Guitar Tabs<\/h2>\n<div class=\"video-container\"><iframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/KxIxHPqTuc0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/div>\n<p>&nbsp;<\/p>\n<p><em>Backing Track<\/em><\/p>\n<div class=\"waveplayer-container\"><div id=\"waveplayer-47bc7be79d739bc8fd0270799e9f3ddf-6a4201f8398a5\" class=\"waveplayer loading wvpl-skin-w2-evolution wvpl-palette-800e3a14c86733ad9ccc96fd80850d88 wvpl-style-light wvpl-size-xs wvpl-shape-rounded \" data-limit=\"0\" data-mode=\"normal\" data-config_id=\"47bc7be79d739bc8fd0270799e9f3ddf\" data-instance_id=\"47bc7be79d739bc8fd0270799e9f3ddf-6a413765eac3c\">\n\t<div class=\"wvpl-left-box\" style=\"background-image:url(https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2018\/04\/audiobg.png)\">\n\t\t<div class=\"wvpl-interface\">\n\t\t\t<div class=\"wvpl-volume-overlay\"><\/div>\n\t\t\t<div class=\"wvpl-icon wvpl-info\"><\/div>\n\t\t\t<div class=\"wvpl-controls\">\n\t\t\t\t<div class=\"wvpl-icon wvpl-prev wvpl-disabled\"><\/div>\n\t\t\t\t<div class=\"wvpl-icon wvpl-play\"><\/div>\n\t\t\t\t<div class=\"wvpl-icon wvpl-next wvpl-disabled\"><\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"wvpl-icon wvpl-volume wvpl-volume_up\"><\/div>\n\t\t\t\t\t<\/div>\n\t\t<div class=\"wvpl-poster\"><\/div>\n\t<\/div>\n\t<div class=\"wvpl-right-box\">\n\t\t<div class=\"wvpl-overlay\">\n\t\t\t<svg>\n\t\t\t\t<use xlink:href=\"#waveform-animation\" \/>\n\t\t\t<\/svg>\n\t\t\t<div class=\"percentage\"><\/div>\n\t\t\t<div class=\"wvpl-loading\">\n\t\t\t\t<div class=\"wvpl-loading-progress\"><\/div>\n\t\t\t<\/div>\n\t\t\t<div class=\"message\"><\/div>\n\t\t<\/div>\n\t\t<div class=\"wvpl-position\"><\/div>\n\t\t<div class=\"wvpl-duration\"><\/div>\n\t\t<div class=\"wvpl-waveform\"><\/div>\n\t\t<div class=\"wvpl-infobar\">\n\t\t\t<div class=\"wvpl-playing-info\"><div class=\"wvpl-infoblock\"><\/div><\/div>\n\t\t<\/div>\n\t<\/div>\n\t<div class=\"wvpl-playlist\">\n\t\t<div class=\"wvpl-playlist-wrapper\"><\/div>\n\t<\/div>\n<\/div>\n<\/div>\n<p><em>Listen &amp; Play-Along<\/em><\/p>\n<div class=\"waveplayer-container\"><div id=\"waveplayer-0559b994a10f1a83dd11db12fcb43a38-6a4201f83a878\" class=\"waveplayer loading wvpl-skin-w2-evolution wvpl-palette-800e3a14c86733ad9ccc96fd80850d88 wvpl-style-light wvpl-size-xs wvpl-shape-rounded \" data-limit=\"0\" data-mode=\"normal\" data-config_id=\"0559b994a10f1a83dd11db12fcb43a38\" data-instance_id=\"0559b994a10f1a83dd11db12fcb43a38-6a413765ec135\">\n\t<div class=\"wvpl-left-box\" style=\"background-image:url(https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2018\/04\/audiobg.png)\">\n\t\t<div class=\"wvpl-interface\">\n\t\t\t<div class=\"wvpl-volume-overlay\"><\/div>\n\t\t\t<div class=\"wvpl-icon wvpl-info\"><\/div>\n\t\t\t<div class=\"wvpl-controls\">\n\t\t\t\t<div class=\"wvpl-icon wvpl-prev wvpl-disabled\"><\/div>\n\t\t\t\t<div class=\"wvpl-icon wvpl-play\"><\/div>\n\t\t\t\t<div class=\"wvpl-icon wvpl-next wvpl-disabled\"><\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"wvpl-icon wvpl-volume wvpl-volume_up\"><\/div>\n\t\t\t\t\t<\/div>\n\t\t<div class=\"wvpl-poster\"><\/div>\n\t<\/div>\n\t<div class=\"wvpl-right-box\">\n\t\t<div class=\"wvpl-overlay\">\n\t\t\t<svg>\n\t\t\t\t<use xlink:href=\"#waveform-animation\" \/>\n\t\t\t<\/svg>\n\t\t\t<div class=\"percentage\"><\/div>\n\t\t\t<div class=\"wvpl-loading\">\n\t\t\t\t<div class=\"wvpl-loading-progress\"><\/div>\n\t\t\t<\/div>\n\t\t\t<div class=\"message\"><\/div>\n\t\t<\/div>\n\t\t<div class=\"wvpl-position\"><\/div>\n\t\t<div class=\"wvpl-duration\"><\/div>\n\t\t<div class=\"wvpl-waveform\"><\/div>\n\t\t<div class=\"wvpl-infobar\">\n\t\t\t<div class=\"wvpl-playing-info\"><div class=\"wvpl-infoblock\"><\/div><\/div>\n\t\t<\/div>\n\t<\/div>\n\t<div class=\"wvpl-playlist\">\n\t\t<div class=\"wvpl-playlist-wrapper\"><\/div>\n\t<\/div>\n<\/div>\n<\/div>\n<p><img decoding=\"async\" class=\"alignnone wp-image-16298 size-full\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2023\/01\/billies-bounce-guitar-tabs-1.png\" alt=\"Billie's Bounce melody guitar tabs\/lead sheet 1\" width=\"779\" height=\"749\" srcset=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2023\/01\/billies-bounce-guitar-tabs-1.png 779w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2023\/01\/billies-bounce-guitar-tabs-1-300x288.png 300w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2023\/01\/billies-bounce-guitar-tabs-1-768x738.png 768w\" sizes=\"(max-width: 779px) 100vw, 779px\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-16299 size-full\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2023\/01\/billies-bounce-guitar-tabs-2.png\" alt=\"Billie's Bounce melody guitar tabs\/lead sheet 2\" width=\"779\" height=\"709\" srcset=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2023\/01\/billies-bounce-guitar-tabs-2.png 779w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2023\/01\/billies-bounce-guitar-tabs-2-300x273.png 300w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2023\/01\/billies-bounce-guitar-tabs-2-768x699.png 768w\" sizes=\"(max-width: 779px) 100vw, 779px\" \/><\/p>\n<p>&nbsp;<\/p>\n<h2>Billie&#8217;s Bounce &#8211; Melodic Analysis<\/h2>\n<p>Here you&#8217;ll find the analysis of the head of Billie&#8217;s Bounce, along with jazz patterns that are taken from the melody.<\/p>\n<p>You can use these ideas in your own jazz blues improvisation over any F blues chord progression.<\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-16327 size-full\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2023\/01\/billies-bounce-melodic-analysis-fixed.png\" alt=\"Billie's Bounce melodic analysis\" width=\"779\" height=\"921\" srcset=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2023\/01\/billies-bounce-melodic-analysis-fixed.png 779w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2023\/01\/billies-bounce-melodic-analysis-fixed-254x300.png 254w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2023\/01\/billies-bounce-melodic-analysis-fixed-768x908.png 768w\" sizes=\"(max-width: 779px) 100vw, 779px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><em>Take a look at\u00a0 our course <strong><a href=\"https:\/\/www.jazzguitar.be\/courses\/product\/jazz-guitar-patterns-volume-1\/?utm_source=blog&amp;utm_medium=billie_jgpp_li\">Jazz Guitar Patterns &amp; Phrases Volume 1<\/a><\/strong> and learn 87 classic jazz guitar patterns that are great building blocks for your jazz guitar solos.<\/em><\/p>\n<p><a href=\"https:\/\/www.jazzguitar.be\/courses\/product\/jazz-guitar-patterns-volume-1\/?utm_source=blog&amp;amp;utm_medium=billie_jgpp_box\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-17615\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/jazz-guitar-patterns-phrases.png\" alt=\"Jazz Guitar Patterns and Phrases Volume 1\" width=\"779\" height=\"467\" srcset=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/jazz-guitar-patterns-phrases.png 779w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/jazz-guitar-patterns-phrases-300x180.png 300w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/jazz-guitar-patterns-phrases-768x460.png 768w\" sizes=\"(max-width: 779px) 100vw, 779px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<h3 class=\"grey\">Jazz Guitar Pattern 1 &#8211; Chromatic Turn (Bar 1)<\/h3>\n<blockquote><p>A chromatic turn happens when you play a note, then approach it again from its chromatic lower neighbor.<\/p><\/blockquote>\n<p>This technique adds both tension and release to your phrases.<\/p>\n<p>Here is an example of this pattern over a ii-V-I in F major.<\/p>\n<p>&nbsp;<\/p>\n<div class=\"waveplayer-container\"><div id=\"waveplayer-025d016fcbc3f3aa914d45f53fa3559b-6a4201f83b48a\" class=\"waveplayer loading wvpl-skin-w2-evolution wvpl-palette-800e3a14c86733ad9ccc96fd80850d88 wvpl-style-light wvpl-size-xs wvpl-shape-rounded \" data-limit=\"0\" data-mode=\"normal\" data-config_id=\"025d016fcbc3f3aa914d45f53fa3559b\" data-instance_id=\"025d016fcbc3f3aa914d45f53fa3559b-6a413765ed0ae\">\n\t<div class=\"wvpl-left-box\" style=\"background-image:url(https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2018\/04\/audiobg.png)\">\n\t\t<div class=\"wvpl-interface\">\n\t\t\t<div class=\"wvpl-volume-overlay\"><\/div>\n\t\t\t<div class=\"wvpl-icon wvpl-info\"><\/div>\n\t\t\t<div class=\"wvpl-controls\">\n\t\t\t\t<div class=\"wvpl-icon wvpl-prev wvpl-disabled\"><\/div>\n\t\t\t\t<div class=\"wvpl-icon wvpl-play\"><\/div>\n\t\t\t\t<div class=\"wvpl-icon wvpl-next wvpl-disabled\"><\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"wvpl-icon wvpl-volume wvpl-volume_up\"><\/div>\n\t\t\t\t\t<\/div>\n\t\t<div class=\"wvpl-poster\"><\/div>\n\t<\/div>\n\t<div class=\"wvpl-right-box\">\n\t\t<div class=\"wvpl-overlay\">\n\t\t\t<svg>\n\t\t\t\t<use xlink:href=\"#waveform-animation\" \/>\n\t\t\t<\/svg>\n\t\t\t<div class=\"percentage\"><\/div>\n\t\t\t<div class=\"wvpl-loading\">\n\t\t\t\t<div class=\"wvpl-loading-progress\"><\/div>\n\t\t\t<\/div>\n\t\t\t<div class=\"message\"><\/div>\n\t\t<\/div>\n\t\t<div class=\"wvpl-position\"><\/div>\n\t\t<div class=\"wvpl-duration\"><\/div>\n\t\t<div class=\"wvpl-waveform\"><\/div>\n\t\t<div class=\"wvpl-infobar\">\n\t\t\t<div class=\"wvpl-playing-info\"><div class=\"wvpl-infoblock\"><\/div><\/div>\n\t\t<\/div>\n\t<\/div>\n\t<div class=\"wvpl-playlist\">\n\t\t<div class=\"wvpl-playlist-wrapper\"><\/div>\n\t<\/div>\n<\/div>\n<\/div>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-16315 size-full\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2023\/01\/billies-bounce-pattern-1.png\" alt=\"Billie's Bounce jazz guitar pattern 1\" width=\"779\" height=\"273\" srcset=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2023\/01\/billies-bounce-pattern-1.png 779w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2023\/01\/billies-bounce-pattern-1-300x105.png 300w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2023\/01\/billies-bounce-pattern-1-768x269.png 768w\" sizes=\"(max-width: 779px) 100vw, 779px\" \/><\/p>\n<p>&nbsp;<\/p>\n<h3 class=\"grey\">The F Major Blues Scale (Bars 1-4) and F Minor Blues Scale (Bars 5-7)<\/h3>\n<p>The first four bars of Billie&#8217;s Bounce use the F <a href=\"https:\/\/www.jazzguitar.be\/blog\/blues-scales\/#major\">major blues scale<\/a>.<\/p>\n<p>On the Bb7 chord (bars 5-7), the <a href=\"https:\/\/www.jazzguitar.be\/blog\/blues-scales\/#minor\">minor blues scale<\/a> is used.<\/p>\n<p>You can use this approach in your own solos too.<\/p>\n<p>In the following example, I play the F major blues scale, except on Bb7 (bars 5-7), where I switch to the F minor blues scale.<\/p>\n<p>&nbsp;<\/p>\n<div class=\"waveplayer-container\"><div id=\"waveplayer-e7d619244c400c645bfbff2a2b7d1a73-6a4201f83c089\" class=\"waveplayer loading wvpl-skin-w2-evolution wvpl-palette-800e3a14c86733ad9ccc96fd80850d88 wvpl-style-light wvpl-size-xs wvpl-shape-rounded \" data-limit=\"0\" data-mode=\"normal\" data-config_id=\"e7d619244c400c645bfbff2a2b7d1a73\" data-instance_id=\"e7d619244c400c645bfbff2a2b7d1a73-6a413765edff0\">\n\t<div class=\"wvpl-left-box\" style=\"background-image:url(https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2018\/04\/audiobg.png)\">\n\t\t<div class=\"wvpl-interface\">\n\t\t\t<div class=\"wvpl-volume-overlay\"><\/div>\n\t\t\t<div class=\"wvpl-icon wvpl-info\"><\/div>\n\t\t\t<div class=\"wvpl-controls\">\n\t\t\t\t<div class=\"wvpl-icon wvpl-prev wvpl-disabled\"><\/div>\n\t\t\t\t<div class=\"wvpl-icon wvpl-play\"><\/div>\n\t\t\t\t<div class=\"wvpl-icon wvpl-next wvpl-disabled\"><\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"wvpl-icon wvpl-volume wvpl-volume_up\"><\/div>\n\t\t\t\t\t<\/div>\n\t\t<div class=\"wvpl-poster\"><\/div>\n\t<\/div>\n\t<div class=\"wvpl-right-box\">\n\t\t<div class=\"wvpl-overlay\">\n\t\t\t<svg>\n\t\t\t\t<use xlink:href=\"#waveform-animation\" \/>\n\t\t\t<\/svg>\n\t\t\t<div class=\"percentage\"><\/div>\n\t\t\t<div class=\"wvpl-loading\">\n\t\t\t\t<div class=\"wvpl-loading-progress\"><\/div>\n\t\t\t<\/div>\n\t\t\t<div class=\"message\"><\/div>\n\t\t<\/div>\n\t\t<div class=\"wvpl-position\"><\/div>\n\t\t<div class=\"wvpl-duration\"><\/div>\n\t\t<div class=\"wvpl-waveform\"><\/div>\n\t\t<div class=\"wvpl-infobar\">\n\t\t\t<div class=\"wvpl-playing-info\"><div class=\"wvpl-infoblock\"><\/div><\/div>\n\t\t<\/div>\n\t<\/div>\n\t<div class=\"wvpl-playlist\">\n\t\t<div class=\"wvpl-playlist-wrapper\"><\/div>\n\t<\/div>\n<\/div>\n<\/div>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-16319\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2023\/01\/billies-bounce-blues-scales-1.png\" alt=\"Billie's Bounce blues scales 1\" width=\"779\" height=\"865\" srcset=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2023\/01\/billies-bounce-blues-scales-1.png 779w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2023\/01\/billies-bounce-blues-scales-1-270x300.png 270w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2023\/01\/billies-bounce-blues-scales-1-768x853.png 768w\" sizes=\"(max-width: 779px) 100vw, 779px\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-16320\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2023\/01\/billies-bounce-blues-scales-2.png\" alt=\"Billie's Bounce blues scales 2\" width=\"779\" height=\"839\" srcset=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2023\/01\/billies-bounce-blues-scales-2.png 779w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2023\/01\/billies-bounce-blues-scales-2-279x300.png 279w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2023\/01\/billies-bounce-blues-scales-2-768x827.png 768w\" sizes=\"(max-width: 779px) 100vw, 779px\" \/><\/p>\n<p>&nbsp;<\/p>\n<h3 class=\"grey\">Jazz Guitar Pattern 2 &#8211; Chromatic Approach Notes (Bar 5)<\/h3>\n<blockquote><p>Chromatic approach notes are notes outside the key that lead into a target note, usually a chord tone.<\/p><\/blockquote>\n<p>They create tension, which is then resolved by landing on a stable note.<\/p>\n<p>Here is an example of chromatic approach notes on a Bb7 <a href=\"https:\/\/www.jazzguitar.be\/blog\/guitar-arpeggios\/\">arpeggio<\/a>.<\/p>\n<p>The <span style=\"color: #119dc3; font-weight: bold;\">circled notes<\/span> show the chord tones of Bb7, while the other notes are chromatic approach notes.<\/p>\n<p>&nbsp;<\/p>\n<div class=\"waveplayer-container\"><div id=\"waveplayer-7bc645261719f54abb933bcfb619639f-6a4201f83cc87\" class=\"waveplayer loading wvpl-skin-w2-evolution wvpl-palette-800e3a14c86733ad9ccc96fd80850d88 wvpl-style-light wvpl-size-xs wvpl-shape-rounded \" data-limit=\"0\" data-mode=\"normal\" data-config_id=\"7bc645261719f54abb933bcfb619639f\" data-instance_id=\"7bc645261719f54abb933bcfb619639f-6a413765eef19\">\n\t<div class=\"wvpl-left-box\" style=\"background-image:url(https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2018\/04\/audiobg.png)\">\n\t\t<div class=\"wvpl-interface\">\n\t\t\t<div class=\"wvpl-volume-overlay\"><\/div>\n\t\t\t<div class=\"wvpl-icon wvpl-info\"><\/div>\n\t\t\t<div class=\"wvpl-controls\">\n\t\t\t\t<div class=\"wvpl-icon wvpl-prev wvpl-disabled\"><\/div>\n\t\t\t\t<div class=\"wvpl-icon wvpl-play\"><\/div>\n\t\t\t\t<div class=\"wvpl-icon wvpl-next wvpl-disabled\"><\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"wvpl-icon wvpl-volume wvpl-volume_up\"><\/div>\n\t\t\t\t\t<\/div>\n\t\t<div class=\"wvpl-poster\"><\/div>\n\t<\/div>\n\t<div class=\"wvpl-right-box\">\n\t\t<div class=\"wvpl-overlay\">\n\t\t\t<svg>\n\t\t\t\t<use xlink:href=\"#waveform-animation\" \/>\n\t\t\t<\/svg>\n\t\t\t<div class=\"percentage\"><\/div>\n\t\t\t<div class=\"wvpl-loading\">\n\t\t\t\t<div class=\"wvpl-loading-progress\"><\/div>\n\t\t\t<\/div>\n\t\t\t<div class=\"message\"><\/div>\n\t\t<\/div>\n\t\t<div class=\"wvpl-position\"><\/div>\n\t\t<div class=\"wvpl-duration\"><\/div>\n\t\t<div class=\"wvpl-waveform\"><\/div>\n\t\t<div class=\"wvpl-infobar\">\n\t\t\t<div class=\"wvpl-playing-info\"><div class=\"wvpl-infoblock\"><\/div><\/div>\n\t\t<\/div>\n\t<\/div>\n\t<div class=\"wvpl-playlist\">\n\t\t<div class=\"wvpl-playlist-wrapper\"><\/div>\n\t<\/div>\n<\/div>\n<\/div>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-16317 size-full\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2023\/01\/billies-bounce-pattern-2.png\" alt=\"Billie's Bounce jazz guitar pattern 2\" width=\"779\" height=\"217\" srcset=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2023\/01\/billies-bounce-pattern-2.png 779w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2023\/01\/billies-bounce-pattern-2-300x84.png 300w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2023\/01\/billies-bounce-pattern-2-768x214.png 768w\" sizes=\"(max-width: 779px) 100vw, 779px\" \/><\/p>\n<p>&nbsp;<\/p>\n<h3 class=\"grey\">Voice Leading (Bars 7-9)<\/h3>\n<p>Here, <a href=\"https:\/\/www.jazzguitar.be\/blog\/charlie-parker\/\">Charlie Parker<\/a> uses voice leading in a clever way. The top notes F &#8211; E &#8211; Eb &#8211; D (which are encircled) form a descending F <a href=\"https:\/\/www.jazzguitar.be\/blog\/bebop-scale\/\">bebop scale<\/a>.<\/p>\n<blockquote><p>Voice leading in a melody means connecting notes smoothly from one chord to the next, often by moving in small steps to outline the harmony.<\/p><\/blockquote>\n<p>&nbsp;<\/p>\n<h3 class=\"grey\">Jazz Guitar Pattern 3 &#8211; Chromatic Enclosures (Bar 8)<\/h3>\n<p>Chromatic enclosures are a common jazz technique where a target note is surrounded by its chromatic neighbors. This adds tension and dissonance to the phrase and helps create a sense of movement.<\/p>\n<p>There are many ways to use chromatic enclosures. In this example, we start a half step above the target note, go down a minor third, and then move up chromatically to the target note.<\/p>\n<p>Here are two examples:<\/p>\n<ol>\n<li>\u00a0In the first example, the target note is the 3rd of C7. The enclosure starts a half tone above (F) the target note (E), descends a third to D, and then chromatically ascends (D#) to the target note (E).<\/li>\n<li>\u00a0In the second example, the target note is the 5th of Fmaj7. The enclosure starts a half tone above (Db) the target note (C), descends a third to Bb, and then chromatically ascends (B) to the target note (C).<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-16325\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2023\/01\/chromatic-enclosures.png\" alt=\"\" width=\"779\" height=\"267\" srcset=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2023\/01\/chromatic-enclosures.png 779w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2023\/01\/chromatic-enclosures-300x103.png 300w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2023\/01\/chromatic-enclosures-768x263.png 768w\" sizes=\"(max-width: 779px) 100vw, 779px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>Here is a lick over a 2 5 1 in F major that uses these two enclosure examples and adds a few more ideas:<\/p>\n<p>&nbsp;<\/p>\n<div class=\"waveplayer-container\"><div id=\"waveplayer-ea9e46e792885bb06c891a2e97011dfd-6a4201f83d881\" class=\"waveplayer loading wvpl-skin-w2-evolution wvpl-palette-800e3a14c86733ad9ccc96fd80850d88 wvpl-style-light wvpl-size-xs wvpl-shape-rounded \" data-limit=\"0\" data-mode=\"normal\" data-config_id=\"ea9e46e792885bb06c891a2e97011dfd\" data-instance_id=\"ea9e46e792885bb06c891a2e97011dfd-6a413765efeb4\">\n\t<div class=\"wvpl-left-box\" style=\"background-image:url(https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2018\/04\/audiobg.png)\">\n\t\t<div class=\"wvpl-interface\">\n\t\t\t<div class=\"wvpl-volume-overlay\"><\/div>\n\t\t\t<div class=\"wvpl-icon wvpl-info\"><\/div>\n\t\t\t<div class=\"wvpl-controls\">\n\t\t\t\t<div class=\"wvpl-icon wvpl-prev wvpl-disabled\"><\/div>\n\t\t\t\t<div class=\"wvpl-icon wvpl-play\"><\/div>\n\t\t\t\t<div class=\"wvpl-icon wvpl-next wvpl-disabled\"><\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"wvpl-icon wvpl-volume wvpl-volume_up\"><\/div>\n\t\t\t\t\t<\/div>\n\t\t<div class=\"wvpl-poster\"><\/div>\n\t<\/div>\n\t<div class=\"wvpl-right-box\">\n\t\t<div class=\"wvpl-overlay\">\n\t\t\t<svg>\n\t\t\t\t<use xlink:href=\"#waveform-animation\" \/>\n\t\t\t<\/svg>\n\t\t\t<div class=\"percentage\"><\/div>\n\t\t\t<div class=\"wvpl-loading\">\n\t\t\t\t<div class=\"wvpl-loading-progress\"><\/div>\n\t\t\t<\/div>\n\t\t\t<div class=\"message\"><\/div>\n\t\t<\/div>\n\t\t<div class=\"wvpl-position\"><\/div>\n\t\t<div class=\"wvpl-duration\"><\/div>\n\t\t<div class=\"wvpl-waveform\"><\/div>\n\t\t<div class=\"wvpl-infobar\">\n\t\t\t<div class=\"wvpl-playing-info\"><div class=\"wvpl-infoblock\"><\/div><\/div>\n\t\t<\/div>\n\t<\/div>\n\t<div class=\"wvpl-playlist\">\n\t\t<div class=\"wvpl-playlist-wrapper\"><\/div>\n\t<\/div>\n<\/div>\n<\/div>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-16324 size-full\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2023\/01\/billies-bounce-pattern-3-fixed.png\" alt=\"Billie's Bounce jazz guitar pattern 3 \" width=\"779\" height=\"547\" srcset=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2023\/01\/billies-bounce-pattern-3-fixed.png 779w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2023\/01\/billies-bounce-pattern-3-fixed-300x211.png 300w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2023\/01\/billies-bounce-pattern-3-fixed-768x539.png 768w\" sizes=\"(max-width: 779px) 100vw, 779px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p><strong>More Charlie Parker and blues lessons:<\/strong><\/p>\n<ul>\n<li><a href=\"https:\/\/www.jazzguitar.be\/blog\/jazz-blues-guitar-patterns\/\">Jazz Blues Guitar Patterns \u2192 Blues in F<\/a><\/li>\n<li><a href=\"https:\/\/www.jazzguitar.be\/blog\/cool-blues-charlie-parker\/\">Cool Blues (Charlie Parker) \u2192 Blues in C<\/a><\/li>\n<li><a href=\"https:\/\/www.jazzguitar.be\/blog\/charlie-christian-grand-slam-solo\/\">Charlie Christian Grand Slam Solo \u2192 Blues in F<\/a><\/li>\n<li><a href=\"https:\/\/www.jazzguitar.be\/blog\/straight-no-chaser\/\">Straight, No Chaser (Thelonious Monk) \u2192 Blues in F<\/a><\/li>\n<li><a href=\"https:\/\/www.jazzguitar.be\/blog\/blues-connotation-ornette-coleman\/\">Blues Connotation (Ornette Coleman) \u2192 Blues in Bb<\/a><\/li>\n<li><a href=\"https:\/\/www.jazzguitar.be\/blog\/blues-in-c\/\">Blues in C (Barney Kessel)<\/a><\/li>\n<li><a href=\"https:\/\/www.jazzguitar.be\/blog\/bb-jazz-blues-chords\/\">Bb Jazz Blues Comping Study<\/a><\/li>\n<li><a href=\"https:\/\/www.jazzguitar.be\/blog\/jazz-blues-chord-progressions\/\">Jazz Blues Chord Progressions<\/a><\/li>\n<li><a href=\"https:\/\/www.jazzguitar.be\/blog\/jazz-blues-guitar-solo\/\">Jazz Blues Guitar Licks &amp; Solos<\/a><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><em>Download the PDF, GP files, and backing track with <strong>JGO+<\/strong> (<a href=\"https:\/\/www.jazzguitar.be\/courses\/product\/jgo-download-pass\/?utm_source=blog&amp;utm_medium=billie_li3\">click here to join<\/a> &#8211; <a href=\"https:\/\/www.jazzguitar.be\/courses\/my-account\/?utm_source=blog&amp;utm_medium=billie_li4\">click here to log in<\/a>)<\/em><\/p>\n<p><a href=\"https:\/\/www.jazzguitar.be\/courses\/product\/jgo-download-pass\/?utm_source=blog&amp;utm_medium=billie_bottom\"><img decoding=\"async\" class=\"alignnone wp-image-19706 size-full\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2026\/04\/download-pdf.png\" alt=\"Dowload PDF and backing tracks\" width=\"779\" height=\"242\" srcset=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2026\/04\/download-pdf.png 779w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2026\/04\/download-pdf-300x93.png 300w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2026\/04\/download-pdf-768x239.png 768w\" sizes=\"(max-width: 779px) 100vw, 779px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Billie&#8217;s Bounce, one of the most iconic jazz standards from the bebop era, was written by Charlie Parker in 1945 and is one of his most famous songs. In this in-depth tutorial, you will learn about the melody and bebop language used in this classic tune. The original recording included Charlie Parker (alto sax), Miles [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":16340,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"default","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[6,154],"tags":[],"class_list":["post-16295","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-jazz-blues-guitar","category-jazz-standards"],"_links":{"self":[{"href":"https:\/\/www.jazzguitar.be\/blog\/wp-json\/wp\/v2\/posts\/16295","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.jazzguitar.be\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.jazzguitar.be\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.jazzguitar.be\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.jazzguitar.be\/blog\/wp-json\/wp\/v2\/comments?post=16295"}],"version-history":[{"count":3,"href":"https:\/\/www.jazzguitar.be\/blog\/wp-json\/wp\/v2\/posts\/16295\/revisions"}],"predecessor-version":[{"id":19650,"href":"https:\/\/www.jazzguitar.be\/blog\/wp-json\/wp\/v2\/posts\/16295\/revisions\/19650"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.jazzguitar.be\/blog\/wp-json\/wp\/v2\/media\/16340"}],"wp:attachment":[{"href":"https:\/\/www.jazzguitar.be\/blog\/wp-json\/wp\/v2\/media?parent=16295"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.jazzguitar.be\/blog\/wp-json\/wp\/v2\/categories?post=16295"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.jazzguitar.be\/blog\/wp-json\/wp\/v2\/tags?post=16295"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}