Jazz Guitar Chord Theory (part 2)
Let's have a look at seventh chords, chords that contain 4 or more different notes and that are frequently used in jazz music.
In part 1 of jazz guitar chord theory we covered the construction of triads, chords that contain 3 different notes. If you are new to chord theory, I suggest you read part 1 first.
Let's get started again with the C major scale :
| C Major Scale |
C D E F G A B |
|
1 2 3 4 5 6 7 |
The construction of seventh chords follows the same principle as
constructing triads : stacking 3rds on top of each other.
Triads were made by stacking 2 thirds on top of the root. Seventh
chords are constructed by stacking 3 thirds on top of the root.
Let's stack 3 thirds on the 1 of the C major scale :
The result is a C major 7 chord or Cmaj7. From C to E is a major
third, from E to G is a minor third and from G to B is a major third : every
major 7 chord has this structure.
So the chord formula for major 7 chords is : 1 3 5 7
Let's do the same for the 2nd note of the C major scale :
The result is a D minor 7 chord or Dmin7. From D to F is a minor
third, from F to A is a major third and from A to C is a minor third : every
minor 7 chord has this structure.
So the chord formula for minor 7 chords is : 1 b3 5 b7
Now let's skip some notes and stack 3 thirds on top of the 5th note of the C major scale :
The result is a G dominant 7 chord or G7. From G to B is a major
third, from B to D is a minor third and from D to F is a minor
third : every dominant 7 chord has this structure.
The chord formula for dominant 7 chords is : 1 3 5 b7
We'll skip some more notes and stack 3 thirds on top of the 7th note of the C major scale :
The result is a B half diminished chord or Bm7b5. From B to D
is a minor third, from D to F is a minor third and from F to A is a major
third : every half diminished 7 chord has this structure.
The chord formula for half diminished 7 chords is : 1 b3 b5 b7
I'll summarize and complete the other notes of the C major scale
:
|
Notes |
Formula |
Chord Name |
Symbol |
| 1 |
C E G B |
1 3 5 7 |
C major 7 |
Cmaj7 |
| 2 |
D F A C |
1 b3 5 b7 |
D minor 7 |
Dm7 or D-7 or Dmin7 |
| 3 |
E G B D |
1 b3 5 b7 |
E minor 7 |
Em7 or E-7 or Emin7 |
| 4 |
F A C E |
1 3 5 7 |
F major 7 |
Fmaj7 |
| 5 |
G B D F |
1 3 5 b7 |
G dominant |
G7 |
| 6 |
A C E G |
1 b3 5 b7 |
A minor 7 |
Am7 or A-7 or Amin7 |
| 7 |
B D F A |
1 b3 b5 b7 |
B half diminished |
Bm7b5 or Bmin7b5 |
Part 3 of guitar chord theory : chord tensions 
Return to guitar chord theory part 1
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