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03-04-2011, 02:18 PM
|  | | | Join Date: Nov 2008 Location: Greenacres, FL
Posts: 767
| | Barney Kessell's devotion to practice Ran across this in an article at the Classic Jazz Guitar site.
PRACTICE
To maintain his impeccable technique, Kessel dedicated an enormous amount of time to practice. To keep in musical shape, his day-to-day practice regimen also included exercises written for the clarinet, violin and piano.
“He practiced 5 hours a day…religiously. He told me more than once that he never missed in his lifetime, until he became ill, more than 17 days of practice in his whole life. I believe it having known him. I don’t know how he remembers that, but I believe it.” Classic Jazz Guitar - Articles
I feel like such a lazy punk!
__________________ "I can not overemphasize how important it is to sing what you play or play what you are singing. You do not have to be a singer. You don't have to sing loudly, or even above your breath. Scatting, as this is sometimes called, directly improves your ability to play what you heard, which in turn sounds less like someone playing memorized patterns." Herb Ellis | 
03-04-2011, 02:50 PM
|  | | | Join Date: Aug 2008
Posts: 677
| | Kudos to Kessel!
You can only do that if you really love what you are doing and that is a gift from God, to love what you do.
Regarding clarinet books they are good. I have this one and there are some really good exercises in it. 
__________________ "As for me, all I know is that I know nothing." - Socrates | 
03-04-2011, 04:51 PM
|  | | | Join Date: May 2010 Location: Altered State
Posts: 727
| | One of the good things about clarinent, trumpet, violin, etc books is the exercise besides being technical are musical too. So you are practicing playing music not some mechanial finger wiggle like so many guitarist do.
I so happy I got to see Barney Kessel play it was a great night.
__________________ If people knew how hard I worked to gain my mastery,
it wouldn't seem so wonderful. ~ Michelangelo | 
03-04-2011, 05:24 PM
|  | | | Join Date: Nov 2008 Location: Greenacres, FL
Posts: 767
| | So, guys, what sort of exercises are in clarinet books???
__________________ "I can not overemphasize how important it is to sing what you play or play what you are singing. You do not have to be a singer. You don't have to sing loudly, or even above your breath. Scatting, as this is sometimes called, directly improves your ability to play what you heard, which in turn sounds less like someone playing memorized patterns." Herb Ellis | 
03-04-2011, 05:31 PM
|  | | | Join Date: Jun 2010 Location: East Of The Sun And North Of The Bronx
Posts: 1,049
| | Quote:
Originally Posted by Drumbler Kudos to Kessel!
You can only do that if you really love what you are doing and that is a gift from God, to love what you do.
Regarding clarinet books they are good. I have this one and there are some really good exercises in it.  | Man, I remember that terror from schooldays; clarinet was my first instrument and that was my first music book.
I didn't care for it then but now I wish I still had it!
__________________ Barney Kessel was asked, “What’s the hardest thing about studio work?” He replied, “Finding a parking place.” "I don't know what other people are doing - I just know about me."- Thelonious Monk | 
03-04-2011, 08:33 PM
| | | | Join Date: Oct 2008 Location: Poconos,Pennsylvania
Posts: 1,617
| | the wolfhardt violin study books are also great..
time on the instrument...pierre | 
03-05-2011, 12:12 AM
|  | | | Join Date: Sep 2008 Location: Shelbyville, Kentucky
Posts: 1,704
| | What an incredible article. Barney will always be my biggest influence. | 
03-05-2011, 01:55 AM
| | | | Join Date: Apr 2010
Posts: 47
| | The above mentioned article on Barney Kessel was the best article on a jazz guitarist I"ve read in years. | 
03-05-2011, 03:12 AM
|  | | | Join Date: Jun 2010
Posts: 356
| | Dang, that was awsome & inspiring. I've always like Barney's music, but what a guy, you know?
__________________ "...there are people out there violating the marijuana laws. Musicians. And I don't mean good musicians; I mean jazz musicians." -Harold Anslinger testifying before a Senate Committee in 1948 | 
03-05-2011, 05:54 AM
|  | | | Join Date: Aug 2008
Posts: 677
| | Quote:
Originally Posted by paynow Man, I remember that terror from schooldays; clarinet was my first instrument and that was my first music book.
I didn't care for it then but now I wish I still had it! | That's funny. It would have scared me as a kid for sure!
You can still get this book and the revised version of it.
I got mine at a library used book sale for like a $1. It's from the 1950's.
__________________ "As for me, all I know is that I know nothing." - Socrates
Last edited by Drumbler : 03-05-2011 at 06:03 AM.
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03-05-2011, 06:02 AM
|  | | | Join Date: Aug 2008
Posts: 677
| | Quote:
Originally Posted by markerhodes So, guys, what sort of exercises are in clarinet books??? | Well, it's all single line stuff on the treble clef.
Scalar patterns, string skipping, chromatics etc.
Really good for sight reading practice
The old timers used them most likely because of the single line nature and availability.
Here's an example although not from my book: 
and 
__________________ "As for me, all I know is that I know nothing." - Socrates | 
03-05-2011, 09:00 AM
|  | | | Join Date: May 2010 Location: Altered State
Posts: 727
| | Quote:
Originally Posted by markerhodes So, guys, what sort of exercises are in clarinet books??? | As I heard it talked about once the guitar is the youngest of the instruments and especially electric guitar so the teaching materials haven't evolved, matured over 100's of years like other instruments. Other instruments there is foundation that is typically taught first and graded levels of music for the student to work through. So using other instruments books is a way to piggy-back on the foundation materials of other instruments.
__________________ If people knew how hard I worked to gain my mastery,
it wouldn't seem so wonderful. ~ Michelangelo
Last edited by docbop : 03-05-2011 at 09:16 AM.
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03-05-2011, 02:19 PM
| | | | Join Date: Nov 2008 Location: wpg man can
Posts: 744
| | i do mean thirty five thousand. | 
03-05-2011, 02:21 PM
| | | | Join Date: Nov 2008 Location: wpg man can
Posts: 744
| | p.s.
in that style of playing, Barney played with the most swing of any of them. and he went for it, and played stuff that he sometimes didn't make, but always swinging, and melodic.
my favourite player by far, in that style/era. | 
03-05-2011, 04:37 PM
|  | | | Join Date: Jun 2010
Posts: 356
| | I've often thought that if I could figure out what barney was doing in this vid at 3:30 my life would be complete. It may be some rudimentary movement, but he makes it swing so perfectly: YouTube - Barney Kessel blues
__________________ "...there are people out there violating the marijuana laws. Musicians. And I don't mean good musicians; I mean jazz musicians." -Harold Anslinger testifying before a Senate Committee in 1948 | 
03-06-2011, 08:32 AM
| | | | Join Date: Nov 2008 Location: wpg man can
Posts: 744
| | Quote:
Originally Posted by Dark Star I've often thought that if I could figure out what barney was doing in this vid at 3:30 my life would be complete. It may be some rudimentary movement, but he makes it swing so perfectly: YouTube - Barney Kessel blues |
fantastic music, thanks. | 
03-06-2011, 08:47 AM
|  | | | Join Date: Mar 2009 Location: Boston - Metro West
Posts: 1,210
| | Great posts - thanks! | 
03-07-2011, 12:56 PM
| | | | Join Date: Apr 2009 Location: KC
Posts: 405
| | I've got a buddy who plays banjo and we were talking about practice methods. A book he has (I can't remember the title/author) had a role pattern in it that said do it 1,000 times.
It makes sense to me because I have read somewhere that mastery is 10,000 hours of experience. So, I guess Barney was a master nine times over.
~DB | 
03-07-2011, 01:12 PM
|  | | | Join Date: Nov 2008 Location: Greenacres, FL
Posts: 767
| | Quote:
Originally Posted by lindydanny It makes sense to me because I have read somewhere that mastery is 10,000 hours of experience. So, I guess Barney was a master nine times over. | I'm glad you mentioned this. (Some) psychologists talk about the "10,000 hour rule," that being the amount of time it takes to master a complex skill (-certainly playing a musical instrument would qualify.) Malcolm Gladwell talked about this in his book "Outlers" and used The Beatles as an example. He talked about how much they played in Hamburg strip clubs (-8-hour shifts) and thought this was a great example of the 10,000 rule in action. But he was WRONG. The Beatles were great *songwriters* which is not the same thing as live performers. (I don't know that they've ever been rated among rock's great live bands.)
But back to this discussion... I think 10,000 hours is a good rule of thumb but it isn't just the time spent. Look at the people who have golfed for 20-30 years without much improvement. Closer to home, some guitarists plunk away for decades without getting better. (And that's FINE if that is what you want to do.) To get better--to get really good--you have to want to and you have to work at it long and hard. Then if you get good---rather, however good you get---you have to work to keep it! I had a guitar teacher who liked to say, "You're either getting better or you're getting worse; there's no such thing as staying the same."
__________________ "I can not overemphasize how important it is to sing what you play or play what you are singing. You do not have to be a singer. You don't have to sing loudly, or even above your breath. Scatting, as this is sometimes called, directly improves your ability to play what you heard, which in turn sounds less like someone playing memorized patterns." Herb Ellis | 
03-07-2011, 01:28 PM
|  | | | Join Date: Aug 2008
Posts: 677
| | I don't think 1000 times is enough.
__________________ "As for me, all I know is that I know nothing." - Socrates | 
03-07-2011, 02:29 PM
| | | | Join Date: Nov 2008 Location: wpg man can
Posts: 744
| | Quote: |
To get better--to get really good--you have to want to and you have to work at it long and hard.
| I find it really helps to record some of my live playing, at a gig, and listen to it. It can be a real wake up.
something that seems great, feels great, later might not sound so good.
I think some players record all or parts of all of their gigs, to listen to later. | 
03-07-2011, 03:49 PM
| | | | Join Date: Dec 2007
Posts: 62
| | I think the 10,000 rule does specify that the time spent on practice must be focused, disciplined, and approached with passion. | 
03-07-2011, 03:55 PM
|  | | | Join Date: Nov 2008 Location: Greenacres, FL
Posts: 767
| | Quote:
Originally Posted by jazzbender I think the 10,000 rule does specify that the time spent on practice must be focused, disciplined, and approached with passion. | Yeah, I think that psychologists assume that, but when the phrase gets picked up and used by others, it isn't always understood. Gladwell, for instance, thought the 10,000 hours the Beatles spent on stage explained their *records*.
__________________ "I can not overemphasize how important it is to sing what you play or play what you are singing. You do not have to be a singer. You don't have to sing loudly, or even above your breath. Scatting, as this is sometimes called, directly improves your ability to play what you heard, which in turn sounds less like someone playing memorized patterns." Herb Ellis | 
03-07-2011, 09:21 PM
| | | | Join Date: Mar 2010
Posts: 1,331
| | Quote:
Originally Posted by Dark Star I've often thought that if I could figure out what barney was doing in this vid at 3:30 my life would be complete. It may be some rudimentary movement, but he makes it swing so perfectly: YouTube - Barney Kessel blues |
sweet.
at 3:30 is one of the "easier" parts of his solo here. nice chords though.
the super fast stuff with the sweep picking always bothered me a bit. why? can't hear it very well because the volume falls off too much. too fast for his own good on those sections. its the only problem i ever had with his playing - as listener that is. and as he got older that particular part of his playing became even more difficult to execute. no surprise, he was only human.
when was this vid made? he was in great form then. thanks big time for the post. | 
03-07-2011, 09:39 PM
|  | | | Join Date: Jun 2010
Posts: 356
| | Judging from the lapels I'd say 1973 (lol)
Seriously, I think I read somewhere that this is from '73.
__________________ "...there are people out there violating the marijuana laws. Musicians. And I don't mean good musicians; I mean jazz musicians." -Harold Anslinger testifying before a Senate Committee in 1948 | 
03-08-2011, 02:14 AM
| | | | Join Date: Jan 2011
Posts: 81
| | I'm with fumblefingers, that fast sweep picking is what I care about least in his playing, but I just love Barney too much to really mind about it. Interestingly though, you don't hear him doing that really on the recordings, and I mean the classic Barney stuff on Contemporary and Rerprise albums. | 
03-08-2011, 07:42 AM
| | | | Join Date: Apr 2009 Location: KC
Posts: 405
| | I totally agree with focused study versus just playing. I would have gone into that when I posted earlier, but I was at work and got a rush of phone calls.
I'm one of those people who has probably hit at least the half way mark in terms of time playing, but I'm not halfway to being a master. Specifically this is because it wasn't until very recently that I even started trying to focus on what it is that I was doing when I played. Now when I practice, I practice. And there is a definite difference between practice, rehearsal, and playing for me.
My average for the last year has been about an hour of focused practice a day. Usually I practice in 1 1/2 hour to 2 hour settings but I've missed a few days here and there during the year. So, for this last year (which is my most consistent so far) I'm at 365 hours (I started to focus at the beginning of lent last year). Only 9,635 to go!
~DB | 
03-08-2011, 08:48 AM
|  | Moderator | | Join Date: Apr 2007 Location: chicago, IL
Posts: 5,985
| | Funny, I always thought Barney's playing was kinda sloppy at times.
More than made up for it in note choice, swing, and soul. But I guess one of the things I found most endearing about his playing was that he sounded human! | 
03-08-2011, 09:15 AM
|  | | | Join Date: Nov 2008 Location: Greenacres, FL
Posts: 767
| | Quote:
Originally Posted by mr. beaumont Funny, I always thought Barney's playing was kinda sloppy at times.] | It was, and sometimes harsh. As someone mentioned above, Kessell "went for it". He pushed himself. Played the ideas that came to him even if they were beyond him (-in the moment). But that said, he could do all sorts of things on the guitar with aplomb. His chord melody chops were fantastic, his swing and taste were world class, and he could 'tear it up' too---all in the same tune!
__________________ "I can not overemphasize how important it is to sing what you play or play what you are singing. You do not have to be a singer. You don't have to sing loudly, or even above your breath. Scatting, as this is sometimes called, directly improves your ability to play what you heard, which in turn sounds less like someone playing memorized patterns." Herb Ellis | | Thread Tools | | | | Display Modes | Linear Mode |
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