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  #31  
Old 03-08-2011, 09:24 AM
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Originally Posted by lindydanny View Post
I totally agree with focused study versus just playing.
I set goals for each week and track them daily. I don't always reach them, so they might carry over for a week (or a month or more; some things are harder to learn than others.) But I also set aside "play" time--whatever song comes to mind, a song of my own, something cool and fun, or just farting around. I don't want to make it seem like a job.

It's great to see the improvement. And also important to realize that some things can be improved quickly but others take more time. One thing keeping track does is let you know how long it takes you to learn things. For example, it takes me a long time to get an arpeggio study (-ATTYA, Just Friends, Autumn Leaves) under my fingers. I *thought* they would come more quickly than they do. Conversely, walking bass line comps come much more easily than I thought they would. Some tunes are easily absorbed but others keep me fumbling for what seems like ages. But as I look back, I gain insights and have a better sense of how to set goals for myself.
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"I can not overemphasize how important it is to sing what you play or play what you are singing. You do not have to be a singer. You don't have to sing loudly, or even above your breath. Scatting, as this is sometimes called, directly improves your ability to play what you heard, which in turn sounds less like someone playing memorized patterns."
Herb Ellis
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  #32  
Old 03-10-2011, 04:37 PM
 
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Originally Posted by markerhodes View Post
It was, and sometimes harsh. As someone mentioned above, Kessell "went for it". He pushed himself. Played the ideas that came to him even if they were beyond him (-in the moment). But that said, he could do all sorts of things on the guitar with aplomb. His chord melody chops were fantastic, his swing and taste were world class, and he could 'tear it up' too---all in the same tune!
100 percent agree.

Barney Kessell as a sideman ......

I just got "Anita O'day sings for Oscar" which also has Anita O'day with the Buddy Bregman big band.

there are twenty or so tracks, and Barney is on all of them. lots of guitar featured on this album.

outstanding album in every way. (Anita O'Day..... really like her.)
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  #33  
Old 03-10-2011, 04:44 PM
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Originally Posted by mr. beaumont View Post
Funny, I always thought Barney's playing was kinda sloppy at times.

More than made up for it in note choice, swing, and soul. But I guess one of the things I found most endearing about his playing was that he sounded human!
Yes, I agree w/all that. In that vid I posted, for example, there are moments when it seems like he is desparate to get out a phrase, even though he might not make it, as if the thought occurred to him at that very moment & he was afraid that if he didn't play it it would somehow be lost forever. At least I like to imagine it that way!
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  #34  
Old 03-10-2011, 11:23 PM
 
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I only saw Barney once live: he was part of a guitar concert series in Pittsburgh in the early '90's. He came out on the stage with a bassist and drummer, and he had a blond Gibson of some sorts (looked like an es150) with a Charlie Christian pickup in it. As soon as he sat down on a bar stool kind of thing, he pointed to the band to say "hit it", and immediately started tearing up some heavy be-bop! Man, he could still rip! Though he practiced like mad, I remember making a lighthearted comment about how he should have practiced more (he was talking about something specific, though I don't remember what) instead of skipping lessons to shoot pool! Barney will always be one of my all time favorites.

Jazzola
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  #35  
Old 03-11-2011, 06:55 AM
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Originally Posted by markf View Post
I just got "Anita O'day sings for Oscar" which also has Anita O'day with the Buddy Bregman big band.

there are twenty or so tracks, and Barney is on all of them. lots of guitar featured on this album.

outstanding album in every way. (Anita O'Day..... really like her.)
I'd love to hear that. Anita was a great singer. Her "Honeysuckle Rose" is my favorite, and "Let Me Off Uptown" is killer.
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"I can not overemphasize how important it is to sing what you play or play what you are singing. You do not have to be a singer. You don't have to sing loudly, or even above your breath. Scatting, as this is sometimes called, directly improves your ability to play what you heard, which in turn sounds less like someone playing memorized patterns."
Herb Ellis
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  #36  
Old 03-11-2011, 08:00 AM
 
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Originally Posted by markerhodes View Post
I'd love to hear that. Anita was a great singer. Her "Honeysuckle Rose" is my favorite, and "Let Me Off Uptown" is killer.
I guess she's one of my favourite three or four singers.

sorry it's herb ellis on the oscar peterson accompanied tracks, there's eleven of those.

there are 24 tracks, Barney is on the rest

it is an amazing album, best sixteen bucks you will spend. It's on a label called "Poll Winners Records" album 27231.

it includes what was originally "Anita O'day sings the most" and "Pick yourself up with Anita O'Day"

absolutely outstanding music.
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  #37  
Old 03-11-2011, 01:03 PM
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Originally Posted by markf View Post
I guess she's one of my favourite three or four singers.

sorry it's herb ellis on the oscar peterson accompanied tracks, there's eleven of those.
That's even better for me; I prefer Herb to Barney!
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"I can not overemphasize how important it is to sing what you play or play what you are singing. You do not have to be a singer. You don't have to sing loudly, or even above your breath. Scatting, as this is sometimes called, directly improves your ability to play what you heard, which in turn sounds less like someone playing memorized patterns."
Herb Ellis
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  #38  
Old 03-11-2011, 05:39 PM
 
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Originally Posted by Dark Star View Post
I've often thought that if I could figure out what barney was doing in this vid at 3:30 my life would be complete. It may be some rudimentary movement, but he makes it swing so perfectly:
YouTube - Barney Kessel blues
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