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Play What You Hear Guitar Course


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  #1  
Old 01-01-2011, 02:53 AM
kris's Avatar  
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John Scofield Wholetone Scale - Scofield exercise nr 1

Good example how to practise wholetone scale.
Scof plays a lot of legato notes...you can experiment with legato you like...:=)
Attached Images
File Type: pdf Scof Wholtone exe 1.pdf (37.6 KB, 238 views)
File Type: pdf Scof wholtone scale nr 1.pdf (63.8 KB, 74 views)
Attached Files
File Type: mp3 wholetone scale scof 1.mp3 (366.1 KB, 38 views)

Last edited by kris : 04-14-2012 at 02:54 AM. Reason: update
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  #2  
Old 01-01-2011, 03:14 PM
 
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Glad you mentioned the part about legato. Appears that some folks think you need to pick every note. I find it more interesting to use legato at times. Cool exercise. Thanks for posting it. Larry
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  #3  
Old 01-21-2011, 03:11 PM
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John Scofield

It is good exe on Dominat aug chords...like G7#5
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  #4  
Old 01-22-2011, 09:24 PM
 
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how do you go about practicing something like this, there are a lot of notes here.
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  #5  
Old 01-23-2011, 01:08 AM
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Play very slowly!!!
work on one bar,second bar etc.
next work on two bars....etc.
it is not easy scale more for advanced playing.
if it two difficult use computer just to hear how it sound.
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  #6  
Old 01-23-2011, 03:07 PM
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I put new PDF version with legato I practise.Post nr 1.
Best
kris
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  #7  
Old 04-14-2012, 02:57 AM
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I/ve just recorded this example /with legato/ on my Ibanez As-200/1982/ today.
Comping chord Db7#9.
Another out sounding nice line.:-)
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Old 04-23-2012, 03:13 PM
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Thank you, Kris.
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Old 04-24-2012, 01:11 AM
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Welcome..:-)
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  #10  
Old 04-24-2012, 03:09 PM
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Lots of people get hung up on using the Whole Tone scale over Augmented and Dominant 7#5 chords but they also work great over Dominant 7b5 chords.

C D E Gb Ab Bb = R 9 3 b5 b13 b7
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  #11  
Old 04-25-2012, 06:43 AM
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Dominat alt...
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  #12  
Old 04-25-2012, 08:07 AM
 
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I don't care what alterations a dominant chord has. As long as it is a V7 chord, I'll use whole tone, altered, HW-diminished etcetra.

What's most important is what the degree the dominant chord is built on.
If it's a dominant II- chord, whole tone is a great choice. I never know how the piano player will decorate the chords anyway.

Whole tone works great on tonic minor chords as well. Just make sure you choose one of the whole tone scales that give you the maj7th on that minor chord.
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Old 04-25-2012, 08:58 AM
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Quote:
Originally Posted by AmundLauritzen View Post
I don't care what alterations a dominant chord has. As long as it is a V7 chord, I'll use whole tone, altered, HW-diminished etcetra.

What's most important is what the degree the dominant chord is built on.
If it's a dominant II- chord, whole tone is a great choice. I never know how the piano player will decorate the chords anyway.

Whole tone works great on tonic minor chords as well. Just make sure you choose one of the whole tone scales that give you the maj7th on that minor chord.
Way I was taught it boils down to how it's functioning, where is it going. Is it functioning a V, or V of n, or an isolated 7th chord. If functioning as a V you can take more liberties with it since it will resolve.
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