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04-16-2008, 07:23 AM
|  | Administrator | | Join Date: Oct 2006
Posts: 258
| | Jazz Guitar Comping All discussion here is related to this guitar lesson about comping: How to Comp Like a Piano Player | 
04-16-2008, 02:20 PM
| | | | Join Date: Feb 2008
Posts: 742
| | Good lesson, Matt. I take it this technique is only to be used when you have a bass player? I often comp with shell voicings, but include the root in the bass most of the time. I do use this concept when harmonizing melodies for chord melody/solo playing, but when comping I have generally been sticking with fuller voicings. This is more of an approach for those playing in emsembles? | 
04-16-2008, 03:21 PM
|  | | | Join Date: Feb 2008 Location: Manchester, UK
Posts: 3,576
| | Hey Goofsus4,
I acutally love using this technique on solo gigs and playing behind singers or horns in a duo setting. It really opens things up for me, I don't have to think about playing a bassline all the time and I still get the sound of the chord progression sticking out. To me it's more of what a pianist might play in a solo or duo setting. I also like to mix the two up, using 3rds and 7th, and then playing bass lines, then just playing chord grips, or just single lines, or just octaves. It helps to keep things interesting while playing a solo or duo gig.
And it does work great in a trio setting as well. check out any recordings by Lenny Breau, Ed Bickert or Ted Greene to hear how these things sound.
If you go on youtube there's a great clinic with Ted Greene, if you watch you can see that he hardly ever plays the roots in his low notes, it's usually some combination of 3rd or 7th.
MW | 
04-17-2008, 11:25 AM
| | | | Join Date: May 2007 Location: NYC
Posts: 63
| | Thanks for another great lesson Hey Matt,
Thanks again for another well laid out and informative lesson. By the way you completely beat me to the post. I concur, in that this is an excellent method to apply for extra choruses for chord-melody solos.
All the best,
Mike | 
04-17-2008, 11:38 AM
|  | | | Join Date: Feb 2008 Location: Manchester, UK
Posts: 3,576
| | Hey Mike K,
Glad you dug the lesson, and great minds must think a like!
MW | 
04-17-2008, 05:40 PM
| | | | Join Date: May 2007 Location: istanbul
Posts: 34
| | Another related subject worth exploring is adding tensions to the basic 3_7 chord sound. One interesting possibility is to add a tension inside: Example C7 voicings: (Bb-D-E) or (Bb-D#-E) or (E-A-Bb) or (E-F#-Bb) | 
04-17-2008, 05:46 PM
|  | | | Join Date: Feb 2008 Location: Manchester, UK
Posts: 3,576
| | Absolutely, that's the next step after learning the basic 3rd 7th voicings. An easy one is to add one note on top of the 3 and 7. So for C7, E Bb D, or Bb E A.
MW | 
04-22-2008, 03:38 AM
| | | | Join Date: May 2007 Location: Nigeria, Lagos
Posts: 2
| | What is comping all about both on Guitar & Piano | 
04-22-2008, 08:32 AM
|  | | | Join Date: Feb 2008 Location: Manchester, UK
Posts: 3,576
| | Comping is short for "accompanying"(sp?). It is when a piano player or guitar player plays chords behind a soloist or other instrument playing a melody.
It is like the "rhythm" guitar in a pop/rock setting compared to the "lead" guitar, so Ron Wood comps in the Rolling Stones while Keith Richards playes lead.
MW | 
05-14-2008, 02:25 AM
|  | | | Join Date: Mar 2008
Posts: 234
| | Super stretch pinky There are some difficult stretches in this lesson. Am I seeing this correctly, we are to play notes on the 5th and 10th fret simultaneously?  | 
05-14-2008, 09:19 AM
|  | | | Join Date: Feb 2008 Location: Manchester, UK
Posts: 3,576
| | Yeah, those are the lenny stretches, they may seem difficult at first but after a while you get used to them. If the are beyond your reach you can also play the D and Ab on the 6th and 5th strings on the 10th and 11th frets. That will cut down the stretch to nothing at all.
MW | 
05-14-2008, 02:21 PM
|  | | | Join Date: Mar 2008
Posts: 234
| | Ugh, I'm not digging these stretches. But, I found those melody lines one octave down, right near those comping notes....I'm hearing it! I'm sounding like jazz, a first!....cool!
Last edited by Stringbean : 05-14-2008 at 02:33 PM.
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05-14-2008, 03:21 PM
|  | | | Join Date: Feb 2008 Location: Manchester, UK
Posts: 3,576
| | Great! Glad you were able to work out a better fingering for yourself!
MW | 
08-07-2008, 12:04 AM
|  | | | Join Date: Aug 2008 Location: In my strange visions
Posts: 57
| | Nice to learn a new type of comp. Cuz right now all I can play is Freddie Green.
__________________ In the symphony of life, nobody gets a program.
"Even through the darkest days, this fire burns always." - Killswitch Engage
"The door is locked now, but it's open if you're true." -Metallica | 
08-07-2008, 08:18 AM
|  | | | Join Date: Feb 2008 Location: Manchester, UK
Posts: 3,576
| | Yeah JessJazzer, this stuff is really helpfull when playing in a big band because you end up staying out of the harmonic range of the bass and piano most of the time. It also keeps things really simple so the pianist can play is big voicings and not worry about clashing with the guitar.
MW | 
01-08-2009, 10:31 PM
| | | | Join Date: Mar 2008
Posts: 119
| | Thanks for the lesson, always appreciated!
Last edited by keith : 01-08-2009 at 10:38 PM.
Reason: correction
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01-09-2009, 12:44 PM
| | | | Join Date: Oct 2008 Location: Poconos,Pennsylvania
Posts: 1,506
| | Herb Ellis has a nice style of comping...two or three notes per chord which include the 3rd and 7th....
closed voicing with a great sense of rhythm..
time on the instrument......pierre...... | 
01-18-2009, 08:51 PM
|  | | | Join Date: Apr 2007 Location: Payson Arizona
Posts: 1,711
| | comping lesson good lesson!!
wiz | 
01-28-2009, 10:18 AM
|  | | | Join Date: Jan 2009 Location: Northern California
Posts: 276
| | Thanks for the lesson, you're a treasure trove of info! Thanks for the site, big help to a dope like me. | 
04-16-2009, 11:57 PM
|  | | | Join Date: Nov 2008
Posts: 404
| | comping thanks alot keeps me coming back.richard | 
10-01-2009, 02:04 PM
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Posts: 1
| | Can someone please tell me what "comping" is? What is the technical definition. | 
10-02-2009, 02:53 AM
| | | | Join Date: Jan 2008 Location: Wales, UK
Posts: 738
| | Quote:
Originally Posted by apmilano Can someone please tell me what "comping" is? What is the technical definition. | ampilano, if you look higher up this thread you'll see that Matt already explained it. "Comping is short for "accompanying"(sp?). It is when a piano player or guitar player plays chords behind a soloist or other instrument playing a melody.
It is like the "rhythm" guitar in a pop/rock setting compared to the "lead" guitar, so Ron Wood comps in the Rolling Stones while Keith Richards playes lead." | 
10-03-2009, 05:21 PM
| | | | Join Date: May 2007 Location: istanbul
Posts: 34
| | about comping To me, comping is "complimenting" the soloist. Trying to play in a way that says:"This singer is fantastic, I love his solo etc... " If you comp well, you get the gig with that singer:=) | 
10-03-2009, 05:37 PM
|  | | | Join Date: Nov 2008
Posts: 404
| | Quote:
Originally Posted by apmilano Can someone please tell me what "comping" is? What is the technical definition. | most chords are sevenths when you go to comp you go to the third and the seventh hit the two notes every time you go to a chord | 
10-03-2009, 05:44 PM
| | | | Join Date: May 2007 Location: istanbul
Posts: 34
| | Sometimes i just play the root | 
10-03-2009, 07:08 PM
| | | | Join Date: Jan 2008 Location: Wales, UK
Posts: 738
| | sometimes I just root to play !! | 
10-05-2009, 12:29 PM
|  | | | Join Date: Nov 2008
Posts: 404
| | Quote:
Originally Posted by renema Sometimes i just play the root | when you go to play with someone just the root kind of you do that anyway but the bare 3and 7 you can add to it/flat 5/9ths/ | 
10-09-2009, 01:34 PM
| | | | Join Date: Oct 2008
Posts: 26
| | Great lesson Matt. I absolutely love playing fingerstyle. For a while I wasn't a great strummer but was a good fingerstyle player. Now I am getting much at better strumming but I still go to fingers when play a solo. My bad, I was thanking for the Right Hand Technique lesson. The comping lesson is cool to thank you.
Last edited by dcmey : 10-10-2009 at 01:35 PM.
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01-10-2010, 12:07 PM
| | | | Join Date: Mar 2009
Posts: 18
| | Hello and thanks for the lession, i have one question thou.
When operating when chords such as: C13 and C9, do i have to strum the 3, 7 and the 9/13'er? | 
01-10-2010, 12:44 PM
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| | watch U Tube howard roberts has a video 1954 or something | | Thread Tools | | | | Display Modes | Linear Mode |
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