 |
| |||||||
|
Welcome to the Jazz Guitar Forums. You are currently viewing our boards as a guest which gives you limited access to view most discussions and access our other features. By joining our free community you will have access to post topics, communicate privately with other members (PM), respond to polls, upload content and access many other special features. Registration is fast, simple and absolutely free so please, join our community today! If you have any problems with the registration process or your account login, please contact contact us. |
 |
| | LinkBack | Thread Tools | Display Modes |
|
#1
11-21-2011, 09:53 AM
| |||
| |||
 Slash chords with tensions in the bass Hey all, I was wondering if it's theoretically correct, given the context, to label a chord progression in this manner? Say Cmaj7 - Em/Cshrp - Cmaj7 (rather than C shrp m7b5) So basically a Em6 chord with the 6th in the bass. Ty, M     |
|
#3
11-21-2011, 10:41 AM
| ||||
| ||||
| In this case, Em6 and C#m7b5 are enharmonic and ... how can I put it ... you'd play the same stuff over them ... 2 sharps, most likely ... so I'd say Em/C# is fine ... I like it when the bass notes are suggested ... but that may ... annoy ... others. |
|
« Why no 8th, 10th, 12th, & 14th chords?
|
"Accepted" Tensions for Maj, Min, Dom Chords (Fewell Book) »
| Thread Tools | |
| Display Modes | |
Linear Mode
| |
