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11-24-2008, 09:32 PM
| | | | Join Date: Nov 2008
Posts: 1
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wow!! i like the all lessons, using too in my mandolin studies!
Great lessons!! |
02-03-2009, 05:34 AM
|  | | | Join Date: Nov 2008
Posts: 7
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thanks a lot for your site and your lessons - I'm looking forward every week for it.
golan |
04-02-2009, 01:34 AM
|  | | | Join Date: Mar 2008
Posts: 234
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got an email pointing me to this lesson today. all i got to say is, wow! i needed all this info....thanks! |
07-09-2009, 10:06 PM
|  | | | Join Date: Nov 2008
Posts: 404
| |  not so strict
I think it relieves the scale patterns that you depend on and gives a alternative that is new and fresh. good time a coming |
08-23-2009, 04:42 PM
|  | | | Join Date: Apr 2009 Location: PR
Posts: 138
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Great lesson! here's another idea I got from a Joe Pass video lesson. He says that if you get tired of scales you can use a chord sub. and run a scale from its root but ending on one of the melodic extensions or alterations of the sub. chord... for example, if you substitute Dm7 by Fmaj7-9, you can run F lydian starting from F(root) but ending on Gb (9b). This will reinforce the chord sound but applied as a scale. Also note that In II-V-I the 9b will resolve to G (the V). |
02-25-2010, 12:15 AM
|  | | | Join Date: Sep 2009
Posts: 7
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by adding audio examples helps many musician to get the rithmic of the solos.. especially for tab readers.. like me.. 
thx bro! |
02-25-2010, 05:00 PM
| | | | Join Date: Nov 2008
Posts: 404
| | agree
Yes the audio has helped alot.The lesson with the backing track makes it much more fun to play guitar also learning is enhanced. |
04-02-2010, 01:22 PM
| | | | Join Date: Apr 2010
Posts: 3
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Estou começando agora aprender jazz , se voces poder passar o inicio de jazz ficaria grato!!!!!Agora estou no melhor site do mundo |
06-05-2010, 10:06 PM
| | | | Join Date: Nov 2008
Posts: 404
| |  hi India
sharp 11 is a f# so if you used that chord in the key of C you would be in lydian mode which is the key of G also called Gandhari raga Aleik.
Last edited by 604bourne123 : 06-05-2010 at 10:13 PM.
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06-06-2010, 06:37 PM
| | | | Join Date: Dec 2007 Location: Roosendaal, The Netherlands
Posts: 45
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That would mean we switched to the key of G major, sure! You can also look at it as exchanging a minor chord for a dominant chord. The only difference would be the third, so don't emphasize that tone! I'd use a G major 7th in order to create a #11 sound, but your way works fine, just beware of the 3rd. Cheers! |
06-09-2010, 03:58 PM
| | | | Join Date: Apr 2009 Location: PR
Posts: 138
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Quote:
Originally Posted by AleikhBaba  could you explain this statement a lil' more in the current context. thanks! | Dominant chords over minor chords is a common substitution, the only difference between both is a major third versus a minor third respectively (in case of dominant 7ths). A minor chord could be substituted for any kind of dominant chord Dom7th,9th,11th,... Joe Pass used this substitution a lot in his changes. |
02-23-2011, 11:11 AM
|  | | | Join Date: Jan 2011 Location: Denmark
Posts: 29
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What an awesome lesson!! Everything is described very well and very easily understandable... I wish I could remember the entire lesson and all 14 ways, when I have to improvise (hopefully I will be able to do that someday)! I found the lesson really usefull, thank you very much |
06-18-2011, 05:18 PM
| | | | Join Date: Nov 2008 Location: wpg man can
Posts: 661
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good lesson thanks. | | Thread Tools | | | | Display Modes |  Linear Mode | 
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