The Jazz Guitar Chord Dictionary
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  1. #26

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    Quote Originally Posted by christianm77
    well the 1st progression is extremely common
    That's the point. Common= much easier to memorize. Also, to my ears, it's simply fits the melody better, more organic flow if I may. The 'correct' one, is a bit brain f...k, it's ok, but I have harder time singing the melody while playing it. I realized that's what kept me from memorizing this lovely tune for good for a long time, my ears do not accept this chord change.

    I wonder, what are the chances the second one was created out of... 'hey, this sounds great, but the progression is extremely common, let's do something else' thinking.

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  3. #27

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    Quote Originally Posted by Hep To The Jive
    That's the point. Common= much easier to memorize. Also, to my ears, it's simply fits the melody better, more organic flow if I may. The 'correct' one, is a bit brain f...k, it's ok, but I have harder time singing the melody while playing it. I realized that's what kept me from memorizing this lovely tune for good for a long time, my ears do not accept this chord change.

    I wonder, what are the chances the second one was created out of... 'hey, this sounds great, but the progression is extremely common, let's do something else' thinking.
    Well I can't hear it with those other changes. I listened to Four and More obsessively at one point, and whenever I called the tune at a jam, people would play the real book changes and I found it really horrible.

    Anyway, I don't think the second one is that weird. You should see some the shit I have to deal with. :-)

    Certainly that move Ebm7 Ab7 Fm is not that common a resolution... You'd expect a Db, Eb or maybe a Bb chord there.

    But as with Jobim, often just a touch of weirdness in an otherwise conventional tune is the thing that makes it.

  4. #28

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    Actually Tenderly has it:

    | Eb | Ab7 | Ebm | Ab7 |
    | Fm7 | Db7 | Eb | etc

  5. #29

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    Quote Originally Posted by christianm77
    Well I can't hear it with those other changes. I listened to Four and More obsessively at one point, and whenever I called the tune at a jam, people would play the real book changes and I found it really horrible.

    Anyway, I don't think the second one is that weird. You should see some the shit I have to deal with. :-)

    Certainly that move Ebm7 Ab7 Fm is not that common a resolution... You'd expect a Db, Eb or maybe a Bb chord there.

    But as with Jobim, often just a touch of weirdness in an otherwise conventional tune is the thing that makes it.
    I dunno, I guess we hear music different. I love the wrong one better. The correct one is not really weird, just awkward.

    Jobim, yes, wouldn't change a note or a chord in any of his tunes, it's a whole different level of tune writing. Miles on the other hand... But the melodic part in Four is awesome, don't care for the rest.

  6. #30

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    Possibly Miles didn’t write Four anyway. Some claim it was composed by Eddie Cleanhead Vinson.

  7. #31

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    I’ll Remember April starts with four bars of a major chord.

  8. #32

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    Sometimes I forget that :

    Am7 = Cmaj6
    Am7 = Fmaj9 no root

  9. #33

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    One metric crapload of Maj7 in Charles Lloyd's landmark, "Forest Flower"



    What a tune! What a band! Amazing to think that all four of them are still with us, and still with it, 50+ years later!