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  #121  
Old 11-19-2011, 10:30 AM
 
Join Date: Jun 2011
Location: Monterey Bay, California
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It is smart to read this thread as a confirmation and testimony to Bryant's incredible guitars. I am "expecting" with a due date in August. I'll pass out cigars then.
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  #122  
Old 11-19-2011, 04:06 PM
 
Join Date: Aug 2010
Posts: 35
Jim Hall Notes on my Excel 7

Notes from the unveiling:

After tuning up and listening to the INCREDIBLE string balance on this instrument, I played some lines from "Blues for Alice". Then I worked with some spread-voiced ii/V's, "Monk moves", and other chord sequences utilizing the low A string when appropriate. Now I'm reading finger style through several exercises and etudes in Berklee Guitar Vol1.

The difference between a good instrument (e.g my Sadowsky LS-17) and GREAT instrument like this Trenier Excel 7 is quite noticeable. WIth the TRENIER it's as if I'm holding a Steinway grand in my lap. This guitar begs to be played finger style and yields quite a reward for doing so.
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  #123  
Old 11-20-2011, 03:50 PM
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Four2theBar, wow, I wish I could hear it.

New Trenier alert: Bryant told me he is working on capturing some of the techniques from the 20's archtops, but I didn't know he was so advanced towards the goal. This beautiful new guitar is slightly smaller, parallel braced, and oh my, how I wish I could play it. This is a real opportunity for someone!

2011 Trenier Broadway
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Last edited by kamlapati : 11-24-2011 at 08:27 PM.
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  #124  
Old 11-20-2011, 04:14 PM
 
Join Date: Aug 2010
Posts: 35
Jim Hall Killer Broadway

I love that guitar! It was hanging behind my Excel 7 in the final buff phase:

Buffed1.jpg.

If i were to commission a Broadway I think I would want it just like that one sans cutaway and maybe with a Charlie Christian pickup. However, I'm dreaming of a Motif 7 with a slotted headstock .

Last edited by Four2theBar : 11-20-2011 at 04:18 PM.
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  #125  
Old 11-20-2011, 04:16 PM
 
Join Date: Aug 2010
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Jim Hall

Quote:
Originally Posted by kamlapati View Post
Four2theBar, wow, I wish I could hear it. [/url]
I'll post some audio in a few weeks Lamlapati! I want my guitar to "break in" a bit more and I'm also shedding to get my finger style technique to the next level. I love the sound of this guitar so much better with flesh-on-steel.
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  #126  
Old 11-20-2011, 07:20 PM
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Quote:
Originally Posted by Four2theBar View Post
I love that guitar! It was hanging behind my Excel 7 in the final buff phase:

Buffed1.jpg.

If i were to commission a Broadway I think I would want it just like that one sans cutaway and maybe with a Charlie Christian pickup. However, I'm dreaming of a Motif 7 with a slotted headstock .
IMG! the Excel with the inlays in front for yours....
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  #127  
Old 11-20-2011, 07:34 PM
 
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Jim Hall

Quote:
Originally Posted by clem_gael View Post
IMG! the Excel with the inlays in front for yours....
Is that your Excel with the inlays? Here's my Excel 7 completed.
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  #128  
Old 11-20-2011, 09:34 PM
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Quote:
Originally Posted by Four2theBar View Post
Is that your Excel with the inlays? Here's my Excel 7 completed.
No, it's not!
Every one seems to have a Trenier...except me!
want one, want one!
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  #129  
Old 11-24-2011, 05:48 PM
 
Join Date: Aug 2010
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Jim Hall Celebrating the Excel 7

.. following Kamlapati's lead
Attached Images
File Type: jpg CelebrateExcel7.jpg (1.12 MB, 41 views)
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  #130  
Old 11-24-2011, 08:28 PM
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Life is good. Happy Thanksgiving!
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  #131  
Old 11-24-2011, 11:10 PM
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Ack. I just read through this entire five page thread. Beautiful guitars, guys - congratulations. Bryant Trenier's shop is only about 25 minutes from me. Hell, I've even ridden my bike near where he is. After my recent triumphs with vintage Gibsons and a 2011 Erich Solomon archtop, I'm really done. So this thread is very upsetting!
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  #132  
Old 11-26-2011, 01:33 PM
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RP, I wondered about that Solomon too! I played his guitars at Healdsburg, and I really like them. But never say you're done. I bet a Trenier would find a place in your tool kit.
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  #133  
Old 11-28-2011, 01:02 AM
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Had some time over Thanksgiving, and finally got some recording done and updated my primitive website. Here's my new Excel, subject of course to the horrors of mp3 compression.

Stella By Starlight

There's a vid of my Magnolia on the same page, here,

Standards
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  #134  
Old 11-28-2011, 01:31 AM
 
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Jim Hall Kudos to Kamlapati!

very nice playing on superb guitars! I love the vid with your Magnolia.
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  #135  
Old 12-02-2011, 11:48 AM
 
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For those of you who simply can't wait for an order to be placed and filled, looks like a new Excel from Bryant is headed to John Stewart soon. Check out the link below under "Coming Soon."

Archtop jazz guitar price list

No affiliation. Just a fan of Bryant's craftsmanship.
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  #136  
Old 12-09-2011, 12:19 PM
 
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Wow! Check out this latest example from Bryant at John Stewart's site. Not only does it look fabulous, I hear it sounds and plays great. As stated above, I have no vested interest. Just a fan of Bryant's talents.

Trenier Guitar For Sale
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  #137  
Old 12-10-2011, 01:49 PM
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Beautiful guitar. I like the whole minimalist design, no fingerboard inlay, f-hole binding, etc. A new look. And those prices are inching up. The word is getting out.
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  #138  
Old 12-10-2011, 02:26 PM
 
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Quote:
Originally Posted by kamlapati View Post
Beautiful guitar. I like the whole minimalist design, no fingerboard inlay, f-hole binding, etc. A new look. And those prices are inching up. The word is getting out.
I agree, Kamlapati. It's beautiful. Very much like a D'Q New Yorker Classic.
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  #139  
Old 12-10-2011, 08:13 PM
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Just noticed, it's #1070, probably the one he made alongside my #1069. There's a good chance the top is the same wood as mine, that bit of bear claw is similar.
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  #140  
Old 12-17-2011, 10:20 AM
 
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Quote:
Originally Posted by kamlapati View Post
Just noticed, it's #1070, probably the one he made alongside my #1069. There's a good chance the top is the same wood as mine, that bit of bear claw is similar.
It would be cool to see a picture of the two guitars side by side. Perhaps photoshop can do the trick?
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  #141  
Old 01-05-2012, 09:43 AM
 
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Have any of the Trenier owners had a tone contro put onto the guitar? I have commissioned Bryant to build a Modern, due for completion In August of this year and I think it might be a good thing. Perhaps a below the pick guard.
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  #142  
Old 01-05-2012, 12:50 PM
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My view on tone controls in jazz guitars is maker independent: I don't use them and prefer to not have them. My Treniers don't have PUs, but my L-5CN w/ Johnny Smith PU has only a volume knob, just like all my archtops that have gone before. I just don't need to modify tone on the fly, so the amp controls are all I need.
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  #143  
Old 01-05-2012, 07:01 PM
 
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Quote:
Originally Posted by kamlapati View Post
My view on tone controls in jazz guitars is maker independent: I don't use them and prefer to not have them.
I agree. I don't use a tone control knob; once the tune has started but I do change tones between tunes and often am reaching around and across gear in order to adjust preamp settings for a warmer or a brighter sound, depending on the tune. If that can be done with a wheel under the pick guard, what would be the downside? Would it be less responsive and/or accurate? Or/ Do you think it just another fragile addition to the instrument.
I can talk to Bryant about it but anyone following this thred might chime in with a thought. Are there good and not-so-good tone control knobs? Etc.
Also. IMO... when a player is performing and fiddles with gear and settings, it just does not look right. It is a distraction for the audience.
When you watch Bill Evans play he is not reaching into the bowels of an out of tune house piano to try and fix it. He would just cock his head to the left and deal with it. Same sort of idea on "distraction".
Granted...
Jim Hall is continually tuning and tweaking his preamp but he is so awesome that we'll forgive him. He was asked recently what he has learned over 60+ years of playing guitar and he said..."I've learned that I don't yet, know how to tune the instrmenent". Very cool answer!
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  #144  
Old 01-05-2012, 07:58 PM
 
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My Trenier had a tone knob as did an acoustic Super 400 I had years ago. Ultimately I realized I didn't adjust the tone that often. Both were little thumb wheels under the pickguard. Not the easiest to adjust on the fly. Talk to Bryant and see what he suggests. In a worst case scenario you can always remove the tone knob or add it later. BTW, your guitar sounds cool. Have you guys seen the new one at John Stewart's site? Here it is again. Trenier Guitar For Sale I love the look of that guitar.
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  #145  
Old 02-05-2012, 10:34 PM
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New clips... I know I have pointed you guys here before but I did some new recordings over the weekend and this thread needs a refresher.

Trenier Duets

More Standards


See y'all later... back to guitar.
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  #146  
Old 02-06-2012, 09:14 AM
 
Join Date: May 2010
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Quote:
Originally Posted by kamlapati View Post
New clips... I know I have pointed you guys here before but I did some new recordings over the weekend and this thread needs a refresher.

Trenier Duets

More Standards


See y'all later... back to guitar.
Nice, Kamlapati. Thanks for sharing.
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  #147  
Old 02-14-2012, 07:24 AM
 
Join Date: Aug 2010
Posts: 35
Jim Hall Echo's of D'Aquisto

Quote:
Originally Posted by kamlapati View Post
New clips... I know I have pointed you guys here before but I did some new recordings over the weekend and this thread needs a refresher.

Trenier Duets

More Standards


See y'all later... back to guitar.
Hey Kam,

You and your Excel sound mighty fine!
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  #148  
Old 02-14-2012, 03:11 PM
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I'm still waiting for some of you guys to humble me (shouldn't be very hard, but OTOH I've heard it said that my confidence is not a good match for my skills) with your own Trenier clips!
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  #149  
Old 02-15-2012, 08:36 PM
 
Join Date: Aug 2010
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Jim Hall

Quote:
Originally Posted by kamlapati View Post
I'm still waiting for some of you guys to humble me (shouldn't be very hard, but OTOH I've heard it said that my confidence is not a good match for my skills) with your own Trenier clips!
I've got good intentions of producing a couple of clips soon. Current limitations (read excuses) are:

1) this is my first 7-String and I need time to adjust to low A, muting it when necessary and utilizing it musically!

2) I've also stopped playing with a plectrum and am taking a completely finger-style RH approach. Fortunately I formerly studied classical guitar for many years. Nevertheless, it's taking considerable work to play the lines for Bop tunes and Standards with consistent musical authority.

3) Kamlapati has given us a lot to measure up to.

Last edited by Four2theBar : 02-16-2012 at 07:26 AM.
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  #150  
Old 03-24-2012, 10:48 AM
 
Join Date: Mar 2012
Location: North Carolina, USA
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Jim Hall Trenier Motif

Hey All, "SevenStringJazz" (formerly "Four2theBar") here. Exciting news! Being completely blown away by my Trenier Excel 7, I've contracted Bryant to build a 7-String version on the Motif for me! It should be complete by the middle of
next year. Bryant was kind enough to send the prototype to me to play for awhile. I've attached some photos of this amazing instrument.

Here's a link to a rough recording of a little tune the guitar inspired me to compose Morning Motif
Attached Images
File Type: jpg MotifTop.jpg (992.4 KB, 24 views)
File Type: jpg MotifSide.jpg (617.3 KB, 21 views)
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