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06-29-2010, 11:59 AM
|  | | | Join Date: Mar 2009 Location: Boston - Metro West
Posts: 1,076
| | Capos Ha! Just kidding! I just wanted an excuse to log my 400th post!
Actually, I do use a capo occasionally on my acoustic. It's a Shubb.
Last edited by Tom Karol : 06-29-2010 at 12:53 PM.
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06-29-2010, 06:03 PM
| | | | Join Date: Apr 2008 Location: Rome, Italy
Posts: 129
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06-29-2010, 07:17 PM
|  | Moderator | | Join Date: Apr 2007 Location: chicago, IL
Posts: 5,283
| | I'll answer like you posted legitimately anyway...
I'd rather just transpose a piece if I desired open strings...I have no desire to take away playing real estate. | 
06-29-2010, 08:08 PM
| | | | Join Date: Jan 2010 Location: Wexford, Ireland
Posts: 1,051
| | Some songs just don't sound good in other shapes. "Here Comes the Sun", for instance. Or "You've got a friend" . | 
06-29-2010, 08:37 PM
| | | | Join Date: Feb 2010
Posts: 45
| | I finally bought a capo specifically to play "Here Comes the Sun". Also "Trasher" by Neil Young. I can't sing, but I like to pretend I can. | 
06-29-2010, 10:42 PM
|  | | | Join Date: Mar 2009 Location: Loudonville, NY
Posts: 616
| | Quote:
Originally Posted by Tom Karol Ha! Just kidding! I just wanted an excuse to log my 400th post!
Actually, I do use a capo occasionally on my acoustic. It's a Shubb. | Congrats on 400.
In theory, I like capos with my acoustics, but they always seem to render my tone thinner. Perhaps I don't use them correctly. But, in practice, I just don't like them.
__________________ Best regards,
Matt | 
06-30-2010, 08:57 AM
|  | | | Join Date: Mar 2009 Location: Boston - Metro West
Posts: 1,076
| | But seriously folks ...
There's nothing wrong with using a capo when appropriate.
Try this:
Play, "Here Comes the Sun," in open position D for a non-musician listener. They will, of course, immediately recognize it. "That's 'Here Comes the Sun'."
Then play it the same way but with a capo on the 7th fret (so it's in A). The response will then be, "That's 'Here Comes the Sun'!"
Then have someone else play it at the same time in open position G but with a capo on the 2nd fret - it sounds like one guitar that's as big as a house! | 
06-30-2010, 10:46 AM
|  | | | Join Date: Aug 2009 Location: Connecticut
Posts: 442
| | I play about once a month with a group of folkies, many of whom are very accomplished guitarists. I'm amazed at how few of them can transpose something as simple as a tune in G to A without resorting to a capo. Personally, I prefer using a number system, like the Nashville system, to chord names in situations like that, but even there many (most?) have no idea of even basic I-IV-V progressions although they play them all the time.
I do regularly bring a capo to these gatherings, but usually only use it once in a while on a 12 string where some of the bar chords are a little more work than on a six. I'm not sure what kind, I have two or three that happened to be in cases when I bought eBay guitars, one might be a Paige, the others may be Kysers.
Brad
__________________ Guitars:
1975 Guild Artist Award
1986 Guild X-170
1975 Guild Mark V
1930s Metro B archtop
2001 Gibson Chet Atkins CE
1995 Epi Howard Roberts Custom
1999 Godin ACS Nylon with synth
??? Giannini 7 string classical | 
06-30-2010, 10:59 AM
|  | Moderator | | Join Date: Jul 2007 Location: KC area
Posts: 4,323
| | While I do prefer the challenge of finding voicings that work without the capo, there are tunes that really require it, if you want to nail the sound. In addition to the listed tunes, you can add Fleetwood Mac's Landslide. | 
06-30-2010, 11:13 AM
|  | | | Join Date: Mar 2009 Location: Boston - Metro West
Posts: 1,076
| | I can play 'Here Comes the Sun' in A (its original key) without a capo - open position, 2nd position, 7th position, 9th position ... whatever. But it won't sound the same as putting a capo on the 7th fret and playing it using open-position D chord forms.
I like the Nashville 'Number' system too, because that's the way I actually think about (hear) harmonic progressions when I'm playing. | 
06-30-2010, 11:27 AM
|  | Moderator | | Join Date: Apr 2007 Location: chicago, IL
Posts: 5,283
| | Quote:
Originally Posted by derek While I do prefer the challenge of finding voicings that work without the capo, there are tunes that really require it, if you want to nail the sound. In addition to the listed tunes, you can add Fleetwood Mac's Landslide. | oh, i definitely agree--i was talking in a jazz context, in which playing it just like the original is neither necessary nor desired. | 
07-01-2010, 07:07 PM
|  | Moderator | | Join Date: Jul 2007 Location: KC area
Posts: 4,323
| | Quote:
Originally Posted by mr. beaumont oh, i definitely agree--i was talking in a jazz context, in which playing it just like the original is neither necessary nor desired. | You and I typically do agree. I can't imagine using a capo in jazz. I wouldn't want to limit the board. Do we see guys using them in jazz? | 
07-01-2010, 08:28 PM
| | | | Join Date: Oct 2009
Posts: 130
| | That martin Taylor video is freaking cool. | 
07-06-2010, 05:30 PM
| | | | Join Date: Apr 2008 Location: Rome, Italy
Posts: 129
| | Quote:
Originally Posted by Space Pickle That martin Taylor video is freaking cool. | I hope youìll enjoy this one too, then. YouTube - Bill Frisell Solo 3 / 3 | | Thread Tools | | | | Display Modes | Linear Mode |
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