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  #31  
Old 12-01-2010, 07:22 AM
 
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Originally Posted by max_power View Post
I may be mistaken, but I can't think of anyone who has had a profound impact on the jazz scene as a whole since that era. There have certainly been influential musicians since then, but not to the same extent that guys like Coltrane, Miles, Bird etc had.
that's my first thought too. but since 1965 we also have:

Herbie and Chick,
Wayne S and Michael B,
Jaco and Stanley C,
Billy Cobham,
and on guitar - Wes, George, John, and Pat.
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  #32  
Old 12-01-2010, 08:32 AM
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Gosh folks, Miles continued to be influential long after Trane died, so it's not like Trane was the last great influence of jazz 50 years ago. Miles is still influencing us through all his ex-sidemen. Shorter, Herbie, DeJohnette, Holland, Chick, Liebman, Scofield, etc. Shorter is considered by many to be jazz's greatest composer. Weather Report is considered one of the greatest bands in the history of jazz, so Shorter's influence has been very strong. Remember that skinny electric bassist who used to work for him?
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  #33  
Old 12-01-2010, 08:47 AM
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I say these three:

Louie Armstrong

Miles Davis

Wes Montgomery

BTW Wes' influence can be heard on smooth or contemporary jazz stations on a daily basis. He is still huge for influencing what most non-musicians think is Jazz.

I could include the charlies, e.g., Parker and Christian, but bop and swing are not really played anymore. Both tragically died before their influence could gather momentum. Miles is included because he was modal before Coltrane, and he stretched pop music and hip-hop before he died.

Louis Armstrong was huge because had the biggest sound and personality. He almost single handedly pushed jazz on the world music stage.
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  #34  
Old 12-01-2010, 06:00 PM
 
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Originally Posted by qblue View Post
I say these three:

Louie Armstrong

Miles Davis

Wes Montgomery

BTW Wes' influence can be heard on smooth or contemporary jazz stations on a daily basis. He is still huge for influencing what most non-musicians think is Jazz.

I could include the charlies, e.g., Parker and Christian, but bop and swing are not really played anymore. Both tragically died before their influence could gather momentum. Miles is included because he was modal before Coltrane, and he stretched pop music and hip-hop before he died.

Louis Armstrong was huge because had the biggest sound and personality. He almost single handedly pushed jazz on the world music stage.

sure but Charlie influenced Wes, and "every other electric guitarist since - whether they know it or not" (Kessel). so....

also, smooth jazz almost died recently. i don't rermenver the details but there was a large radio cancellation. it affected Ritenour and all the other smoothies.

and, some would say it ain't really jazz. some would say it doesn't matter because it's crap, and that if smooth was ALL that Wes had done he would not have become the historical player that he is.

some would say, but not me as far as you know.
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  #35  
Old 12-02-2010, 09:21 AM
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louis armstrong
charlie parker
billie holiday
miles davis
thelonious monk
chet baker
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  #36  
Old 12-02-2010, 01:26 PM
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Originally Posted by derek View Post
Most influencial? That is an easy one imo. Louie Armstrong is by far the most influencial jazz musician to ever live. I don't think it is debatable.
Yep, and a great influence for use of the green leaf. Smoke it up!
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  #37  
Old 12-03-2010, 04:40 AM
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CHARLIE CHRISTIAN (for guitarists).

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  #38  
Old 12-03-2010, 08:30 AM
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Originally Posted by fumblefingers View Post
sure but Charlie influenced Wes, and "every other electric guitarist since - whether they know it or not" (Kessel). so....

also, smooth jazz almost died recently. i don't rermenver the details but there was a large radio cancellation. it affected Ritenour and all the other smoothies.

and, some would say it ain't really jazz. some would say it doesn't matter because it's crap, and that if smooth was ALL that Wes had done he would not have become the historical player that he is.

some would say, but not me as far as you know.
I don't think smooth jazz will never die. It will probably get more pop oriented, which ain't all bad; at least musicians will be able to get paid and keep a roof over their heads. As many elevators and grocery stores as we have in this society, it can't be a bad thing.

But what's up with smooth jazz radio cancellation? What does that mean?
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  #39  
Old 12-03-2010, 09:09 AM
 
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Originally Posted by qblue View Post
I don't think smooth jazz will never die. It will probably get more pop oriented, which ain't all bad; at least musicians will be able to get paid and keep a roof over their heads. As many elevators and grocery stores as we have in this society, it can't be a bad thing.

But what's up with smooth jazz radio cancellation? What does that mean?

there was something in the press at least a year ago about a major smooth jazz radio station/stations deciding to fold or re-program. something like that.

i think that they still have something on Sirius and XM though. i never listen so am not sure.
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  #40  
Old 12-03-2010, 10:12 AM
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Quote:
Originally Posted by qblue View Post
I don't think smooth jazz will never die. It will probably get more pop oriented, which ain't all bad; at least musicians will be able to get paid and keep a roof over their heads. As many elevators and grocery stores as we have in this society, it can't be a bad thing.

But what's up with smooth jazz radio cancellation? What does that mean?
The only problem I have with smooth jazz is the misappropriation of the word jazz. It ain't jazz. It is instrumental pop. When I was a kid, it was called adult contemporary, or easy listening. I just don't care for the watering down of the term jazz. There is plenty of good musicians playing it, and plenty of fine work in the genre.
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  #41  
Old 12-03-2010, 11:58 AM
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Originally Posted by affseofl2654 View Post
You'd think jazz was invented by Coleman Hawkins or Charlie Parker. What about this lot for 'influential'?:
This is from an earlier post of mine. Copying and pasting like this is a spam technique, therefore this is spam.
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  #42  
Old 12-03-2010, 12:44 PM
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Originally Posted by derek View Post
The only problem I have with smooth jazz is the misappropriation of the word jazz. It ain't jazz. It is instrumental pop. When I was a kid, it was called adult contemporary, or easy listening. I just don't care for the watering down of the term jazz. There is plenty of good musicians playing it, and plenty of fine work in the genre.
Right on, brother. ABBA is not jazz.

And Santana and Zappa are not jazz either. How many times does someone post that they play jazz?

No. Just because someone uses a Dominant chord does not mean it's jazz. And just because someone improvises does not make it jazz.

Sorry, got to go. I'm having a late lunch with Wynton.

Last edited by Drumbler : 12-03-2010 at 01:12 PM.
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  #43  
Old 12-03-2010, 06:01 PM
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Originally Posted by Drumbler View Post
...Santana and Zappa are not jazz either...
Quite right. Zappa is far more than simply jazz; to imply otherwise would be denigration, imho...
Quote:
Jazz is not dead, it just smells funny
F. Zappa
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  #44  
Old 02-28-2011, 05:59 PM
 
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Bill Evans, John Coltrane
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  #45  
Old 02-28-2011, 07:37 PM
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I'll go with Louis Armstrong. It's amazing how fresh his playing still sounds. It seems less dated that Parker's (-and I love Charlie Parker, so I'm not taking a swipe.)

Here's one of my all-time favorite recordings, Louis and Bing singing "Gone Fishin'." (No trumpet, just singing.)

YouTube - ‪Gone Fishin' - Louis Armstrong & Bing Crosby‬‏

And the unofficial theme song of New Orleans Saints....
YouTube - ‪Louis Armstrong - When The Saints Go Marching In‬‏
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Herb Ellis
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  #46  
Old 02-28-2011, 08:36 PM
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Louis Armstrong.

After moving to Chicago, Armstrong stepped away from the ensemble style playing of New Orleans and introduced the concept of the jazz musician as a soloist who developed a solo over multiple choruses of a song.

With the recordings of the Hot Fives and Sevens, Louis Armstrong left behind the dotted eighth/sixteen rhythms of ragtime and began to play with the triplet based rhythms that eventually became known as swing.

As a vocalist, he influenced every pop and jazz singer, male and female, for over three decades.
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