It looks like you are not yet registered with The Jazz Guitar Forum. Click here to register, it's easy, fast and free!

The Jazz Guitar Forum

Go Back   The Jazz Guitar Forum > The Jazz Guitar Forum > Theory

Play What You Hear Guitar Course


Welcome to the Jazz Guitar Forums. You are currently viewing our boards as a guest which gives you limited access to view most discussions and access our other features.

By joining our free community you will have access to post topics, communicate privately with other members (PM), respond to polls, upload content and access many other special features. Registration is fast, simple and absolutely free so please, join our community today!

If you have any problems with the registration process or your account login, please contact contact us.

Reply
 
LinkBack Thread Tools Display Modes
  #1  
Old 07-04-2011, 10:59 AM
 
Join Date: May 2011
Posts: 8
Help George Van Eps Guitar Method

I am going to kick myself in the butt when I read your responses, but.....

I just found The George Van Eps Guitar Method. In his first lesson he is teaching a harmonized C scale in triad form. He shows six slightly different ways of doing this on different sets of three strings. In all six examples he is using 1st inversion triads except for the vi-. For this he uses a 2nd inversion F (c,f,a) instead of what I would use, a 1st inversion A minor (c,e,a).

What am I overlooking?
Digg this Post!Add Post to del.icio.usFurl this Post!
Reply With Quote
  #2  
Old 07-04-2011, 11:15 AM
monk's Avatar  
Join Date: Sep 2008
Location: Tennessee USA
Posts: 635
Default

The answer is here. Straight from the Master's mouth.
TedGreene.com - Audio - Ted Greene, George Van Eps Interview
Digg this Post!Add Post to del.icio.usFurl this Post!
Reply With Quote
  #3  
Old 07-04-2011, 12:09 PM
 
Join Date: Apr 2008
Posts: 1,075
Default

Great material.
Thanks Monk for the link.
Digg this Post!Add Post to del.icio.usFurl this Post!
Reply With Quote
  #4  
Old 07-04-2011, 01:53 PM
NSJ NSJ is offline
 
Join Date: Jan 2009
Location: Chicago, IL
Posts: 1,169
Default

wow. Wow.Thanks Monk for that find!
Digg this Post!Add Post to del.icio.usFurl this Post!
Reply With Quote
  #5  
Old 07-04-2011, 04:06 PM
NSJ NSJ is offline
 
Join Date: Jan 2009
Location: Chicago, IL
Posts: 1,169
Default

What a great speaker.

Liked the part where he's telling Ted about the inferior tonal quality of "slab" guitars ("some people think you can take a 2x4 and put strings and HB on it and it'll sound right").

This is 1981--has Ted started playing a Tele yet?
Digg this Post!Add Post to del.icio.usFurl this Post!
Reply With Quote
  #6  
Old 07-04-2011, 10:00 PM
wizard3739's Avatar  
Join Date: Apr 2007
Location: Payson Arizona
Posts: 1,823
Default Ted

Ted was playing Tele's & Strat's when I first met him in 1975'

wiz
__________________
Howie
Digg this Post!Add Post to del.icio.usFurl this Post!
Reply With Quote
  #7  
Old 07-04-2011, 11:13 PM
brwnhornet59's Avatar  
Join Date: May 2011
Location: Ohio
Posts: 2,254
Send a message via AIM to brwnhornet59 Send a message via Skype™ to brwnhornet59
Default

Yeah, I really enjoyed that. Thanx Monk!
Digg this Post!Add Post to del.icio.usFurl this Post!
Reply With Quote
  #8  
Old 07-05-2011, 06:11 AM
 
Join Date: Jul 2009
Location: Central Bucks County, PA
Posts: 87
Default

I recently started working on Van Epps' first version of his method mentioned in the inverview, "The George Van Epps Guitar Method". I have to write out each of the exercises in all the keys but the triad based material seems to resonate with the way my brain likes to learn. I just "correct" all the vi chords. In this method version there is an exercise that has you play chords I, ii, iii, I, then ii, iii, iv, ii, etc for each of the 6 forms. It still is kicking my butt with the metronome clicking very slowly. It's "old school" learning but that was what my 8 years of grade school used so I'm pre-conditioned.

Ed S.
Digg this Post!Add Post to del.icio.usFurl this Post!
Reply With Quote
  #9  
Old 07-05-2011, 06:24 AM
 
Join Date: Jul 2009
Location: Central Bucks County, PA
Posts: 87
Default

Quote:
Originally Posted by NSJ View Post
What a great speaker.

Liked the part where he's telling Ted about the inferior tonal quality of "slab" guitars ("some people think you can take a 2x4 and put strings and HB on it and it'll sound right").

This is 1981--has Ted started playing a Tele yet?
A 2x4 of maple as a neck-through?

I now have my eye on a Steinberger Spirit Pro Deluxe which George would definitely not approve of.
Digg this Post!Add Post to del.icio.usFurl this Post!
Reply With Quote
Reply


Thread Tools
Display Modes

Posting Rules
You may not post new threads
You may not post replies
You may not post attachments
You may not edit your posts

vB code is On
Smilies are On
[IMG] code is On
HTML code is Off
Trackbacks are On
Pingbacks are On
Refbacks are On



Powered by vBulletin® Version 3.6.3
Copyright ©2000 - 2012, Jelsoft Enterprises Ltd.
SEO by vBSEO 3.2.0 ©2008, Crawlability, Inc.
Copyright © 2006 Jazzguitar.be