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Play What You Hear Guitar Course


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  #31  
Old 04-02-2010, 08:24 PM
 
Join Date: Jun 2008
Posts: 1,207
Default how to

I can read almost any classical piece...yet, I can only stumble through Jazz heads....can't really read the rhythms!!

As far as the ear...mine stinks...I play what's written...a real negative as I'm trying to learn Jazz!!!

Sailor
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  #32  
Old 04-02-2010, 08:34 PM
604bourne123's Avatar  
Join Date: Nov 2008
Posts: 422
Technique Well thats the best thing about music players

if you got the written heads you can get by and have your fun.
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  #33  
Old 04-02-2010, 08:45 PM
 
Join Date: Jun 2008
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Default how to....

Yeah...what do I do when the head ends????....eh???

Sailor
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  #34  
Old 04-02-2010, 11:33 PM
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Default for one thing you could use upper triads from one of the lessons

pair the progression with the upper triads make up a new progression/surprise yourself/.
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  #35  
Old 07-07-2010, 09:41 AM
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Join Date: Sep 2008
Location: Tennessee USA
Posts: 635
Default

Quote:
Originally Posted by Sailor View Post
I can read almost any classical piece...yet, I can only stumble through Jazz heads....can't really read the rhythms!!

As far as the ear...mine stinks...I play what's written...a real negative as I'm trying to learn Jazz!!!

Sailor
Disassemble then reassemble.

1. Find a spot on the guitar where the notes lay comfortably.
2. Play the notes slowly as quarter notes.
3. Clap or beat the rhythm slowly without the guitar.
4. Slowly play the notes in rhythm gradually increasing the tempo.

I use this technique with my students. It never fails.

Practicing reading rhythms is a good addition to the sight reading regimen. When I attended GIT, we practiced common rhythms and syncopations as part of the sight reading class.

Regards,
monk
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  #36  
Old 07-07-2010, 10:45 AM
 
Join Date: Oct 2009
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Default

I sight read slowly. And I mostly write my own stuff and when I do something else I already know the tune and I am doing it because it is already part of me. But sometimes when I look at (written for the piano) I am suprised.
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"True genius is taking the complex and making it simple" -Albert Einstein
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  #37  
Old 07-08-2010, 10:37 AM
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Default thats what i do too its the most foolproof

Quote:
Originally Posted by monk View Post
Disassemble then reassemble.

1. Find a spot on the guitar where the notes lay comfortably.
2. Play the notes slowly as quarter notes.
3. Clap or beat the rhythm slowly without the guitar.
4. Slowly play the notes in rhythm gradually increasing the tempo.

I use this technique with my students. It never fails.

Practicing reading rhythms is a good addition to the sight reading regimen. When I attended GIT, we practiced common rhythms and syncopations as part of the sight reading class.

Regards,
monk
reminds me of a crossword puzzule
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  #38  
Old 07-08-2010, 11:34 AM
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Location: Tennessee USA
Posts: 635
Default

Good analogy. You have to solve a crossword puzzle one word at a time but as you do so, solutions to other parts of the puzzle begin to appear. As you progress, the task becomes easier.

Playing & learning music is really about problem solving. The best way to solve a multi-faceted problem is to break it down into its smaller parts and solve each one individually.

Many times people try to bulldoze their way through a musical problem and fail or give up when the easier thing to do would be to break the large problem into smaller components to be solved individually.

Someone asked Howard Roberts the best way to learn Flight of the Bumblebee. His answer was "One note at a time".

Regards,
monk
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