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06-21-2011, 07:35 AM
|  | | | Join Date: Aug 2009 Location: Connecticut
Posts: 490
| | Mickey Baker Tunes Hello, and happy first day of summer/winter depending on your hemisphere.
I've asked this before with no results, but here goes again. Several years (and a couple of computers) ago, I had a list of the titles that go along with the exercises in the Mickey Baker book, but lost it when a computer died. I've not run across it again anywhere. Anybody have or know of such a list or am I imagining it?
Brad
__________________ Guitars:
1975 Guild Artist Award
1986 Guild X-170
1975 Guild Mark V
1930s Metro B archtop
2001 Gibson Chet Atkins CE
1995 Epi Howard Roberts Custom
1999 Godin ACS Nylon with synth
??? Giannini 7 string classical | 
06-21-2011, 09:08 AM
|  | | | Join Date: Nov 2008 Location: Greenacres, FL
Posts: 765
| | I've never heard of such a list, though I'd love to find one!
__________________ "I can not overemphasize how important it is to sing what you play or play what you are singing. You do not have to be a singer. You don't have to sing loudly, or even above your breath. Scatting, as this is sometimes called, directly improves your ability to play what you heard, which in turn sounds less like someone playing memorized patterns." Herb Ellis | 
06-22-2011, 01:15 PM
|  | | | Join Date: Apr 2007 Location: Detroit, MI
Posts: 20
| | Which Mickey Baker book? Book one or book two. | 
06-22-2011, 03:29 PM
|  | | | Join Date: Aug 2009 Location: Connecticut
Posts: 490
| | Quote:
Originally Posted by mstevenson Which Mickey Baker book? Book one or book two. | Book one.
__________________ Guitars:
1975 Guild Artist Award
1986 Guild X-170
1975 Guild Mark V
1930s Metro B archtop
2001 Gibson Chet Atkins CE
1995 Epi Howard Roberts Custom
1999 Godin ACS Nylon with synth
??? Giannini 7 string classical | 
06-28-2011, 10:16 AM
|  | | | Join Date: Apr 2007 Location: Detroit, MI
Posts: 20
| | Sorry it has been awhile since your last post. Okay; I'm checking thru Mickey Baker's Complete Course in Jazz Guitar, book one:
The only song that I see referenced is "Dark Eyes". I hope this helps. | 
06-28-2011, 11:46 AM
|  | | | Join Date: Aug 2009 Location: Connecticut
Posts: 490
| | Quote:
Originally Posted by mstevenson The only song that I see referenced is "Dark Eyes". I hope this helps. | Maybe I wasn't clear in my post. Once upon a dimly lit past, I had a list that showed what actual song many of the ones in the Mickey Baker book were taken from. As most of us probably know, you can't copyright chord changes, so supposedly Mickey Baker took the changes from standard tunes and renamed them so there would be no copyright problems. The list I had showed the title from Baker with the corresponding standard title.
Brad
__________________ Guitars:
1975 Guild Artist Award
1986 Guild X-170
1975 Guild Mark V
1930s Metro B archtop
2001 Gibson Chet Atkins CE
1995 Epi Howard Roberts Custom
1999 Godin ACS Nylon with synth
??? Giannini 7 string classical | 
06-28-2011, 12:46 PM
|  | | | Join Date: Nov 2008 Location: Greenacres, FL
Posts: 765
| | Quote:
Originally Posted by brad4d8 Maybe I wasn't clear in my post. Once upon a dimly lit past, I had a list that showed what actual song many of the ones in the Mickey Baker book were taken from. As most of us probably know, you can't copyright chord changes, so supposedly Mickey Baker took the changes from standard tunes and renamed them so there would be no copyright problems. The list I had showed the title from Baker with the corresponding standard title. | I thought your original post was perfectly clear, Brad, though I've never seen such a list. There *is* a sight about working through Mickey's Book (vol 1) and the moderator sometimes posts here. (Heck, I *belong* to the group but the name escapes me now. Do a thread search for "Mickey Baker" in the title and you can find it.) I remember mention being made there of one of Mickey's progs being based on "How High The Moon."
__________________ "I can not overemphasize how important it is to sing what you play or play what you are singing. You do not have to be a singer. You don't have to sing loudly, or even above your breath. Scatting, as this is sometimes called, directly improves your ability to play what you heard, which in turn sounds less like someone playing memorized patterns." Herb Ellis | 
06-28-2011, 12:47 PM
|  | | | Join Date: Nov 2008 Location: Greenacres, FL
Posts: 765
| | Ah, here's a link for you: Mickey Baker
__________________ "I can not overemphasize how important it is to sing what you play or play what you are singing. You do not have to be a singer. You don't have to sing loudly, or even above your breath. Scatting, as this is sometimes called, directly improves your ability to play what you heard, which in turn sounds less like someone playing memorized patterns." Herb Ellis | 
06-28-2011, 12:52 PM
|  | | | Join Date: Nov 2008 Location: Greenacres, FL
Posts: 765
| | Just doing a quick scan, I see (--at the link above, which works through Volume I chapter by chapter) mention of "One Note Samba" and "Moon Glow" in connection with Lesson Six.
__________________ "I can not overemphasize how important it is to sing what you play or play what you are singing. You do not have to be a singer. You don't have to sing loudly, or even above your breath. Scatting, as this is sometimes called, directly improves your ability to play what you heard, which in turn sounds less like someone playing memorized patterns." Herb Ellis | 
06-28-2011, 01:05 PM
|  | | | Join Date: Aug 2009 Location: Connecticut
Posts: 490
| | Quote:
Originally Posted by markerhodes | Yes, familiar with the site, just haven't spent a lot of time with it.
Brad
__________________ Guitars:
1975 Guild Artist Award
1986 Guild X-170
1975 Guild Mark V
1930s Metro B archtop
2001 Gibson Chet Atkins CE
1995 Epi Howard Roberts Custom
1999 Godin ACS Nylon with synth
??? Giannini 7 string classical | 
06-28-2011, 03:15 PM
|  | | | Join Date: Nov 2008 Location: Greenacres, FL
Posts: 765
| | Quote:
Originally Posted by brad4d8 Yes, familiar with the site, just haven't spent a lot of time with it.
Brad | I bet if you emailed that guy, he could tell you something about that list. I would be surprised if he doesn't know about it (-providing there is such a list.)
__________________ "I can not overemphasize how important it is to sing what you play or play what you are singing. You do not have to be a singer. You don't have to sing loudly, or even above your breath. Scatting, as this is sometimes called, directly improves your ability to play what you heard, which in turn sounds less like someone playing memorized patterns." Herb Ellis | 
06-28-2011, 03:24 PM
|  | | | Join Date: Aug 2009 Location: Connecticut
Posts: 490
| | Quote:
Originally Posted by markerhodes I bet if you emailed that guy, he could tell you something about that list. I would be surprised if he doesn't know about it (-providing there is such a list.) | Good idea, just did that.
Brad
__________________ Guitars:
1975 Guild Artist Award
1986 Guild X-170
1975 Guild Mark V
1930s Metro B archtop
2001 Gibson Chet Atkins CE
1995 Epi Howard Roberts Custom
1999 Godin ACS Nylon with synth
??? Giannini 7 string classical
Last edited by brad4d8 : 06-28-2011 at 03:30 PM.
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06-28-2011, 06:48 PM
|  | | | Join Date: Nov 2008 Location: Greenacres, FL
Posts: 765
| | Quote:
Originally Posted by brad4d8 Good idea, just did that.
Brad | Please let us know what you find out!
__________________ "I can not overemphasize how important it is to sing what you play or play what you are singing. You do not have to be a singer. You don't have to sing loudly, or even above your breath. Scatting, as this is sometimes called, directly improves your ability to play what you heard, which in turn sounds less like someone playing memorized patterns." Herb Ellis | 
06-28-2011, 08:25 PM
|  | | | Join Date: Aug 2009 Location: Connecticut
Posts: 490
| | Quote:
Originally Posted by markerhodes Please let us know what you find out! | He knows as little as the rest of us. I'm beginning to think I hallucinated the whole thing, and it's probably 40 years since I did any hallucinogen, well for the regular intake of a few beers. 
Brad
PS I'll keep searching, though. Someplace I think I have a couple CDs with old files, of course thinking I do and actually finding them may be as hard as tracking down this elusive list.
__________________ Guitars:
1975 Guild Artist Award
1986 Guild X-170
1975 Guild Mark V
1930s Metro B archtop
2001 Gibson Chet Atkins CE
1995 Epi Howard Roberts Custom
1999 Godin ACS Nylon with synth
??? Giannini 7 string classical | 
06-29-2011, 06:25 AM
|  | | | Join Date: Aug 2008
Posts: 677
| | This topic comes up here from time to time and there is never an answer.
May I suggest looking for similar progressions at Ralph Patt's site: The Tonal Centers Page
__________________ "As for me, all I know is that I know nothing." - Socrates | 
06-29-2011, 06:44 AM
|  | | | Join Date: Aug 2009 Location: Connecticut
Posts: 490
| | Quote:
Originally Posted by Drumbler | Thanks, looks like a good site. I was familiar with his Vanilla Book, but I guess I never explored the site too thoroughly. Maybe if I get ambitious I can match some of the progressions to Baker and post it.
Brad
__________________ Guitars:
1975 Guild Artist Award
1986 Guild X-170
1975 Guild Mark V
1930s Metro B archtop
2001 Gibson Chet Atkins CE
1995 Epi Howard Roberts Custom
1999 Godin ACS Nylon with synth
??? Giannini 7 string classical | 
07-13-2011, 04:01 AM
|  | | | Join Date: Jan 2011
Posts: 687
| | Quote:
Originally Posted by Drumbler This topic comes up here from time to time and there is never an answer.
May I suggest looking for similar progressions at Ralph Patt's site: The Tonal Centers Page |  COOL, Drumbler -- love, love, love this website. Mr. Patt has invested much work into this very useful, educational site. Thanks for the link, buddy.
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