{"id":14348,"date":"2020-11-19T17:43:14","date_gmt":"2020-11-19T16:43:14","guid":{"rendered":"https:\/\/www.jazzguitar.be\/blog\/?p=14348"},"modified":"2025-12-04T15:18:36","modified_gmt":"2025-12-04T14:18:36","slug":"days-of-wine-and-roses","status":"publish","type":"post","link":"https:\/\/www.jazzguitar.be\/blog\/days-of-wine-and-roses\/","title":{"rendered":"Days of Wine and Roses &#8211; Jazz Guitar Solo &#038; Patterns"},"content":{"rendered":"<p style=\"text-align: justify;\"><span style=\"line-height: 150%; font-size: 18px; font-weight: bold;\">Days of Wine and Roses was written by Henry Mancini in 1962 for the movie of the same name. The tune quickly became a jazz standard and a favorite among jazz guitarists, with memorable recordings by Joe Pass, Barney Kessel, Bill Frisell, and many others. The most famous jazz guitar version is Wes Montgomery&#8217;s recording on his 1963 album <em>Boss Guitar<\/em>.<\/span><\/p>\n<p>In this lesson, you\u2019ll learn a jazz guitar solo study over the chord changes of Days of Wine and Roses.<\/p>\n<p>The solo features 11 classic jazz guitar patterns, some built from single-note lines, others mixing chords and melody.<\/p>\n<p>After playing the solo, we\u2019ll take a closer look at these patterns to understand how they work and how to use them in your own improvisations.<\/p>\n<p>If you\u2019d like to explore more patterns like these, check out our course <a href=\"https:\/\/www.jazzguitar.be\/courses\/product\/jazz-guitar-patterns-volume-1\/\">Jazz Guitar Patterns &amp; Phrases Volume 1<\/a>.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Recommended listening:<\/strong><\/p>\n<p><img fetchpriority=\"high\" decoding=\"async\" class=\"size-full wp-image-14352 alignright\" style=\"margin-top: 10px;\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/days-of-wine-and-roses.jpg\" alt=\"Days of Wine and Roses\" width=\"400\" height=\"301\" srcset=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/days-of-wine-and-roses.jpg 400w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/days-of-wine-and-roses-300x226.jpg 300w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><\/p>\n<ul>\n<li>Wes Montgomery &#8211; <em>Boss Guitar<\/em> (1963)<\/li>\n<li>Howard Roberts &#8211; <em>Color Him Funky<\/em> (1963)<\/li>\n<li>Barney Kessel &#8211; <em>Just Friends<\/em> (1975)<\/li>\n<li>Lenny Breau &#8211; <em>Five O&#8217;Clock Bells<\/em> (1979)<\/li>\n<li>Bill Evans &#8211; <em>Consecration<\/em> (1980)<\/li>\n<li>Joe Pass &#8211; <em>Easy Living<\/em> (1986)<\/li>\n<li>Jimmy Raney &amp; Doug Raney &#8211; <em>Duets<\/em> (1989)<\/li>\n<li>Bireli Lagrene &#8211; <em>Standards<\/em> (1992)<\/li>\n<li>Keith Jarrett &#8211; <em>Keith Jarrett at the Blue Note<\/em> (1995)<\/li>\n<li>Bill Frisell &#8211; <em>East\/West<\/em> (2005)<\/li>\n<\/ul>\n<div style=\"clear: both;\"><\/div>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.jazzguitar.be\/courses\/product\/jgo-download-pass\/?utm_source=blog&amp;utm_medium=wine_and_roses_top\"><img decoding=\"async\" class=\"alignnone wp-image-19706 size-full\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2026\/04\/download-pdf.png\" alt=\"Dowload PDF and backing tracks\" width=\"779\" height=\"242\" srcset=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2026\/04\/download-pdf.png 779w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2026\/04\/download-pdf-300x93.png 300w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2026\/04\/download-pdf-768x239.png 768w\" sizes=\"(max-width: 779px) 100vw, 779px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<h2>Days of Wine and Roses &#8211; Video<\/h2>\n<p><iframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/o_Fbs0Z60q4?si=wVduP8lMO03lLwbe\" width=\"779\" height=\"438\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<h2>Days of Wine and Roses &#8211; Guitar Tabs\/Notation<\/h2>\n<p><em>Backing Track<\/em><\/p>\n<div class=\"waveplayer-container\"><div id=\"waveplayer-419a1efe5c71ebcda45a4afa9418d959-6a53ddb476fe9\" class=\"waveplayer loading wvpl-skin-w2-evolution wvpl-palette-800e3a14c86733ad9ccc96fd80850d88 wvpl-style-light wvpl-size-xs wvpl-shape-rounded \" data-limit=\"0\" data-mode=\"normal\" data-config_id=\"419a1efe5c71ebcda45a4afa9418d959\" data-instance_id=\"419a1efe5c71ebcda45a4afa9418d959-6a510a902a7ea\">\n\t<div class=\"wvpl-left-box\" style=\"background-image:url(https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2018\/04\/audiobg.png)\">\n\t\t<div class=\"wvpl-interface\">\n\t\t\t<div class=\"wvpl-volume-overlay\"><\/div>\n\t\t\t<div class=\"wvpl-icon wvpl-info\"><\/div>\n\t\t\t<div class=\"wvpl-controls\">\n\t\t\t\t<div class=\"wvpl-icon wvpl-prev wvpl-disabled\"><\/div>\n\t\t\t\t<div class=\"wvpl-icon wvpl-play\"><\/div>\n\t\t\t\t<div class=\"wvpl-icon wvpl-next wvpl-disabled\"><\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"wvpl-icon wvpl-volume wvpl-volume_up\"><\/div>\n\t\t\t\t\t<\/div>\n\t\t<div class=\"wvpl-poster\"><\/div>\n\t<\/div>\n\t<div class=\"wvpl-right-box\">\n\t\t<div class=\"wvpl-overlay\">\n\t\t\t<svg>\n\t\t\t\t<use xlink:href=\"#waveform-animation\" \/>\n\t\t\t<\/svg>\n\t\t\t<div class=\"percentage\"><\/div>\n\t\t\t<div class=\"wvpl-loading\">\n\t\t\t\t<div class=\"wvpl-loading-progress\"><\/div>\n\t\t\t<\/div>\n\t\t\t<div class=\"message\"><\/div>\n\t\t<\/div>\n\t\t<div class=\"wvpl-position\"><\/div>\n\t\t<div class=\"wvpl-duration\"><\/div>\n\t\t<div class=\"wvpl-waveform\"><\/div>\n\t\t<div class=\"wvpl-infobar\">\n\t\t\t<div class=\"wvpl-playing-info\"><div class=\"wvpl-infoblock\"><\/div><\/div>\n\t\t<\/div>\n\t<\/div>\n\t<div class=\"wvpl-playlist\">\n\t\t<div class=\"wvpl-playlist-wrapper\"><\/div>\n\t<\/div>\n<\/div>\n<\/div>\n<p><em>Listen &amp; Play-Along<\/em><\/p>\n<div class=\"waveplayer-container\"><div id=\"waveplayer-9fce66ff3e999fd6941e43c65f702e57-6a53ddb4787b3\" class=\"waveplayer loading wvpl-skin-w2-evolution wvpl-palette-800e3a14c86733ad9ccc96fd80850d88 wvpl-style-light wvpl-size-xs wvpl-shape-rounded \" data-limit=\"0\" data-mode=\"normal\" data-config_id=\"9fce66ff3e999fd6941e43c65f702e57\" data-instance_id=\"9fce66ff3e999fd6941e43c65f702e57-6a510a902bc3d\">\n\t<div class=\"wvpl-left-box\" style=\"background-image:url(https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2018\/04\/audiobg.png)\">\n\t\t<div class=\"wvpl-interface\">\n\t\t\t<div class=\"wvpl-volume-overlay\"><\/div>\n\t\t\t<div class=\"wvpl-icon wvpl-info\"><\/div>\n\t\t\t<div class=\"wvpl-controls\">\n\t\t\t\t<div class=\"wvpl-icon wvpl-prev wvpl-disabled\"><\/div>\n\t\t\t\t<div class=\"wvpl-icon wvpl-play\"><\/div>\n\t\t\t\t<div class=\"wvpl-icon wvpl-next wvpl-disabled\"><\/div>\n\t\t\t<\/div>\n\t\t\t\t\t\t\t<div class=\"wvpl-icon wvpl-volume wvpl-volume_up\"><\/div>\n\t\t\t\t\t<\/div>\n\t\t<div class=\"wvpl-poster\"><\/div>\n\t<\/div>\n\t<div class=\"wvpl-right-box\">\n\t\t<div class=\"wvpl-overlay\">\n\t\t\t<svg>\n\t\t\t\t<use xlink:href=\"#waveform-animation\" \/>\n\t\t\t<\/svg>\n\t\t\t<div class=\"percentage\"><\/div>\n\t\t\t<div class=\"wvpl-loading\">\n\t\t\t\t<div class=\"wvpl-loading-progress\"><\/div>\n\t\t\t<\/div>\n\t\t\t<div class=\"message\"><\/div>\n\t\t<\/div>\n\t\t<div class=\"wvpl-position\"><\/div>\n\t\t<div class=\"wvpl-duration\"><\/div>\n\t\t<div class=\"wvpl-waveform\"><\/div>\n\t\t<div class=\"wvpl-infobar\">\n\t\t\t<div class=\"wvpl-playing-info\"><div class=\"wvpl-infoblock\"><\/div><\/div>\n\t\t<\/div>\n\t<\/div>\n\t<div class=\"wvpl-playlist\">\n\t\t<div class=\"wvpl-playlist-wrapper\"><\/div>\n\t<\/div>\n<\/div>\n<\/div>\n<p>&nbsp;<\/p>\n<p><img decoding=\"async\" class=\"size-full wp-image-17839 alignnone\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/days-of-wine-and-roses-guitar-solo-1.png\" alt=\"Days of Wine and Roses solo page 1\" width=\"779\" height=\"921\" srcset=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/days-of-wine-and-roses-guitar-solo-1.png 779w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/days-of-wine-and-roses-guitar-solo-1-254x300.png 254w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/days-of-wine-and-roses-guitar-solo-1-768x908.png 768w\" sizes=\"(max-width: 779px) 100vw, 779px\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-17840 alignnone\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/days-of-wine-and-roses-guitar-solo-2.png\" alt=\"Days of Wine and Roses solo page 2\" width=\"779\" height=\"888\" srcset=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/days-of-wine-and-roses-guitar-solo-2.png 779w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/days-of-wine-and-roses-guitar-solo-2-263x300.png 263w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/days-of-wine-and-roses-guitar-solo-2-768x875.png 768w\" sizes=\"(max-width: 779px) 100vw, 779px\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-17841 alignnone\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/days-of-wine-and-roses-guitar-solo-3.png\" alt=\"Days of Wine and Roses solo page 3\" width=\"779\" height=\"863\" srcset=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/days-of-wine-and-roses-guitar-solo-3.png 779w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/days-of-wine-and-roses-guitar-solo-3-271x300.png 271w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/days-of-wine-and-roses-guitar-solo-3-768x851.png 768w\" sizes=\"(max-width: 779px) 100vw, 779px\" \/><\/p>\n<p>&nbsp;<\/p>\n<h2>Days of Wine and Roses &#8211; Jazz Guitar Patterns<\/h2>\n<p>Let&#8217;s have a closer look at the <a href=\"https:\/\/www.jazzguitar.be\/courses\/product\/jazz-guitar-patterns-volume-1\/?utm_source=blog&amp;utm_medium=link_wine_and_roses_middle\">jazz guitar patterns<\/a> used in the <em>Days of Wine and Roses<\/em> solo.<\/p>\n<p>Many of these patterns appear throughout the vocabulary of Wes Montgomery, Joe Pass, and Barney Kessel, and practicing them will instantly expand your phrasing toolkit.<\/p>\n<p>&nbsp;<\/p>\n<h3 class=\"grey\">Pattern 1 (bar 1)<\/h3>\n<p>This first jazz guitar pattern mixes <a href=\"https:\/\/www.jazzguitar.be\/blog\/17-essential-jazz-guitar-chords-beginners\/\">chords<\/a> with single-note lines.<\/p>\n<p>You start with a chord voicing, then play the matching <a href=\"https:\/\/www.jazzguitar.be\/blog\/easy-jazz-guitar-scales\/\">scale<\/a> from the 5th to the 9th.<\/p>\n<p>It works beautifully on <a href=\"https:\/\/www.jazzguitar.be\/blog\/major-chords\/\">major chords<\/a>:<\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-14354\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/DOWAR-pattern-1.png\" alt=\"Jazz pattern 1\" width=\"779\" height=\"263\" srcset=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/DOWAR-pattern-1.png 779w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/DOWAR-pattern-1-300x101.png 300w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/DOWAR-pattern-1-768x259.png 768w\" sizes=\"(max-width: 779px) 100vw, 779px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>And also on <a href=\"https:\/\/www.jazzguitar.be\/blog\/minor-chords\/\">minor chords<\/a>, such as in this II-V-I progression:<\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-14355\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/DOWAR-pattern-1b.png\" alt=\"Jazz pattern 2\" width=\"779\" height=\"279\" srcset=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/DOWAR-pattern-1b.png 779w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/DOWAR-pattern-1b-300x107.png 300w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/DOWAR-pattern-1b-768x275.png 768w\" sizes=\"(max-width: 779px) 100vw, 779px\" \/><\/p>\n<p>&nbsp;<\/p>\n<h3 class=\"grey\">Pattern 2 (bars 2, 8, 10, 16)<\/h3>\n<p>The most natural place to mix chords into your solos is on the 4th beat of a <a href=\"https:\/\/www.jazzguitar.be\/blog\/dominant-chords\/\">dominant chord<\/a> and the 1st beat of the chord it resolves to.<\/p>\n<p>Here, the chord voicings are played on the B, G, and D strings. These small voicings are easy to fret and don&#8217;t get in the way of the bass or the melody\/solo.<\/p>\n<p>Here is an example (bar 8):<\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-14358\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/DOWAR-pattern-2.png\" alt=\"Jazz Pattern 2\" width=\"779\" height=\"271\" srcset=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/DOWAR-pattern-2.png 779w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/DOWAR-pattern-2-300x104.png 300w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/DOWAR-pattern-2-768x267.png 768w\" sizes=\"(max-width: 779px) 100vw, 779px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>Same idea, but the chord lands after the beat for rhythmic variety (bar 2):<\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-14359\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/DOWAR-pattern-2b.png\" alt=\"Jazz Pattern 2b\" width=\"779\" height=\"277\" srcset=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/DOWAR-pattern-2b.png 779w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/DOWAR-pattern-2b-300x107.png 300w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/DOWAR-pattern-2b-768x273.png 768w\" sizes=\"(max-width: 779px) 100vw, 779px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>Same idea (bar 10), but with a 7b9 voicing:<\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-14360\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/DOWAR-pattern-2c.png\" alt=\"Jazz Pattern 2c\" width=\"779\" height=\"255\" srcset=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/DOWAR-pattern-2c.png 779w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/DOWAR-pattern-2c-300x98.png 300w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/DOWAR-pattern-2c-768x251.png 768w\" sizes=\"(max-width: 779px) 100vw, 779px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>Bar 16 resolves with a 7\u266d13 chord to the tonic major:<\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-14361\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/DOWAR-pattern-2d.png\" alt=\"Jazz Pattern 2d\" width=\"779\" height=\"287\" srcset=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/DOWAR-pattern-2d.png 779w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/DOWAR-pattern-2d-300x111.png 300w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/DOWAR-pattern-2d-768x283.png 768w\" sizes=\"(max-width: 779px) 100vw, 779px\" \/><\/p>\n<p>&nbsp;<\/p>\n<h3 class=\"grey\">Pattern 3 (bars 5-7)<\/h3>\n<p>Starting on bar 5, <a href=\"https:\/\/www.jazzguitar.be\/blog\/guitar-intervals\/\">6th intervals<\/a> add a touch of harmony between single-note phrases.<\/p>\n<p data-start=\"1893\" data-end=\"2028\">Practice them through your scales on different strings:<\/p>\n<p>&nbsp;<\/p>\n<p><strong>On the E-string:<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-14362\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/DOWAR-pattern-3.png\" alt=\"Jazz Pattern 3\" width=\"779\" height=\"251\" srcset=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/DOWAR-pattern-3.png 779w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/DOWAR-pattern-3-300x97.png 300w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/DOWAR-pattern-3-768x247.png 768w\" sizes=\"(max-width: 779px) 100vw, 779px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p><strong>On the A-string:<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-14363\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/DOWAR-pattern-3b.png\" alt=\"Jazz Pattern 3b\" width=\"779\" height=\"253\" srcset=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/DOWAR-pattern-3b.png 779w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/DOWAR-pattern-3b-300x97.png 300w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/DOWAR-pattern-3b-768x249.png 768w\" sizes=\"(max-width: 779px) 100vw, 779px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p><strong>On the D-string:<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-14364\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/DOWAR-pattern-3c.png\" alt=\"Jazz Pattern 3c\" width=\"779\" height=\"261\" srcset=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/DOWAR-pattern-3c.png 779w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/DOWAR-pattern-3c-300x101.png 300w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/DOWAR-pattern-3c-768x257.png 768w\" sizes=\"(max-width: 779px) 100vw, 779px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p><strong>On the G-string:<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-14365\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/DOWAR-pattern-3d.png\" alt=\"Jazz Pattern 3d\" width=\"779\" height=\"269\" srcset=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/DOWAR-pattern-3d.png 779w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/DOWAR-pattern-3d-300x104.png 300w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/DOWAR-pattern-3d-768x265.png 768w\" sizes=\"(max-width: 779px) 100vw, 779px\" \/><\/p>\n<p>&nbsp;<\/p>\n<h3 class=\"grey\">Pattern 4 (bar 7)<\/h3>\n<p>Pattern 4 uses slides to move through the Bb <a href=\"https:\/\/www.jazzguitar.be\/blog\/guitar-modes\/#dorian\">Dorian mode<\/a>.<\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-14366\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/DOWAR-pattern-4.png\" alt=\"Jazz Pattern 4\" width=\"779\" height=\"281\" srcset=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/DOWAR-pattern-4.png 779w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/DOWAR-pattern-4-300x108.png 300w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/DOWAR-pattern-4-768x277.png 768w\" sizes=\"(max-width: 779px) 100vw, 779px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>You can apply the same concept to other scales, such as C major.<\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-14367\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/DOWAR-pattern-4b.png\" alt=\"Jazz Pattern 4b\" width=\"779\" height=\"263\" srcset=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/DOWAR-pattern-4b.png 779w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/DOWAR-pattern-4b-300x101.png 300w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/DOWAR-pattern-4b-768x259.png 768w\" sizes=\"(max-width: 779px) 100vw, 779px\" \/><\/p>\n<p>&nbsp;<\/p>\n<h3 class=\"grey\">Pattern 5 (bar 11)<\/h3>\n<p>A Bbmaj9 arpeggio is a nice way to play over G minor chords, resulting in a Gm11 sound.<\/p>\n<blockquote><p>Playing a maj9 arpeggio from the 3rd of a minor chord brings out the 9 and 11 extensions<\/p>\n<p>For example: Bbmaj9 over Gm7<\/p><\/blockquote>\n<p>&nbsp;<\/p>\n<table class=\"tableizer-table\">\n<tbody>\n<tr class=\"tableizer-firstrow\">\n<th style=\"border-top: 0; text-align: center; color: red; width: 40%;\">Bbmaj9 arpeggio<\/th>\n<td style=\"background-color: black; color: white;\">Bb<\/td>\n<td style=\"background-color: black; color: white;\">D<\/td>\n<td style=\"background-color: black; color: white;\">F<\/td>\n<td style=\"background-color: black; color: white;\">A<\/td>\n<td style=\"background-color: black; color: white;\">C<\/td>\n<\/tr>\n<tr class=\"tableizer-firstrow\">\n<th style=\"border-bottom: 0; text-align: center;\">Played over Gm7<\/th>\n<td>b3<\/td>\n<td>5<\/td>\n<td>b7<\/td>\n<td>9<\/td>\n<td>11<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-14369\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/DOWAR-pattern-5-fixed.png\" alt=\"Jazz Pattern 5\" width=\"779\" height=\"273\" srcset=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/DOWAR-pattern-5-fixed.png 779w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/DOWAR-pattern-5-fixed-300x105.png 300w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/DOWAR-pattern-5-fixed-768x269.png 768w\" sizes=\"(max-width: 779px) 100vw, 779px\" \/><\/p>\n<p>&nbsp;<\/p>\n<h3 class=\"grey\">Pattern 6 (bars 12 and 32)<\/h3>\n<p>This pattern begins with the same substitution as pattern 5.<\/p>\n<p>Over the dominant chord in the second bar, I play the b9 and 13 extensions:<\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-14370\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/DOWAR-pattern-6.png\" alt=\"Jazz Pattern 6\" width=\"779\" height=\"289\" srcset=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/DOWAR-pattern-6.png 779w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/DOWAR-pattern-6-300x111.png 300w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/DOWAR-pattern-6-768x285.png 768w\" sizes=\"(max-width: 779px) 100vw, 779px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>The scale of choice to play over 13b9 chords is the <a href=\"https:\/\/www.jazzguitar.be\/blog\/dominant-diminished-scale\/\">dominant diminished scale<\/a>, also known as the half\/whole diminished scale, because it switches between half and whole steps in its interval structure.<\/p>\n<p>&nbsp;<\/p>\n<table class=\"tableizer-table\">\n<tbody>\n<tr class=\"tableizer-firstrow\">\n<th style=\"color: #ed212a; border-bottom: 0; width: 30%;\">Dominant Diminished<\/th>\n<th style=\"text-align: center;\">1<\/th>\n<th style=\"text-align: center;\">b9<\/th>\n<th style=\"text-align: center;\">#9<\/th>\n<th style=\"text-align: center;\">3<\/th>\n<th style=\"text-align: center;\">#11<\/th>\n<th style=\"text-align: center;\">5<\/th>\n<th style=\"text-align: center;\">13<\/th>\n<th style=\"text-align: center;\">b7<\/th>\n<th style=\"text-align: center;\">1<\/th>\n<\/tr>\n<tr>\n<td style=\"background-color: #000000; border-bottom: 0; color: #ffffff;\"><\/td>\n<td><\/td>\n<td>H<\/td>\n<td>W<\/td>\n<td>H<\/td>\n<td>W<\/td>\n<td>H<\/td>\n<td>W<\/td>\n<td>H<\/td>\n<td>W<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-14384\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/C-dominant-diminished-scale.png\" alt=\"C dominant diminished scale\" width=\"779\" height=\"306\" srcset=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/C-dominant-diminished-scale.png 779w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/C-dominant-diminished-scale-300x118.png 300w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/C-dominant-diminished-scale-768x302.png 768w\" sizes=\"(max-width: 779px) 100vw, 779px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-14371\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/DOWAR-pattern-6b.png\" alt=\"Jazz Pattern 6b\" width=\"779\" height=\"287\" srcset=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/DOWAR-pattern-6b.png 779w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/DOWAR-pattern-6b-300x111.png 300w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/DOWAR-pattern-6b-768x283.png 768w\" sizes=\"(max-width: 779px) 100vw, 779px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>Here are two examples of how you can get this sound into your comping as well:<\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-14372\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/DOWAR-pattern-6c.png\" alt=\"Jazz Pattern 6c\" width=\"779\" height=\"277\" srcset=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/DOWAR-pattern-6c.png 779w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/DOWAR-pattern-6c-300x107.png 300w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/DOWAR-pattern-6c-768x273.png 768w\" sizes=\"(max-width: 779px) 100vw, 779px\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-14373\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/DOWAR-pattern-6d.png\" alt=\"Jazz Pattern 6d\" width=\"779\" height=\"299\" srcset=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/DOWAR-pattern-6d.png 779w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/DOWAR-pattern-6d-300x115.png 300w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/DOWAR-pattern-6d-768x295.png 768w\" sizes=\"(max-width: 779px) 100vw, 779px\" \/><\/p>\n<p>&nbsp;<\/p>\n<h3 class=\"grey\">Pattern 7 (bar 16)<\/h3>\n<p>Pattern 7 uses a C <a href=\"https:\/\/www.jazzguitar.be\/blog\/augmented-major-seventh-chords\/\">augmented triad<\/a> over C7b13.<\/p>\n<p>The raised 5th gives tension and movement toward the resolution.<\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-14385\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/C-augmented-triad.png\" alt=\"C augmented triad\" width=\"779\" height=\"306\" srcset=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/C-augmented-triad.png 779w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/C-augmented-triad-300x118.png 300w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/C-augmented-triad-768x302.png 768w\" sizes=\"(max-width: 779px) 100vw, 779px\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-14355\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/DOWAR-pattern-1b.png\" alt=\"Jazz pattern 2\" width=\"779\" height=\"279\" srcset=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/DOWAR-pattern-1b.png 779w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/DOWAR-pattern-1b-300x107.png 300w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/DOWAR-pattern-1b-768x275.png 768w\" sizes=\"(max-width: 779px) 100vw, 779px\" \/><\/p>\n<p>&nbsp;<\/p>\n<h3 class=\"grey\">Pattern 8 (bar 17)<\/h3>\n<p>This pattern, inspired by Wes Montgomery\u2019s solo on <em>Days of Wine and Roses<\/em>, uses an A minor triad over Fmaj7, a simplified version of the substitution from pattern 5.<\/p>\n<p>Note how it outlines an Fmaj7 chord shape.<\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-14387\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/Fmaj7-fixed.png\" alt=\"Fmaj7 chord\" width=\"217\" height=\"251\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-14374\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/DOWAR-pattern-8.png\" alt=\"Jazz pattern 8\" width=\"779\" height=\"257\" srcset=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/DOWAR-pattern-8.png 779w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/DOWAR-pattern-8-300x99.png 300w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/DOWAR-pattern-8-768x253.png 768w\" sizes=\"(max-width: 779px) 100vw, 779px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>Here is the original version of this pattern in Wes Montgomery&#8217;s solo (0:06 in the Wes video below).<\/p>\n<div class=\"video-container\"><iframe src=\"https:\/\/www.youtube.com\/embed\/RfVj7mb_Q6M\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/div>\n<p>&nbsp;<\/p>\n<p>Note that he uses Ebmaj7 instead of Eb7 in bar 2 of the form.<\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-14375\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/DOWAR-pattern-8b.png\" alt=\"Jazz pattern 8b\" width=\"779\" height=\"280\" srcset=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/DOWAR-pattern-8b.png 779w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/DOWAR-pattern-8b-300x108.png 300w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/DOWAR-pattern-8b-768x276.png 768w\" sizes=\"(max-width: 779px) 100vw, 779px\" \/><\/p>\n<p>&nbsp;<\/p>\n<h3 class=\"grey\">Pattern 9 (bar 22)<\/h3>\n<p>A classic jazz-guitar clich\u00e9: an uprake applied to a maj7 <a href=\"https:\/\/www.jazzguitar.be\/blog\/guitar-arpeggios\/\">arpeggio<\/a> (same substitution as pattern 5). It\u2019s a smooth, melodic way to accentuate chord tones.<\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-14378\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/DOWAR-pattern-9-fixed.png\" alt=\"Jazz pattern 9\" width=\"779\" height=\"309\" srcset=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/DOWAR-pattern-9-fixed.png 779w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/DOWAR-pattern-9-fixed-300x119.png 300w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/DOWAR-pattern-9-fixed-768x305.png 768w\" sizes=\"(max-width: 779px) 100vw, 779px\" \/><\/p>\n<p>&nbsp;<\/p>\n<h3 class=\"grey\">Pattern 10 (bar 23)<\/h3>\n<p>This one starts with a D\u266dmaj7 arpeggio over B\u266dm7 (as in pattern 5) and moves to an F minor triad (as in pattern 8).<\/p>\n<p>&nbsp;<\/p>\n<table class=\"tableizer-table\">\n<tbody>\n<tr class=\"tableizer-firstrow\">\n<th style=\"border-top: 0; text-align: center; color: red; width: 40%;\">Fm triad<\/th>\n<td style=\"background-color: black; color: white;\">F<\/td>\n<td style=\"background-color: black; color: white;\">Ab<\/td>\n<td style=\"background-color: black; color: white;\">C<\/td>\n<\/tr>\n<tr class=\"tableizer-firstrow\">\n<th style=\"border-bottom: 0; text-align: center;\">Played over Bbm7<\/th>\n<td>5<\/td>\n<td>b7<\/td>\n<td>9<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-14389\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/pattern-10-fixed.png\" alt=\"Jazz pattern 10\" width=\"779\" height=\"297\" srcset=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/pattern-10-fixed.png 779w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/pattern-10-fixed-300x114.png 300w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/pattern-10-fixed-768x293.png 768w\" sizes=\"(max-width: 779px) 100vw, 779px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<h3 class=\"grey\">Pattern 11 (bar 30)<\/h3>\n<p>This last pattern outlines a C13 chord.<\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-14388\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/C13.png\" alt=\"C13 chord\" width=\"217\" height=\"251\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-14380\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/DOWAR-pattern-11.png\" alt=\"Jazz Pattern 11\" width=\"779\" height=\"277\" srcset=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/DOWAR-pattern-11.png 779w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/DOWAR-pattern-11-300x107.png 300w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/DOWAR-pattern-11-768x273.png 768w\" sizes=\"(max-width: 779px) 100vw, 779px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>Here is a variation of the same pattern:<\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-14381\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/DOWAR-pattern-11b.png\" alt=\"Jazz Pattern 11b\" width=\"779\" height=\"277\" srcset=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/DOWAR-pattern-11b.png 779w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/DOWAR-pattern-11b-300x107.png 300w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2020\/11\/DOWAR-pattern-11b-768x273.png 768w\" sizes=\"(max-width: 779px) 100vw, 779px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.jazzguitar.be\/courses\/product\/jgo-download-pass\/?utm_source=blog&amp;utm_medium=wine_and_roses_bottom\"><img decoding=\"async\" class=\"alignnone wp-image-19706 size-full\" src=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2026\/04\/download-pdf.png\" alt=\"Dowload PDF and backing tracks\" width=\"779\" height=\"242\" srcset=\"https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2026\/04\/download-pdf.png 779w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2026\/04\/download-pdf-300x93.png 300w, https:\/\/www.jazzguitar.be\/blog\/wp-content\/uploads\/2026\/04\/download-pdf-768x239.png 768w\" sizes=\"(max-width: 779px) 100vw, 779px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Days of Wine and Roses was written by Henry Mancini in 1962 for the movie of the same name. The tune quickly became a jazz standard and a favorite among jazz guitarists, with memorable recordings by Joe Pass, Barney Kessel, Bill Frisell, and many others. The most famous jazz guitar version is Wes Montgomery&#8217;s recording [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":14392,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"default","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[154],"tags":[],"class_list":["post-14348","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-jazz-standards"],"_links":{"self":[{"href":"https:\/\/www.jazzguitar.be\/blog\/wp-json\/wp\/v2\/posts\/14348","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.jazzguitar.be\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.jazzguitar.be\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.jazzguitar.be\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.jazzguitar.be\/blog\/wp-json\/wp\/v2\/comments?post=14348"}],"version-history":[{"count":4,"href":"https:\/\/www.jazzguitar.be\/blog\/wp-json\/wp\/v2\/posts\/14348\/revisions"}],"predecessor-version":[{"id":18192,"href":"https:\/\/www.jazzguitar.be\/blog\/wp-json\/wp\/v2\/posts\/14348\/revisions\/18192"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.jazzguitar.be\/blog\/wp-json\/wp\/v2\/media\/14392"}],"wp:attachment":[{"href":"https:\/\/www.jazzguitar.be\/blog\/wp-json\/wp\/v2\/media?parent=14348"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.jazzguitar.be\/blog\/wp-json\/wp\/v2\/categories?post=14348"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.jazzguitar.be\/blog\/wp-json\/wp\/v2\/tags?post=14348"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}