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06-28-2008, 04:52 PM
| | | | Join Date: Jun 2008
Posts: 3
| | Thanks for posting the great lesson. Very nice. I cannot finger that Em7b5 chord as written - big reach for me. Can't seem to find another Em7b5 voicing that works into the solo melody yet. | 
06-29-2008, 05:41 AM
|  | | | Join Date: Feb 2008 Location: VA
Posts: 515
| | 5
3
3
2
x
0
you don't really have to play that low E but it helps. | 
06-29-2008, 06:25 AM
| | | | Join Date: Jun 2008
Posts: 3
| | I can't come close to reaching that one. I've been trying this one:
x
10
10
9
x
10
but it sure doesn't sound as good. Still working at it - that's part of the fun.
Thanks. | 
06-29-2008, 01:09 PM
|  | | | Join Date: Feb 2008 Location: VA
Posts: 515
| | one thing to try is a Gmin voicing with the A on top and then just add the open E in the bass. Gmin contains all the notes of the Emin7b5 except for the E. (E) G Bb D. So maybe...
5
3
3
5
x
0
or maybe this one
x
10
7
8
7
that's a bit of a doozy though. Might I ask how you're fingering the original voicing that I mentioned above?
Last edited by DMatthewsBand07 : 06-29-2008 at 01:12 PM.
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07-05-2008, 05:09 PM
| | | | Join Date: Jun 2008
Posts: 3
| | I was trying...
5 - 4th finger
3 - 1st finger bar
3 - 1st finger bar
5 - 3rd finger
x - mute with tip of 3rd finger
0
I can reach it if hold the neck almost vertical (like a stand-up bass). In normal playing position I cannot nail it cleanly. But I'll keep at it. Got any good ideas for improving one's ability to spread their fingers out? I envy those who can effortlessly span 4 frets at the nut end. | 
07-05-2008, 09:05 PM
|  | | | Join Date: Feb 2008 Location: VA
Posts: 515
| | Just play lots of chords. Also, for that voicing you were just talking about try hybrid picking (bass with your pick, treble with your fingers and avoid that A string altogether. Might make it easier.) | 
07-18-2008, 07:45 PM
| | | | Join Date: Mar 2008
Posts: 63
| | So are you actually picking with your pinkie too when you go hybrid? That seems so weird to me but sounds really good. | 
09-02-2008, 10:51 PM
| | | | Join Date: Sep 2008
Posts: 7
| | Could dirkji or somebody send me the J SONCE.STY file for Band in a Box? That would be great thanks. | 
09-03-2008, 02:55 AM
| | | | Join Date: Dec 2007
Posts: 678
| | 'And the reason the chord was Bdim7 was because it was the viidim7 chord of Cm7, which is the next chord in the tune, kind of a dominant chord in Cm'.
Matt, it was Bbdim7 not Bdim7th, so the relationship to Cm is not v i. Or did i miss something?
Mike | 
09-03-2008, 08:26 AM
|  | | | Join Date: Feb 2008 Location: Manchester, UK
Posts: 3,837
| | I just reread my post and that was a typo, I just took that sentence out of the post so it now makes sense.
Mw | 
09-03-2008, 08:41 AM
| | | | Join Date: Dec 2007
Posts: 678
| | Always glad to help. | 
09-03-2008, 08:53 AM
|  | | | Join Date: Feb 2008 Location: Manchester, UK
Posts: 3,837
| | That's the cool thing about having so many people visiting this site, is that no one can get away with typo's or mistakes!
Thanks again!
MW | 
09-05-2008, 01:44 AM
|  | | | Join Date: Aug 2008 Location: Edinburgh, UK
Posts: 106
| | Quote:
Originally Posted by Ben Could dirkji or somebody send me the J SONCE.STY file for Band in a Box? That would be great thanks. | Very cool lesson, many thanks. I'm also interested in the J SONCE.STY - my BiaB chooses JAZZ.STY, which is not too bad I guess
Per | 
11-16-2008, 10:15 AM
|  | | | Join Date: Nov 2008
Posts: 6
| | what does it mean on bar 17 was do the marks mean after the chord  | 
11-16-2008, 11:41 AM
|  | | | Join Date: Feb 2008 Location: Manchester, UK
Posts: 3,837
| | The squiggly line with the arrow means to strum the chord from the lowest note to the highest note.
MW | 
11-16-2008, 12:33 PM
|  | | | Join Date: Nov 2008
Posts: 6
| | Thankyou  | 
12-21-2008, 07:42 PM
|  | | | Join Date: Apr 2007
Posts: 12
| | Question for you, Dirk. I know you're on vacation but hopefully you'll answer when you return.
As far as the nails on your picking hand, do you tend to keep your nails short or do you grow them out a bit so the notes don't sound so muted?
Merry Christmas.  | 
12-22-2008, 06:15 AM
| | | | Join Date: Oct 2008 Location: Poconos,Pennsylvania
Posts: 1,617
| | maybe
3
3
3
2
x
x
or
6
5
3
5
x
x
time on the instrument........pierre | 
08-26-2009, 04:53 AM
| | | | Join Date: Jul 2009
Posts: 1
| | Hi Dirk,
Thank you for this video. I love it and it's very helpful. I still have a question though. You play the cords without the basses as this is obviously played by the bass player. I wondered wether you retain the fingering for the rest of the cord, I wasn't able to make that out completely from the video. Or do you place your fingers for the cords as is most practical with respect to the cord that follows? | 
09-28-2009, 09:44 PM
| | | | Join Date: Sep 2009
Posts: 1
| | Give us a little more detail, and someone may be able to help. | 
03-16-2012, 10:19 AM
| | | | Join Date: Sep 2011
Posts: 4
| | Hi Dirk,
l like your presentation of Stllea By Starlight. For someone who is trying to learn the standards and learn how to be a trio leader, dou or accompiament
player. Having the meldoy form recognizible is key for actually learning the tune. l have heard all kinds of version of trying to teach this tune. And if you never heard the original, you would recognize the melody from some of the versions l've heard. So thank you ! Now l feel like l can learn this beautiful song! | | Thread Tools | | | | Display Modes | Linear Mode |
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