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#1
12-27-2010, 06:52 PM
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 Yes And No (A section) D13sus/-----/-----/-----/Dma9/-----/-----/-----/ Am7 D7/Gma7 Cm7/Bbma7/-----/Em9/-----// (B section) Am7b5/-----/D7b9/-----/Gm9/-----/C13/-----/ Fm9/-----/Bb13/-----/Ebma7/-----/Am9/-----// Tune by Wayne Shorter Form is AABA (14+14+16+14) New Real Book suggests F7+ as alternate chord for Cm7 in A section The melody adds these harmonic colors in the B section Am7b5-----11 and b9 D7b9-------b13 C13--------13 passes thru b13 Bb13-------adds a 11th at the last dotted quarter of the 2nd bar Not hard to play except that people like to play it very fast. Pretty amorphous despite a quantity of movement in 4ths and multiple II V's I am curious to hear how others organize their thinking with this one. Thanks     |
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#2
12-27-2010, 07:07 PM
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| I'm a vertical player so I just play the chord scales and guide tones, in their context of course. Playing chord scales and guide tones is a very straightforward approach that doesn't require any theory or mental gymnastics.
__________________ http://www.youtube.com/user/4thstuning |
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#3
12-27-2010, 07:53 PM
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| I actually just finally learned this tune yesterday - funny coincidence. After a few cursory listens to the solos on the original recording, it seems they use a mix of pentatonics and generally scalar playing for Dsus and Dmaj7, but bebop-oriented phrases for the ii Vs. There's a few spots where you can pretty clearly hear long pentatonic sequences. |
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