It looks like you are not yet registered with The Jazz Guitar Forum. Click here to register, it's easy, fast and free!

The Jazz Guitar Forum

Go Back   The Jazz Guitar Forum > The Jazz Guitar Forum > Getting Started

Jazz Guitar Gazette Premium


Welcome to the Jazz Guitar Forums. You are currently viewing our boards as a guest which gives you limited access to view most discussions and access our other features.

By joining our free community you will have access to post topics, communicate privately with other members (PM), respond to polls, upload content and access many other special features. Registration is fast, simple and absolutely free so please, join our community today!

If you have any problems with the registration process or your account login, please contact contact us.

Reply
 
LinkBack Thread Tools Display Modes
  #1  
Old 12-18-2011, 10:35 AM
 
Join Date: Mar 2011
Posts: 596
Guitar Leavitt Modern Method for Guitar vol 1 enjoyment thread!

will move to other thread

Last edited by ten left thumbs : 12-18-2011 at 01:05 PM. Reason: moving to other thread
Digg this Post!Add Post to del.icio.usFurl this Post!
Reply With Quote
  #2  
Old 12-18-2011, 09:38 PM
Kojo27's Avatar  
Join Date: Jan 2011
Posts: 684
Default

Hello --

I learned most of what I know from volumes 1 and 2. It's the best method I know of for developing a fairly high degree of proficiency in a relatively short stretch of time.

Besides that, it's fun - and it's cool to think of all the guitarists who probably worked through the same stuff. I think I'll buy Vol. 1 w/DVD, just to drill on fundamentals, and just because I like the books so much.

About rest strokes: I don't recall Leavitt's saying we should use rest strokes throughout. However... during the past year or so I've started picking "through" the string on downstrokes AND on upstrokes. It's a great technique to have under your belt, because it's the ultimate way to pull a nice, fat tone from a string. It produces a sound that just isn't possible with "free strokes" ... imo. Listen to Django - he's using rest strokes galore. (Leavitt presents "Gypsy picking" in vol. 1, early on, but he calls it "Another way to pick" or something like that -- says it's old-fashioned, but still worth knowing. Hah! It's a GREAT way to play. IMO.)

Have fun!


kj
Digg this Post!Add Post to del.icio.usFurl this Post!
Reply With Quote
  #3  
Old 12-19-2011, 04:32 AM
 
Join Date: Mar 2011
Posts: 596
Default

That's good to know Kojo. What is gypsy picking? there is reverse alternate picking on p52, but I've not got there yet.

One of the good things about the dvd is you get to play the duets along with him. Provided you can keep up.
Digg this Post!Add Post to del.icio.usFurl this Post!
Reply With Quote
  #4  
Old 12-19-2011, 07:11 PM
Kojo27's Avatar  
Join Date: Jan 2011
Posts: 684
Default

Quote:
Originally Posted by ten left thumbs View Post
That's good to know Kojo. What is gypsy picking? there is reverse alternate picking on p52, but I've not got there yet.
If you want to SEE an incredible example of "Gypsy Picking," go to truefire.com and look around till you find Andreas Oberg's course - "Combustion - something" - I can't recall the exact title. These are video courses, as you may know. One of the FREEBIE clips that you can watch is one in which Oberg demonstrates this way of picking. It's worth the time! It'll convince you of just how effective this can be. Oberg is FAST.

I'm pretty sure I read (probably in Guitar Player magazine) that Joe Pass played this way most of the time.

The technique: whenever you move the pick to a different string, you play a downstroke. This is ascending and descending. When notes you want to play are along the same string, use alternating down- and upstrokes. I've found that when playing low-to-high ( a scale, for example), this technique can facilitate some pretty amazing speed. It's the same as "economy picking," when you're moving from lower-pitched to higher-pitched strings. On the way back down a scale, though, it's different.

It's on page 59, volume one.

Here's a piece of the page w/Leavitt's explanation:

Gypsy Picking_Leavitt.jpg - File Shared from Box - Free Online File Storage


kj -- How does the picture link work now?
Digg this Post!Add Post to del.icio.usFurl this Post!
Reply With Quote
  #5  
Old 12-20-2011, 02:54 PM
 
Join Date: Mar 2011
Posts: 596
Default

got it - thanks, this is good to know.

Sounds like descending it would be quicker to start on an upstroke.
Digg this Post!Add Post to del.icio.usFurl this Post!
Reply With Quote
  #6  
Old 12-20-2011, 03:43 PM
Kojo27's Avatar  
Join Date: Jan 2011
Posts: 684
Default

Quote:
Originally Posted by ten left thumbs View Post
got it - thanks, this is good to know.

Sounds like descending it would be quicker to start on an upstroke.
Yeah, it does seems so, but watch Oberg do it. I'm not a gypsy picker, but I've tinkered with this idea enough to know it's based on sound principles and really does allow you to FLY.

Try it for a week. Practice major scales, at 60 bpm, 4 notes per click (or two notes, whatever). ALWAYS play to a metronome. Then, after a week, you'll surely know.
Digg this Post!Add Post to del.icio.usFurl this Post!
Reply With Quote
  #7  
Old 12-21-2011, 02:10 AM
 
Join Date: Mar 2011
Posts: 596
Default

I'll give it a try.
Digg this Post!Add Post to del.icio.usFurl this Post!
Reply With Quote
Reply


Thread Tools
Display Modes

Posting Rules
You may not post new threads
You may not post replies
You may not post attachments
You may not edit your posts

vB code is On
Smilies are On
[IMG] code is On
HTML code is Off
Trackbacks are On
Pingbacks are On
Refbacks are On



Powered by vBulletin® Version 3.6.3
Copyright ©2000 - 2012, Jelsoft Enterprises Ltd.
SEO by vBSEO 3.2.0 ©2008, Crawlability, Inc.
Copyright © 2006 Jazzguitar.be