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  #1  
Old 10-28-2011, 08:20 AM
 
Join Date: Mar 2011
Posts: 8
Default jazz semis

Can anyone offer any views here?...... I am looking for a small-size semi that is primarily for jazz, but needs to be versatile enough for blues/rock/funk etc. The short-list is:

Gibson ES339
Sadowsky semihollow
Carvin SH550 CE
Eastman El Ray ER2
Seventy Seven Albatross jazz

I am looking for a bright, more modern, erring on 'glassy', acoustic-like 'default' tone - exactly like Paul Meyers gets on the 77AJ on the YouTube clip - as opposed to the more trad 'rolled off' and slightly muddy (IMO) tone normally associated with jazz guitars. Maybe something to do with having a carved (although flat) spruce top, as opposed to maple ply?

Anyway, I'd value your opinion(s) if anyone out there has any experience of these guitars.

Many thanks,
Duds
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  #2  
Old 10-28-2011, 08:54 AM
 
Join Date: Jun 2010
Posts: 383
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It is going to come down to a matter of your personal taste. I will say that altough I have not played the particular Carvin model you have listed here, I have played several of there guitars and I don't feel that the build quality is comparable to that of the other builders you have listed.

Based on your description, the ES-339 seems like the natural choice. My favorite out of that group would probably be the Eastman El Ray, but you should know that the El Ray is not Semi-Hollow it is a Full Hollowbody guitar just with a smaller 14" lower bout and no f holes. Sonically it would probably sound closer to an archtop than a semi hollow. (To my ears anyways.)
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  #3  
Old 10-28-2011, 03:53 PM
 
Join Date: Feb 2009
Location: Salt Lake City
Posts: 348
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Good list, and a fairly wide price range (from about $1000 - 4000).

There are several recent posts around here on "versatility," so look around.

I'd add Rob Engel's archtops to your list -- in your price range, and with his design and electronics, you can play blues/jazz/funk, etc.

Happy hunting!
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  #4  
Old 10-28-2011, 04:11 PM
 
Join Date: Jun 2010
Posts: 383
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You might want to see if you can track down a used Robin Savoy. Robin is no longer in business, but you can still find good deals on used ones. I have a Savoy Classic, but it was a NAMM show model with all figured woods etc, so it is retired from gigging, but I would like to find a plain one to use for gigs.

Check this out...
www.robinguitars.com
www.robinlovers.com
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  #5  
Old 10-28-2011, 04:30 PM
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Me too (still)! How about a Heritage Prospect Standard or an Eastman T-185MX (or possibly a T-184MX)? I've already got a great 'Tele', so this will be primarily for jazz, but it needs to be a capable backup for rock as well in case the Tele is temporarily out of commission. As a matter of fact, my 'Tele' is a Hamer T-51; are there any Hamer models I should be looking at?
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  #6  
Old 10-28-2011, 09:29 PM
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Join Date: May 2011
Posts: 36
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Victor Baker makes some pretty sweet semis at a reasonable price.
Plus the entire guitar is made by the guy whose name is on the label.
I own two of his guitars, on is a semi and one is a fully carved 7 string and I love them both.
http://www.victorbakerguitars.com/index2.php
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  #7  
Old 10-29-2011, 02:34 PM
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I would recommend a Heritage guitar 535 or 555. Let your ears and hands guide you.
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  #8  
Old 10-29-2011, 03:18 PM
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Join Date: Sep 2010
Location: York, PA
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Quote:
Originally Posted by duds707 View Post
Can anyone offer any views here?...... I am looking for a small-size semi that is primarily for jazz, but needs to be versatile enough for blues/rock/funk etc. The short-list is:

Gibson ES339
Sadowsky semihollow
Carvin SH550 CE
Eastman El Ray ER2
Seventy Seven Albatross jazz

I am looking for a bright, more modern, erring on 'glassy', acoustic-like 'default' tone - exactly like Paul Meyers gets on the 77AJ on the YouTube clip - as opposed to the more trad 'rolled off' and slightly muddy (IMO) tone normally associated with jazz guitars. Maybe something to do with having a carved (although flat) spruce top, as opposed to maple ply?

Anyway, I'd value your opinion(s) if anyone out there has any experience of these guitars.

Many thanks,
Duds
I would ask what gage strings you intend to use. If you are going to use 11's or anything lighter, I would go with a 25.5" scale instrument.
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  #9  
Old 10-29-2011, 11:08 PM
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Another option for a small bodied semi hollow that will do most anything.

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  #10  
Old 10-30-2011, 06:21 AM
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Yes, a Tele Thinline is definitely an option for me!
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  #11  
Old 10-30-2011, 06:37 AM
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Do a search here for SH550 and see if you can find the evaluation several of us participated in. A good friend bought the review sample and is in total love with it. I'd be very tempted to get one if I didn't already own a 335. Here are a couple of photographs:



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  #12  
Old 10-30-2011, 11:12 AM
NSJ NSJ is offline
 
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Default A Great Solution for a jazz SEMI

Do what I did, and put a Charlie Christian on the neck pickup of my ES-339.


The clarity and richness of the sound is amazing!
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  #13  
Old 10-30-2011, 12:06 PM
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Location: Pacific Northwest
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Hello,
I've never owned one, but I think these semi-hollows by Engel guitars get nice tone:


YouTube Video
ERROR: If you can see this, then YouTube is down or you don't have Flash installed.
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  #14  
Old 10-30-2011, 12:33 PM
 
Join Date: Feb 2009
Location: Salt Lake City
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Quote:
Originally Posted by helios View Post
Hello,
I've never owned one, but I think these semi-hollows by Engel guitars get nice tone:
Great video of Bob -- thanks for posting it! Engel does a lot of split coil stuff, etc. with pickups (if you want it, of course), so you can go from a single coil, funky sound to the big sound that DeVos is getting in the video. And one of his main design features is: No Feedback!
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  #15  
Old 10-30-2011, 12:35 PM
 
Join Date: May 2011
Location: Italy
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Quote:
Originally Posted by John Link View Post
I would ask what gage strings you intend to use. If you are going to use 11's or anything lighter, I would go with a 25.5" scale instrument.
Could you please explain the connection between string gauge and instrument scale
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  #16  
Old 10-30-2011, 12:41 PM
 
Join Date: Jan 2011
Posts: 184
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How about a Gibson 135 or 137 My local CL list has one of each listed right now priced at $800 & $900. I've never played on but this looks like a good deal. I don't need another guitar but its tempting.
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  #17  
Old 10-30-2011, 01:06 PM
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Quote:
Originally Posted by Jazz_175 View Post
Could you please explain the connection between string gauge and instrument scale
Tension. Most jazz players like a bit "stiffer" setup so they're not pushing things out of tune when playing complex chords and stretches...most rock players like to bend strings and do all that rock stuff...so a guitar meant to be so versatile that it can do both has to be a comprimise (one I'm not willing to make)

So my guess is John's suggesting that anything less than an .11 gauge on a Gibson scale instrument is going to be a pretty loose setup for jazz...not that it can't be done...it would not be my ideal setup either though.
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  #18  
Old 10-30-2011, 02:27 PM
 
Join Date: Aug 2009
Posts: 131
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I own a El Rey3 Custom (semisolid: litlle central block under the bridge) and I'm happy with it. Small body and great sound.

I've found this video

Joe Pass on my new Eastman El Rey er3 (I can't get started) - YouTube


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  #19  
Old 11-01-2011, 07:59 AM
 
Join Date: Jun 2010
Location: Bronx, New York
Posts: 820
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Quote:
Originally Posted by duds707 View Post
Can anyone offer any views here?...... I am looking for a small-size semi that is primarily for jazz, but needs to be versatile enough for blues/rock/funk etc. The short-list is:

Gibson ES339
Sadowsky semihollow
Carvin SH550 CE
Eastman El Ray ER2
Seventy Seven Albatross jazz

I am looking for a bright, more modern, erring on 'glassy', acoustic-like 'default' tone - exactly like Paul Meyers gets on the 77AJ on the YouTube clip - as opposed to the more trad 'rolled off' and slightly muddy (IMO) tone normally associated with jazz guitars. Maybe something to do with having a carved (although flat) spruce top, as opposed to maple ply?

Anyway, I'd value your opinion(s) if anyone out there has any experience of these guitars.

Many thanks,
Duds
I would throw in Collings on the list, both the soco and the 1-35's are worth checking out.
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  #20  
Old 11-01-2011, 02:59 PM
 
Join Date: Aug 2010
Location: uk
Posts: 138
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I was in the same position.Narrowed down to either a Gibson 335 or Fender Telecaster. As both prohibitive in my price range looked at copies and came across a Vintage 535 s/h which suited me musically and my pocket.But like all guitars choose your amp and string gauge well to suit the capabilities of any guitar you might buy.
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  #21  
Old 11-02-2011, 08:11 AM
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Join Date: Sep 2008
Location: Essex UK
Posts: 758
Guitar

Quote:
Originally Posted by Tom Karol View Post
Me too (still)! How about a Heritage Prospect Standard or an Eastman T-185MX (or possibly a T-184MX)? I've already got a great 'Tele', so this will be primarily for jazz, but it needs to be a capable backup for rock as well in case the Tele is temporarily out of commission. As a matter of fact, my 'Tele' is a Hamer T-51; are there any Hamer models I should be looking at?
Hamer Echotone Semi Acoustic and Hard Case | eBay

There ya go.
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  #22  
Old 11-02-2011, 07:31 PM
 
Join Date: May 2009
Posts: 18
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PRS Hollowbody is a very versatile instrument - light, easy to handle, and capable of covering a lot of sonic territory

Even the cheaper SE model.
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