Playing the Music of Now: Personal Jazz Improvisation | jazzadvice.com
Excerpts:
"Improvisers frequently talk about being in the "moment", yet you hear the same type of performances all too often. A concert where tunes like All of Me, Blues for Alice, and Blue Bossa are played in which the arrangements are transcribed exactly from the record and the soloists attempt to imitate the solos they've learned from the record.
No originality, no unique arrangement, no reharmonization, or no interaction - just the melody, solos, and the melody once more."
"After turning the dial to the jazz station, you hear a "new" album with players playing tired out standards in the same exact way they have been played for decades. It's as if the idea of the jazz musician has become a parody in the minds of the performers and the audience alike.
This type of aesthetic is killing the music."
"Today we're still performing the music of the bebop era exactly as it was performed 70 years ago. Yes, that's right seven-zero years ago! The music of a different era and a different mentality, yet we continue to force these tunes and arrangements into our performance. This would be like Charlie Parker playing the music of the 1870′s note for note in the jazz clubs of 52nd st..
Not a reharmonization or implying different ideas over that tune, but playing the same arrangement, the same harmonies, the same solo. However ridiculous this may seem, this is what is happening in music scenes in cities everywhere. Night after night, musicians are rehashing the music from 50-70 years ago on the bandstand."