Welcome to the Jazz Guitar Forums. You are currently viewing our boards as a guest which gives you limited access to view most discussions and access our other features.
By joining our free community you will have access to post topics, communicate privately with other members (PM), respond to polls, upload content and access many other special features. Registration is fast, simple and absolutely free so please, join our community today!
If you have any problems with the registration process or your account login, please contact contact us.
| 
11-20-2010, 06:34 PM
| | | | Join Date: Nov 2010
Posts: 4
| | Is It a Good Idea to Restore a Guild X-500? Hi all,
I own a 1970 sunburst X-500 and it's a working, playing guitar that's beginning to really show it's age. I would not consider it to be a solid unit as it is today... just a kick around piece.
However, as a boy, this guitar was once the apple of my eye and it has a rich history in my family. Is it worth $1,000 to bring this guitar back to like-new condition? Are X-500's of this vintage even worth anything?
Thanks,
Jon | 
11-20-2010, 07:44 PM
| | | | Join Date: Oct 2008 Location: Poconos,Pennsylvania
Posts: 1,617
| | I (from experience) would not do that..just keep it clean..in its' case when not playing it...never hot or cold...
Originality is worth more than restoration...let it show its age...let the purling yellow,do not clean it to original white...
time on the instrument....pierre... | 
11-20-2010, 09:48 PM
| | | | Join Date: Mar 2008 Location: Northern NJ
Posts: 2,879
| | Other than dress the frets and a set I would only fix/replace things that need it. (Fret Job, new nut, etc) | 
11-21-2010, 06:38 AM
| | | | Join Date: Nov 2010
Posts: 3
| | Depending on condition they can sell up to $2500. Are you planning on selling it or just keeping it? $1000 worth of work is a lot. Unless it needs major work like a neck reset, new frets, rewound pickups, or body repair then I can't imagine why it would need $1k. Don't get it refinished just because it shows wear. If you're going to do a bunch of work just to make it look "new" then make sure you really want it that way. Because it could decrease the value if you plan on selling it. | 
11-22-2010, 07:44 PM
| | | | Join Date: Nov 2010
Posts: 4
| | Thanks for the input. I haven't gotten the estimate yet, but I have sent it to a high-end restoration guy in VT so that alone may get the restoration close to $1,000.
I guess this is (ultimately) an emotional descion as this guitar is more of a family heirloom versus a money maker.
Thanks everyone! | 
11-22-2010, 08:29 PM
|  | | | Join Date: Oct 2010 Location: San Francisco
Posts: 1,491
| | Yeah, my old '63 Guild shows it's age - a few scratches and worn spots. I don't like women with face lifts, why would I want it for my guitars?
I say, if it doesn't affect the playability or sound or isn't in danger of harming the instrument, then why bother? I want it for how it plays, not so I can play dress-up in the mirror.
Just my $.02.
Peace,
Kevin | 
11-23-2010, 08:28 AM
|  | | | Join Date: Aug 2009 Location: Connecticut
Posts: 488
| | I'm going to echo other replies, I would restore it to ideal playing condition, but unless there is any structural damage, I would leave the rest untouched.
Brad
__________________ Guitars:
1975 Guild Artist Award
1986 Guild X-170
1975 Guild Mark V
1930s Metro B archtop
2001 Gibson Chet Atkins CE
1995 Epi Howard Roberts Custom
1999 Godin ACS Nylon with synth
??? Giannini 7 string classical | 
01-18-2011, 05:40 PM
| | | | Join Date: Nov 2010
Posts: 4
| | Well... I went for it. The total was $1,500 and the restoration is now underway. Ultimately, I decided that a quick fix wouldn't take care of it and it was in such disrepair that I pulled the trigger.
I'll post some before and after shots once I figure out how to do that.
Thanks again everyone! | 
01-18-2011, 09:19 PM
| | | | Join Date: Jan 2010
Posts: 170
| | What in the world was wrong with it that will cost $1500 to fix? Are you having it "restored" so it looks as close to new as possible or having it "fixed" it so it plays well and is structurally sound? I'm just curious. | 
01-18-2011, 09:56 PM
|  | | | Join Date: Aug 2008 Location: Central NJ, USA
Posts: 183
| | Yes, please post pictures and good luck with it! I'm sure it will turn out great. I too love my X-500 
__________________ Alex R.
Guild: X-700, X-500, X-170, X-150
Fender: Roadhouse Stratocaster (1997)
Kay: K-11
Epiphone: Joe Pass Emperor-II | 
01-18-2011, 10:05 PM
|  | | | Join Date: Aug 2009
Posts: 549
| | if you refinish it you will probably end up lowering the value about as much as you bring up the value. and all you will have is a guitar that probably sounded better before you did any work on it.
__________________ Waaaam...Doggy!
Gear:
1940 Epiphone DeLuxe w/ KA PU
2009 Gibson ES335 Historic 59' Reissue w/ Lollar LW HB
Nash T52 w/ Lollar 52's
2008 Gibson Les Paul 54' Historic Reissue w/ Lollar P90s
Headstrong Lil' King w/ Weber 10A125
1965 Fender Deluxe
Marshall 1974X w/ Scumback Scumnico/H55
Seattle guitar lessons http://www.matthewmeldonguitar.com/ | 
01-19-2011, 12:10 AM
| | | | Join Date: Mar 2009 Location: Minneapolis, Mn
Posts: 66
| | Don't redo the finish--that's cosmetic. But get it structurally sound.
__________________ Eastman AR 805CE
Eastman T146 SMD
Hoffman OM
Taylor 355 12-string
Polytone Mini Brute II
Fender Princeton Reverb | 
01-19-2011, 06:29 AM
| | | | Join Date: Nov 2010
Posts: 4
| | The electronics needed a comprehensive reworking. The tuning pegs were also unusable so they'll be replaced. Many of the frets made an audible clicking sound so the fretboard is being redone. The pickguard was missing much of its hardware and was flopping around. The "ivory"at the heel of the neck was flaking off. The finish was checked everywhere. The bridge was a mess as well.
Also, I happened to use a guy who is probably one of the best in the business (which was probably not necessary.)
My goal with this project was to breathe another 20+ years out of this family heirloom. Perhaps I went too far, but this is an emotional endeavor for sure. | 
01-19-2011, 09:36 AM
| | | | Join Date: Dec 2010
Posts: 514
| | I think you made the right decision to restore/repair the guitar. A playable guitar is worth more than a guitar that hasn't been touched for fear of "losing value."
And for the most part, that is true of finish/cosmetic issues as well. There are a handful of exceptions, but most of them aren't jazz boxes.
You find a lot of 60 year old hollowbody archtop guitars that have had some refinishing done. Try negotiating the price down on the basis that the guitar has been over sprayed, and you'll see what I mean. | 
01-20-2011, 01:09 AM
| | | | Join Date: Jan 2010 Location: Powys, Wales
Posts: 42
| | Is it a good idea...............?
Don't do it.
Don't do it.
Don't do it.
Don't do it.
.
.
.
.
.
. Well, I went for it.... 
__________________ It's 106 miles to Chicago, we got a full tank of gas, half a pack of cigarettes, it's dark, and we're wearing sunglasses.
Hit it  . | 
01-20-2011, 02:35 AM
| | | | Join Date: Jun 2009 Location: Slovenia
Posts: 290
| | It's your guitar, you can do whatever you want with it. It may have decreased the selling value to refinish it, but if you're not planning to sell it, why worry? If I had an old car with rust spots and flaky finish, I'd fix it. I prefer guitars in good shape too. | | Thread Tools | | | | Display Modes | Linear Mode |
Posting Rules
| You may not post new threads You may not post replies You may not post attachments You may not edit your posts HTML code is Off | | | |