Quote:
Originally Posted by jimiclaptoncarl18 I don't think I hit any "clams", but there are a couple times, where I play a note I didn't want to play. |
Well, that is still a clam, by my definition, but I say that is you don't hit the occasional clam, then you aren't pushing your boundaries enough, so don't worry about it.
First off, good job.
One thing that positively
loved was that you weren't afraid to leave some space. Too many beginners are afraid of space and try and fill it up with notes. You are clearly listening to what you are playing and listening to the space too - good job!
I also liked that you started out simply and built,
another important thing that beginners often don't understand.
Also, you were thinking about the chords instead of just smearing scales over the top, yet
another important thing that beginners often don't understand.
Now onto things that I think you could improve.
I noticed that in you keep coming back to the roots, not always, but enough to notice. I would try to work on your rhythmic phrasing a little - you tended to start and end lines in the same place every time. Try to break it up. Instead of doing 2 bar phrases all the time, try doing 3 bar, or 5 bar, maybe 2 1/2. Force yourself to do that for a while and then you'll break your ear out of "rhythm jail."
Everything you did was very consonant. That is appropriate at your level, but you may want to think about getting some dissonance in there. Approach some of the chord tones from a half-step below. Use a chromatic line to connect some chord tones. Stick a D# over the G7 and resolve it to the E in the CMaj7. Stick an Ab over the over the G7 and resolve it to the G in the CMaj7. Sub an A7b9 for the for the Am7 and resolve it correctly. These are things that will begin to spice up your playing.
But a great first step. You're on the right path. Keep up the good work.
Peace,
Kevin