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#1
07-17-2011, 09:08 PM
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 I Need Help Remembering I started playing around with this idea on the piano a few minutes ago: Dm7 / G7 / AbMaj7 / Bbm7 / Eb7 / EMaj7 / F#m7 / B7 / CMaj7 I know I didn't event this, I know I heard/read it somewhere and its killing me, I can't remember who it is. I am fairly certain it is a white sax player who perhaps wrote a book or an article about his take on Coltrane Changes. They might have actually only talked about a ii-V moving to a bVI. I don't remember. Does anyone know?     |
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#2
07-19-2011, 09:39 AM
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| This is a book I have, though mine is an earlier edition with a different cover: Jamey Aebersold Jazz: Coltrane - A Player's Guide To His Harmony The two guys that wrote it are white sax players: Walt Weiskopf Ramon Ricker – Eastman School of Music Not sure if this helps at all. I don't have the book with me and don't recall if that was in there. |
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#3
07-29-2011, 02:04 AM
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| The resolutions look like deceptive cadences with modal interchange to me ... so instead of the VIm subbing for I, we get the bVIMaj7 subbing for I, borrowed from the parallel minor. "On a Slow Boat to China" does something similar. Of course, the key relationships make it look like Coltrane changes, just with deceptive cadences. - Jonathon |
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