Originally Posted by
John A.
I'm in the camp that reinterprets every dom7 (whether or not something is added to it) as alt7 and plays what ever dang upper partials and altered 5 or 9 I feel like playing. In this case, I'd interpret b9#11 as b5b9, but with instructions to play the b5 an octave higher. Redundant, since it's essentially impossible not to on the guitar, but maybe the band leader thought he was being helpful. Out of sheer cussedness I'd playe either a vanilla dom7, a 13, or 7#9. Voicings? We don't need no steenking voicings. We are Federales.
John
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