harmonisation

[Krenwin]

Does anybody have a solution for the harmonisation of the harmonic minor
in my search i 've found:
Gmin harmonic 1 2 b3 4 5 b6 7
Amin7b5 locrian nat6 1 b2 b3 4 b5 6 b7
Bbmaj7#5 major augm 1 2 3 4 #5 6 7
Cmin7 dorian #4 1 2 b3 #4 5 6 b7
D7 phrygian major 1 b2 #3 4 5 b6 7
Eb lydian #2 1 #2 3 #4 5 6 7
F#dim7 dim locrian 1 b2 b3 b4 b5 b6 bb7

if you have a better musical idea, i'm right here

[pierre richard]

check out Jamie Aebersolds' site...

Has a complete scale syllabus....and much more...

a great site for all who have not been there yet...

time on the instrument...pierre

if music is the wine that fills the glass...fill me up man....

[Reg]

Originally Posted by Krenwin

Does anybody have a solution for the harmonisation of the harmonic minor
in my search i 've found:
Gmin harmonic 1 2 b3 4 5 b6 7
Amin7b5 locrian nat6 1 b2 b3 4 b5 6 b7
Bbmaj7#5 major augm 1 2 3 4 #5 6 7
Cmin7 dorian #4 1 2 b3 #4 5 6 b7
D7 phrygian major 1 b2 #3 4 5 b6 7
Eb lydian #2 1 #2 3 #4 5 6 7
F#dim7 dim locrian 1 b2 b3 b4 b5 b6 bb7

if you have a better musical idea, i'm right here

Hey Krenwin... how goes... never heard the names of scales referred to as harmonization of scale before, technically your harmonizing each note, so why not. Looks like your on the right track. I-maj.7b13, II-7b9/13, bIIImaj7#5.9,13, IV-7#4,9,13, V7b9b13(no #3), bVImaj7#9#11,13 and VIIdim7b9b11b13. Never heard of #3, even in music analysis, (although understandable, actual note would be 4th), in the 5th degree it's natural anyway. As far as names for each mode there as good as most, there's quite a few. All understandable, The V chord being referred to by a min.mode name is a little misleading.( Phrygian usually has tonic rather than dominant function, but what the heck...) Are you using the your names of the modes to help you in reference to how to remember the notes of each mode, if so seems to work, although modal names usually don't have #'s after them. And eventually you'll just think in harmonic min. and won't need to make reference to natural min. Seems like a great tool... nice post Reg

[Krenwin]

Originally Posted by Reg

Hey Krenwin... how goes... never heard the names of scales referred to as harmonization of scale before, technically your harmonizing each note, so why not. Looks like your on the right track. I-maj.7b13, II-7b9/13, bIIImaj7#5.9,13, IV-7#4,9,13, V7b9b13(no #3), bVImaj7#9#11,13 and VIIdim7b9b11b13. Never heard of #3, even in music analysis, (although understandable, actual note would be 4th), in the 5th degree it's natural anyway. As far as names for each mode there as good as most, there's quite a few. All understandable, The V chord being referred to by a min.mode name is a little misleading.( Phrygian usually has tonic rather than dominant function, but what the heck...) Are you using the your names of the modes to help you in reference to how to remember the notes of each mode, if so seems to work, although modal names usually don't have #'s after them. And eventually you'll just think in harmonic min. and won't need to make reference to natural min. Seems like a great tool... nice post Reg

Thank you Reg, that's why i am looking for help on this. first when i saw this it looks like a different language to me.
yes, i'm still studying. have a nice time

krenwin