One cool thing to do is to use ascending or descending "tetrachords" based on the 3rd or 7th, played in eighth notes. This is like the 1-2-3-5 tetrachord based on the root, but slightly hipper.
Figure them out and drill them for maj7, min7, dom7, dim7 and m7b5 on all string sets.
3 - 4 - 5 - 7
7 - 5 - 4 - 3 (or, if you prefer, 7 - 6 - 5 - 3)
3 - 2 - 1 - 7
7 - 1 - 2 - 3
Play these through any tunes you are currently working on. You'll learn the changes better, and you'll start to think of chords in terms of their 3rds and 7ths instead of their roots, which will help later when comping with rootless voicings. These patterns can serve as a handy "emergency" tool to use when playing through tunes you don't know well (like when someone puts a leadsheet in front of your face at a gig). |